The Black Beauty Myth By Sirena Riley

Near the middle of her article, Perry argues that even though statistics show black girls having the highest self-esteem of their physical appearances, the rate will fall as they “move into adolescence and their bodies come under scrutiny” (138).

In Killing the Black Body, Dorothy Roberts describes the history of African-American women and the dehumanizing attempts to control their reproductive lives. Beginning with slavery, to the early beginning of birth control policy, to the sterilization abuse of Black women during the 1960s and 1970s, continuing with the current campaign to inject Norplant and Depo-Provera along with welfare mothers, Roberts argues that the systematic, institutionalized denial of reproductive freedom has uniquely marked Black women’s history in America.

This may seem a basically simple task, though her spin and the overall diction she uses to describe what she sees in the first few sentences suggest what will follow. For example, “…slender body, flawless (and more often than not white) skin; delicate, even facial features enhanced by makeup, carefully coifed hair…” Para 2). She then provides anecdotes from teens regarding their own body image before delving into the beginning of the 20th century, where she draws upon Brumberg’s 1997 book, “The Body Project. An Intimate History of American Girls”; a starting point for the conversation ahead. Lipkin then begins a chronicle of certain diseases associated with poor body image followed by the response of a specific cosmetic branding company. Lipkin closes her article by not providing a clear solution to the problem, but rather reinforcing the idea that women are seen as, “…both bait and targets…” (Para

As a cornerstone of the black community, their bodies are under constant scrutiny as both a mother figure and a sexual symbol. Within black communities, black women are encouraged to be curvy, with an amply bosom, slim waist, and fuller hips, thighs, and behind. This physique doesn’t come naturally to all black women and many try to attain it, and those who have it maintain it. Skinny Black women are constantly asked about their weight and diet. They are told that they “need a little more meat on their bones”. These are the same young girls who grow up praying puberty hits them, giving them bigger breast and a bigger butt. Black women who lack a curvy physique are quickly viewed as being less of a woman, as if there is a direct relationship between Black womanhood and weight. Skinny Black women are deemed as weaker, less able to cook or even have kids by family members and friends. Black men also contribute to skinny-shaming. In Jada Pinkett-Smith’s words, “You don’t think I want to be a couple of pounds heavier? Black men like their women with a little meat. All my life Black men have told me how flawed I am”. For such a strong, beautiful dominant Black actress, Jada still feels her body is not up to the heavier body standards of the Black

As stated above, African-American women have been subjected to measure themselves against white women. White women are viewed, in this society and since the beginning of the concept of race, as the epitome of beauty. Logically, African-American women attempt to emulate the white standard. This creates an inferiority complex, because the epitome of beauty is white woman, than any other race can be deemed as inferior; this deteriorates African-American women’s self-worth. To remedy worthlessness, many body modification techniques have been made to fully mimic white women in terms of beauty. This emulation still is being done and it is continuous, because of the psychological ‘white fantasization .

Body image has always been a huge part for women in their lives. In the beginning of the essay Bordo gives a great opening with a good description that open your eyes. She speaks about how a young girl standing in the mirror who thinks she is fat when in actuality she is the right size according to her doctor’s chart. The young lady only thinks she fat because of what she sees on TV and how actress, singers, and artist’s bodies looks. With the media it has people thinking

Although embracement or celebrations of this stereotypically black feature may empower these women who reverse or redirect the hegemonic gaze that had been centered on their backsides for so long, these Eurocentric derived presumptions and idealizations of female blackness, nevertheless, remain. However, attempts to redefine these social constructions, while accentuating this feature Beyoncé refers to as “bootylicious,” has transformed beauty industries and ideas of sexual desirability which “subverts social hierarchies and normalcy” (Hobson 88). These redefinitions of beauty, more specifically, black beauty, from the “grotesque, carnivalesque body,” (Hobson 88) seeks “a healthier body image than their white counterparts” who are exclusively depicted as slender and petite (Durham 36-37). Thus, black women begin to visualize their own bodies and other black women bodies in ways that lead to non-sexualized, non-deviant conclusions. Challenging these “controlling images,” as Patricia Hill Collins identifies in Hobson’s article, only “unmirrors” black femininity and its history, a term Hobson cited from black artist and theorist, Lorraine O’Grady, because in order to “name ourselves rather than be named we must first see ourselves” (89). She later adds

In an attempt to define Black Feminism, Collins clarifies that it must “avoid the idealist position that ideas can be evaluated in isolation from the groups that create them (Collins 385).” This clarification forms her basis for why Black Feminism is necessary, and who it serves. Thinking about feminism historically, the concerns of black women were pushed aside in favor of fighting sexism; a notable example occurs within the Suffrage movement, where votes for white women were prioritized over women of color in order to push such legislation through. And even when feminism began looking at other social injustices, such as racism and class issues, often only prominent feminists were invited to the discussion. What resulted was, and often continues to be, a problem of white women speaking for oppressed people. It’s impossible, Collins argues, to have Black Feminist thought without examining the experiences and positions of African American women. Therefore, Black Feminism must be a movement that “encompasses theoretical interpretations of Black women’s reality by those who live in it (Collins 386).” However, such a definition brings about many questions:

They found that black women overall prefer a more voluptuous and robust body shape; the women seem to correlate this with wealth, stature and fitness across cultures (Ofuso, Lafreniere, Senn, 1998). Another study that looked at how women view their bodies supports these findings. This study shows how perceptions of body image vary between African American and Caucasian women. African American women tended to be happier with themselves and have a higher self esteem. The women were all college women from two small community colleges in Connecticut; this is very important that their surroundings are essentially the same (Molloy, Herzberger, 1998). Although these studies reveal that African American and Black women across the world have different cultural constraints and body image ideals than other ethnic groups, other studies urge researchers not to forget that Black women are not unsusceptible to eating disorders and low self esteem. One literature review cautions that the dominant culture of a society may impose its views on individuals and cause a deterioration or change in values and perceptions (Williamson, 1998). Interestingly, Black women with high self-esteem and more positive body images also possess more masculine traits than other women studied.

Today we live in a society that over the years has become so obsessed with body image and how an individual should look. Different cultures have different standards and norms that help to define their ideal body image. African Americans because of their differences in culture have gone against most cultural norms and have set their own definitions of beauty, body image, and body satisfaction. Because of these key differences, the African American community is less likely to feel the pressures that come with body shaming that typically leads to many eating disorders. Through research of different studies, surveys, and interviews, we can begin to learn why African Americans have set their own set of standards and how they have decided to fit into todays society.

The media have constructed attractiveness for a long time many sociocultural standards of beauty and. Especially women’s body images have been a primary concern because the value of women has been measured how they look like. How women have similar body traits with the modern female body images has been a significant and essential issue, historically. The sociocultural standards of beauty which have been created by the greed of the media have dire impacts on young females. The current beauty level of the female body image in the media is thinness. In fact, the preferred female body images have been changed through the media. Throughout history, sometimes skinny women’s body images were loved, and sometimes over weighted women’s body images were preferred. Whenever the media have dictated the ideal female

The book “Black Beauty” by Anna Sewell is a fiction autobiography about the ups and downs of Black Beauty, a horse in nineteenth-Century England. It starts with Beauty’s explanation of his life as a colt in the home of a great master named Farmer Grey. Beauty plays and runs in the meadow and receives lessons from his mother, Duchess, about the importance of being nice and gentle and never biting or kicking.

“People often say that beauty is in the eye of the beholder, and I say that the most liberating thing about beauty is realizing that you are the beholder,” according to Salma Hayek. Society should have a positive outlook on body image, rather than face a disorder that can change one’s whole life. Negative body image can result from the media, with photoshop and editing, celebrity fad diets, and society’s look at the perfect image. Negative body image can lead to dangerous eating disorders, such as bulimia and anorexia. It can also take a risk to unhealthy habits, such as smoking, alcohol, and drugs. It is important to stress the effects of body image, because the world still struggles with this today. Society should not be affected by

Often, people of all ages, race, and gender catch themselves gazing into mirrors for hours, blaming themselves for the way they look, not realizing that the media is actually the one to blame for many people’s body image. Body image is the way people see themselves, or how they assume other people see them. It is not likely to see a plus sized model in a magazine or a model on the runway with blemishes on her face. A person’s negative perception of their own body is not because they think it is wrong to look and be healthy; it is because the media is telling them that being a size 2 with flawless skin is healthy and beautiful.

Beyond the Body: The Welfare Queen and the Cultural, Political, and Socioeconomic Implications of the Fat Black Female Body