The Bitch's Life After: The Beauty Treatment And Scar

The symbolic meaning of the Incurable Wound is used to show the psychological impact of Georgiana’s insecurity about the birthmark because of Aylmer’s lack of acceptance of her natural beauty. “Research has primarily focused on the consequences of exposure to beauty advertising

“Long Beautiful Hair,” wrote by Ann Hood, is a piece most would assume just to be a narrative of how the author goes through different hair phases in her lifetime. However, that is only the superficial meaning; Hood’s piece is metaphorically set up for a greater purpose. If analyzed correctly, her piece is a complex explanation of a life lesson that people often struggle with: figuring out who they are created to be. In order for her to convey the message fully to the audience, she tells her story in a time progressing sequence while also using rhetorical strategies such as pathos and a metaphor.

In the story it said “She spotted him as soon as she came in the store, but she kept her eyes strictly in front of her as ashe pulled out a cart and wheeled it toward the produce.” and “For some reason she would not have been able to articulate, the girl did not bring her cart up to the bag boy’s checkout when her shopping was done.” So it went from at the beginning of the story her wanting to see him and anticipating it and ready to talk to him and see him, but then when she sees him she ignores him and doesn't go and see him when she is done. Also at the end when she pretended like he was a stranger and moved on she changed completely since the beginning. She went from liking him to not, and from being sad, depressed, and out of it to happy, and feeling good, and is fine with her new life. SO that is how she changed and what changed about her and her

When the readers meet the young, subordinated wife of a physician, who remains nameless throughout the entire story, perhaps hinting at the commonness of such situations where all those women are the same: faceless and nameless, this woman’s dilemma becomes obvious. She has been stripped off the only function a woman in those times had, the domestic one, due to the fact that she suffers from a mysterious illness which requires the infamous bed cure. Gradually, she is treated more and more as a child, unable and even forbidden to express herself in a creative way, namely to write, being persuaded that it cannot do any good to someone in her condition. This is why the protagonist (who is simultaneously the narrator), takes it upon herself to write a journal about her experiences and the mysterious woman that haunts her from the

I believe Aylmer is the protagonist here. The story is about his obsession with ridding his wife of her birthmark. Apparently, he finds her birthmark a symbol of her mortality. He feels a need to play God. He feels science can solve all and trumps nature. He is so obsessed with the imperfection the birthmark bestows in his wife that he in turn causes her to become disgusted by it. It is his hatred of it that eventually causes her to find it ugly and no longer charming. Georgiana’s character changes throughout the story. She starts off confident. She finds her birthmark charming. However, throughout the story she becomes more repulsed by it. She sees herself differently because of how her husband sees her.

A person’s perception of anything is always influenced by their experiences. Alice Walker, the writer of “Beauty: When the Other Dancer is the Self”, is no different in regards to her perception of beauty. Walker uses various stylistic elements throughout her writing to convey her shifting outlook toward her own beauty. She also employs various rhetorical strategies in order to deliver a clear and luring story that keeps the reader engaged as she describes her life as a flashback. Walker uses the accident that happens during her childhood to prove that one’s mindset can be altered because of a profound experience and how her attitude completely transforms from a conceited and arrogant child into a newly reborn woman who sees a new kind of

In Angela Carter’s The Bloody Chamber, the theme of transformation appears throughout the short story cycle. The hero/heroine’s virginity acts as a source of strength that protects them from harm. Their lack of fear also saves them from death. Virginity acts as power of potentia, either literally or symbolically and results in a release of an observed transformative power. The bloody chamber serves a different symbolic purpose of transformation for Beauty in “The Courtship of Mr Lyon”, the heroine in “The Tiger’s Bride” and the Countess in “The Lady of the House of Love”. Each of these characters will embark on a journey that questions their selfhood in circumstances that are presented to them and ultimately each will go through a

From this moment on, every acceptable quality she has will mean absolutely nothing to her. As long as she has her big nose and her two thick legs, that is all she will see herself as wholly. This leads her to thinking about permanently removing her unwanted flaws. She believes that if she removes her flaws, she will finally be accepted by society. In both stories, the reader interprets that both the woman and the young girl have specific qualities that someone in their lives has pointed out as flaws. The opinions of these certain people obviously matter to both of them, so they eventually decide that they want their flaws removed for good.

This change is a positive and uplifting change of self for the protagonist in this novel.

Portrayed as spiritual and intellectual in contrast with his crude laboratory assistant Aminadab, Aylmer becomes disturbingly obsessed with a birthmark on his wife’s countenance. The plot of the short story revolves around the man’s attempt in removing the mark, which results in the death of Georgiana. In the very beginning of the story, the audience discovers through the narration that Aylmer views his wife’s birthmark as more than a congenital, benign irregularity on the skin. In reality, the primary reason why he becomes severely obsessed with the birthmark is because in his eyes, the mark symbolizes something. Aylmer proceeds to further clarify his inner thoughts by replying to his wife, “This slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection” (Mays 340). Although Georgiana is initially mortified and even goes as far to question the existence of the marriage between them, the narration later sheds light and explains that the precise reason why Aylmer is excessively bothered with the birthmark is because he regards Georgiana as virtually the embodiment of perfection. As a consequence, perceiving a flaw on his wife’s image that clashes with the concept of her beauty inevitably leads him to feel aggrieved and begin to judge the birthmark as a dangerous blemish residing on her skin.

This story was written in the first-person perspective. More specifically, the story is a dramatic monologue in which the narrator is responding to ambiguous questions asked by an ambiguous character. The narrator is a major participant taking part in the story as she is the main character, but she isn’t necessarily a reliable source of information because of her extremely emotional state of mind. She is repressing memories from the night of the incident and from her life in general, and this is shown when she says, “I hate to repeat it, my life” (41), and “I don’t want to talk about her” (43). The narrator is also highly unreliable because she isn’t even certain of the validity of the story she is telling. She says, “What? Did I say that?...Then maybe I do remember it, it’s all so confusing and…” (45). Because this story is first-person, we can know only what the narrator reveals. We don’t know the questions being asked of the narrator or the response of that person, and the narrator doesn’t always finish her sentences or thoughts, either. She drifts off and this is shown by the abundant use of ellipses. This is when the reader starts to speculate what is being left out of the narration. The narrator is repressing memories and refusing to talk about them, like when she says, “I don’t want to talk about it again” (41), so there is some

When the narrator first encounters the girl, his friend's older sister, he can only see her silhouette in the “light from the half-opened door”. This is the beginning of his infatuation with the girl. After his discovery, he is plagued by thoughts of the girl which make his daily obligations seem like “ugly, monotonous, child's play”. He has become blinded by the light. The narrator not only fails to learn the name of his “girl”, he does not realize that his infatuation with a woman considerably older than himself is not appropriate. He relishes in his infatuation, feeling “thankful [he] could see so little” while he thinks of the distant “lamp or lighted window” that represents his girl. The narrator is engulfed by the false light that is his futile love.

In this passage, Jane breaks free from the bonds that hold her down and repress her, and for the first time the reader realizes Jane’s true personality and individuality (Anderson).

Ridding herself of the male dominance in her life she has set herself free of all restraints, she can now find her true self as she discovers her own individual

The healing process would take time, both mentally and physically she had been mutilated. Her dreams had died with no chance of being a sports star. The newfound scar tissue covering her face, wouldn’t attract the guys like it did before. Her beauty was gone; and with it her pride, life and happiness. When she finally returned to school, things were not the same as they had been. She rolled down the hall in her chair avoiding the stares of the school. The people once considered her close friends greeted her with whispers and curious glances. She was still the talk of the school, but not in the good way. Her looks had gotten her a lot farther than she had ever realized. Popularity was a thing or her past.