The Bell Jar

Sylvia Plath’s novel, “The Bell Jar”, tells a story of a young woman’s descent into mental illness. Esther Greenwood, a 19 year old girl, struggles to find meaning within her life as she sees a distorted version of the world. In Plath’s novel, different elements and themes of symbolism are used to explain the mental downfall of the book’s main character and narrator such as cutting her off from others, forcing her to delve further into her own mind, and casting an air of negativity around her. Plath uses images of rotting fig trees and veils of mist to convey the desperation she feels when confronted with issues of her future. Esther Greenwood feels that she is trapped under a bell jar, which distorts her view of the world around her.

Everyone deserves the freedom to be who they are without prejudice, without repugnance, and without the fear of not being accepted. In the book The Bell Jar, the author, Sylvia Plath took the reader into the mind of a suicidal woman named Esther Greenwood. The novel was set in the 1950s, a time period in which an ordinary woman is only seen as the person that stays at home as a mother and wife. Howbeit, Esther did not want to become one of the cliched women. In lieu she wanted to be an independent writer that did not get pressured into marriage. The Bell Jar opens the readers up to the ideas of what stereotypes and expectations can do to a person’s self-esteem along with their mental condition. That being said, the theme of The Bell Jar is, the pressure to follow certain stereotypes can lead to a corrupt mental state.

As king of England, Henry has the power and the unquestionable authority to act based off his own desires even if they are not legally or morally acceptable. Because his current wife, Catherine, who was also his brother’s widow, has failed to birth a son, he wishes to divorce her and take Queen Anne as his new wife. Without a male heir to the throne, Henry’s lineage will come to an end and England will be left without a successor. He admits this to More during their meeting in Act 1, saying,

In other words, a relic’s power rested mostly on the ability of its patrons, presumably the Pope and lords that protect the Pardoner, who is also attempting to copy these authorities to make himself appear influential. Furthermore, the Pardoner creates prestige for his relics the same way that relic custodians have. Robyn Malo endorses this, “his occupation similarly requires him to control his relics and dictate the conditions of access to them… Though his relics are fake, his character still serves to satirize relic custodians, who similarly guarded and regulated contact with their[…]objects” (84). The Pardoner accordingly expects the Host to comply the pardons and relics and submit to the powers that be that govern the Host and every person on the pilgrimage.

The Bell Jar, a coming of age, semi-autobiographical novel, by Sylvia Plath follows the life of a troubled young girl named Esther Greenwood, her slow descent into mental illness and then her subsequent recovery. The second half of the book details Esther's mental breakdown, her incarceration and stumbling recovery whilst the first half uncovers the protagonists, narrators day to day struggles which go on to contribute to her eventual breakdown . Throughout the novel, the reader comes to understand that Esther feels there are few choices; in character a woman must be either the virgin or the whore, both of which are demonstrated by Esther's friends, Betsy and Doreen. This presents one of the key internal conflicts the protagonist, Esther battles.

People's lives are shaped through their success and failure in their personal relationships with each other. The author Sylvia Plath demonstrates this in the novel, The Bell Jar. This is the direct result of the loss of support from a loved one, the lack of support and encouragement, and lack of self confidence and insecurity in Esther's life in the The Bell Jar. It was shaped through her success and failures in her personal relationships between others and herself.

The 1950’s were a time when the world was dealing with the after-math of World War II. People of this era were coming to terms about how their lives had been changed forever. When the men went away to fight in the war, the women at home had no choice but to modify their lifestyles. These women, who mostly consisted of housewives, had to go to work outside the home. This caused this these once dependant women, who relied on their husbands for their sole source of income, gained a sense of independence. Many women felt they had a bigger purpose when they worked to achieve a goal instead of just working at home for their husbands. When the men came back from war their home life had transformed. They saw how the women in their lives had become self-sufficient. The men felt apprehensive and threatened by these newly empowered women. The still male-dominated society felt threatened, and new social concepts came into place to keep women in their place, so the men could still thrive. These social concepts were very gender specific; women had much less freedom than men. What was seen as socially acceptable for men was not for women. In Sylvia Plath’s novel The Bell Jar, she employs imagistic motifs to argue that society governs how men and women must conform to strict gender roles inflicted on them by society in order for a person to be viewed as successful and attractive.

The themes in The Bell Jar, by Sylvia Plath, are portrayed through Esther’s unique characteristics. Sylvia’s life experiences and personality contribute to these themes: growth through pain, the emptiness of conventional expectations, and the restricted role of women during the 1950’s. Esther must battle through several obstacles in order to move on with her life. She also feels like she does not fit in with society. Women’s role in society during this time also contributes to Esther’s qualities. In order to understand the themes of the novel, one must learn who Sylvia Plath is.

Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the

In The Bell Jar, Esther finds it extremely difficult to put her thoughts into words. She loses friends as she is unable to communicate with them. She lacks relationships due to her silent behaviour. “The silence depresses me. It isn’t the silence of silence. It’s my own silence,” (Plath 18) she says. Although at first Esther feels upset by the lack of connections she has, she loses motivation to even try and explain herself to others. Unlike Mr. Chance in The Cloud Chamber, and Deborah in I Never Promised You a Rose Garden, Esther’s mental state does not improve, and she is unable to resolve lost connections. Esther’s mother tells her, “the cure for thinking too much about yourself is helping somebody who is worse off than you” (Plath 161). However, in her case, she’s so disconnected from the people who were once a big part of her life, that she doesn’t know who to reach out to. She doesn’t see herself being capable of maintaining stable and happy relationships with others when she can’t even maintain her own happiness.

Native Americans have endured different stereotypes ever since the Americas were colonized. This has led them to develop their own sense of ethnocentrism, along with the problem of dealing with other culture’s ethnocentrism feelings. Stereotypes are examples of certain traits or behaviors that are pertained to a certain membership in a social category. This category can include sex, race, age, profession and more. Ethnocentrism refers to a person’s preference to put their own culture above others cultures.

Esther Greenwood, the protagonist of The Bell Jar by Silvia Plath, is cast under the spell of her own depression and the story of being released from the spell follows the structure of one of the 7 plot types Christopher Booker created. These 7 plot archetypes include the Quest, Voyage and Return, Comedy, Tragedy, Overcoming the Monster, Rags to Riches, and lastly the archetype of Rebirth. The novel The Bell Jar is classified as the Rebirth plot, in accordance with the 5 stages that make up said archetype: The Falling Stage, Recession Stage, Imprisonment Stage, Nightmare Stage, and The Rebirth Stage. Readers follow Esther as she pulls herself through the stages, through the falling, the rising, and the falling once more, until she reaches

In Sylvia Plath's novel The Bell Jar, Esther Greenwood seems incapable of healthy relationships with other women. She is trapped in a patriarchal society with rigid expectations of womanhood. The cost of transgressing social norms is isolation, institutionalization and a lost identity as woman. The struggle for an individual identity under this regime is enough to drive a person to the verge of suicide. Given the oppressive system under which she must operate, Esther Greenwood's problems with women stem from her conflict between individuality and conformity.

In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the

According to the data from the Center for American Progress and Elle Magazine, “Nearly 30 percent of women report experiencing discrimination in the workplace.” However, this report is only based on the environment in employment settings. Women experience and visually see gender roles and inequity against females in everyday surroundings, and they are often accepted and practiced without difficulty. Similarly, in the novel, The Bell Jar by Sylvia Plath, Esther experiences different societal expectations throughout her life in hometown and New York, which helps her realize that she does not fit into either of the society; moreover, she grows weary as she loses her identity and passion, in search for who she is.