Artists and Artworks from the Baroque Period
Nathan Hale
American Intercontinental University
Abstract
The author of this paper examines three works of art from three different artists from the Baroque Period. He compares the different works of art and discusses similarities, differences, and the techniques that were used.
The Baroque period ran from 1600 to 1770, Artist of that time used different techniques that were used during the renaissance period to bring drama to art. An immense amount of art in that period shows fantastic energy and emotion. These pieces of art that were designed and created during the Baroque period brought out emotion in the onlookers of the
…show more content…
The color of the sculpture is of skin tone, but the way Bernini sculpted the lines created shadowing in his skin. You can tell the strength of David by all the carved out muscles that are all over his body. Peter Paul Rubens a renowned humanist and diplomat in his time. Was the most influential baroque painters in northern Europe. He studied works of Michelangelo. When he returned up north he was very sought after and opened a large studio with much assistance. He was known for the beauty he painted when painting nudes, but there was a propensity for everything in his painting to have a sense of sensuality, his freedom with the brush influenced many painters. The rising of the cross 1610 to 1611 which was painted oil on panel. He painted this piece of art for an important Roman Catholic cathedral in his homeland. He paints the elevation of the cross after returning to Flanders from Italy. The main panel illustrates muscle men attempting to lift the cross, and the unbearable weight of Christ of the cross. This piece of art is jumping out on the onlooker it simply is amazing leading to the picture of Christ . The visual vitality makes this piece a baroque piece of art. The center of this beautiful painting is filled with drama and power. The strong figures lug the rope to raise up the cross. While the other muscly men carry and raise a pale looking Jesus. You
Artists that concentrated on the Baroque style of painting had an uncanny ability to display their style more so than the artists of the Renaissance era. In respect to their different approach towards shape, room, and work of art, the differences in their styles resulted in dissimilar descriptions. Renaissance and Baroque seem to concentrate towards the treatment of space, appearance, and color. This uniqueness affects the description of a painting and therefore it cannot be seen. More so, than in comparing Perugino's Christ delivering the Keys of the Kingdom to St. Peter from the Early Renaissance to Caravaggio's exchange of St. Paul from the Baroque style.
Most forms of Catholic Baroque art are assertive and, as intended, assault ones senses. The evolution of religious art from the uniform composition characteristic of the Italian Renaissance through the evolving Mannerism in to the bold and striking Baroque was striking to say the least. The stylistic changes from Da Vinci's The Last Supper to Tintoretto's version in the 1590's bear a perfect example of this transition. The point of view in Da Vinci's was central and allowed for a
The work of art that I have chosen to write about, is the Three Miracles of Saint Zenobius (1500-10). This painting is part of a bigger collection that depicts scenes from the life of Saint Zenobius. It’s sister pieces are spread out in different parts of the world, such places as, London, Dresden and New York itself. The painter of this entire collection is Sandro Botticelli (1445-1510) and he belongs to the Early part of the Renaissance. It is worth to note, that Botticelli was taught by Filippo Lippi. Fra Filippo Lippi was a prominent artist of his time and he painted his work with great color and as well with a narrative quality. Botticelli himself made a name for himself by his artistic style and to his contribution to painting the frescoes of the Sistine Chapel and even though his most notable work of art was the Birth of Venus that was created eighteen years prior to the Three Miracles, this piece of work takes a different approach than his other paintings. The painting itself resembles the Scenes from the life of Saint John the Baptist (1490/95) and it could be said that Botticelli was inspired by it.
The Classical time period, which spanned a length of seventy years, from 1750 to 1820, was very different in nature from its predecessor, the Baroque time period. The Baroque era featured works that were ornamentally elaborate, where the artists and composers centered their works on a big, bold style that was dramatic in its composition. Artists and composers transferred strong feelings of tension and emotion into their works and it was common for there to be some type of action or movement happening within the work. Those who lived in the Classical time period, valued simplicity and wanted to return to the ideals of the Greeks. Therefore, the Classical time period is characterized by clear structural clarity, simplicity, smoothness, and symmetry. However, though the works took a step back from the grand movement of the Baroque era, the composers and artists of the Classical time period did lay out a tuneful and elegant style in their music and art. Out of the Classical era came many renowned artists and composers, two of those whom are artist Sir Thomas Lawrence and composer Ludwig van Beethoven (“NYU”).
•The creation of the baroque style—an art style full of emotion, flamboyancy, symbolism, vigor, and subtlety—largely as a product of the Catholic Church patronage of the arts
Baroque Period, during which a few of the greatest composers on this planet were born, brought classical music onto a whole new level. The word “Baroque”, which came from the Portuguese for “the imperfect pearl”, implies strange, extravagant and overblown. Toccata, fugue, chorale, ortario, and the concerto Grosso, all of these special musical forms were created and represent this period. The six main characteristics: increased emotional expression, contrast, use of basso continuo, continued harmonic development, use of ornament, and the emphasis of improvisation, molded the unique style of music of the Baroque period.
First of all, Rubens uses dark and light colors throughout the painting to emphasize movement and fluidity. The most obvious use of movement through color appears on David. David’s bright red drapery is what draws our eyes in first because David is the most important object in the painting. The different shades of red emphasize movement because it accentuates the folds of the drapery, making it flow. The warmth of the red in his drapery contrasting with the darkness of the ground gives off intensity and seriousness of the scene. Furthermore, there is bright red blood on Goliath’s forehead, where David struck him with a rock. The red blood sticks out, making the scene a bit more realistic and exciting. The dark and light colors used in the sky also shows
In 1600 a new style of music began to evolve, this form of music was
At this time last year, I would have considered all music before the 20th century to be classical. However, after taking a Dual Credit Music Appreciation course, I realized that “old” music cannot simply be grouped into a single category. There are so many differences that I had no idea existed. Throughout the years, music has changed and evolved, meeting the needs of listeners and performers. Different composers have been catalysts in this change as they have developed new styles and genres. Even though the classical period is directly subsequent of the baroque period, baroque and classical music have countless different qualities and characteristics.
The Baroque Period (1600-1750) was mainly a period of newly discovered ideas. From major new innovations in science, to vivid changes in geography, people were exploring more of the world around them. The music of the baroque period was just as extreme as the new changes. Newly recognized composers such as Bach, Handel, Vivaldi, and Monteverdi were writing entirely new musical ideas and giving a chance for new voices to be heard that were normally not thought of sounds. Their musical legacy is still recognized today, and is a treasured discovery of outstanding compositions being reiterated with every performance of them.
A number of modern artists have focused on reflecting personal perception of the world through a contemporary Baroque style in art. The increasing popularity of Baroque nowadays is due to the complex processes that took place in society and the solutions the modern culture has to offer to resolve them. Truly, through the history, the emergence of Baroque elements has always reflected the complexity of human life, followed by technological progress and cultural exchange. Eventually, Baroque, the style characterized by extravagance and drama, has been defined as anti-classical, innovative and experimental, intended to touch directly the beholder, individual of diverse and pluralistic society.
The era known as the Baroque period includes the seventeenth and most of the eighteenth centuries in Europe. The Baroque style was a style in which the art and artists of the time focused upon details and intricate designs. Their art often appeals to the mind by way of the heart. During this time the portraits began to portray modern life, and artists turned their backs on classical tradition. Much of the art shows great energy and feeling, and a dramatic use of light, scale, and balance (Preble 302). Buildings were more elaborate and ornately decorated. These works of art created history and altered the progress of Western Civilization. Architecture such as the palace of Versailles, and artists like
It is hard to believe that what began during the Renaissance would be followed by what we refer to as the Baroque period beginning in the 1600’s and later the Rococo. The term Baroque was first used in the eighteenth-century by critics in a negative way. “To the eyes of these critics, who favored the restraint and order of Neoclassicism, the works of Bernini, Borromini, and Pietro da Cortona appeared bizarre, absurd, even diseased—in other words, misshapen, like an imperfect pearl” (Camara, E., n.d. para. 12). Stylistic style differs in the Baroque period with the use of interrupted contours, dynamism, and instability. In addition, artists were moving toward a more realistic subject matter and not the idealized portrayals we saw in the Renaissance period.
The Rococo era was an imaginatively experimental and colorful period of time in France in which highly ornamented fashion and décor were at the forefront of fashion. The Rococo movement was already vaguely invented during the Late Baroque era in Italy, but after gaining some headway, it was then pushed by King Louis XV of France who was very interested in showcasing luxury, wealth, and good taste of that time through art and fashion. By the mid-1700’s, the majority of France was sick of the dull, looming, and dark aesthetic of the Baroque era. Once the Rococo era came about, home décor and fashion consisted of much more brightly decorated, overwhelming colors and opulent designs and textures. The concept of the Rococo was that more is better in terms of garments and fabrics, furniture, and other leisurely activities and decor.