The Awakening : The Downfall Of Edna Pontellier

Edna’s deliberate sacrifice is that she chooses a man who has her relive her young fantasies and mind over her husband and family who demonstrate that responsibility and maturity dictate her life. Before Edna meets Robert, the man who reminisces youth, she has her up and downs with her husband but has a consistent and regular lifestyle with her family. She constantly praises her children over everything but however,

After so many years of being subjected by other people, she finally took her life into her own hands and made an attempt to be happy.

Edna’s awakening was the beginning to her suicide. As Edna realized her capacity to be honest with herself, the old Edna began to die. Edna slowly started to realize she did not want to be like other women, whom “idolized their children, worshiped their

She is moved by music. During that summer Edna sketches to find an artistic side to herself. She needs an outlet to express who she is. Edna feels that art is important and adds meaning to her life. After the summer is over and they are back to the city and Edna is a changed woman. She makes many steps towards independence. She stops holding "Tuesday socials", she sends her children to live in the country with their grandparents, she refuses to travel abroad with her husband, she moves out of the Lebrun house on Esplanade Street, and to earn money, she starts selling her sketches and betting the horses. She also starts a relationship with another man Alcee Arobin. He meant nothing to her emotionally but she used him for sexual pleasure. Edna evolved above her peers she did not believe that sexuality and motherhood had to be linked. The last step of her "awakening" is the realization that she can not fulfill her life in a society that will not allow her to be a person and a mother. Edna commits suicide in the ocean at Grand Isle.

Throughout “The Awakening”, Edna is immersed in a constant clash with society over the significance of the difference between her life and her self. To Edna, the question of whether or not she would die for her children is somewhat simple. Edna attempts to explain this concept to her good friend, Adele Ratignolle, but to no avail, “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself” (Chopin 62). Not only does Edna consider her life unessential, she categorizes it as equal with material objects such as money. The idea of self, on the other hand, lies on a completely different level in Edna’s mind. The most important goal to Edna in her life is the journey to discover her true character. The idea that her inner self is more essential than life or even her children causes Edna to stray farther from the social constraints of the typical domestic woman. Kathleen M. Streater weighs in on Edna’s situation and placement in

The ideals Edna had were very progressive for her time. Just as expected she met a lot of push back from most since people do not like the idea of change But one of the biggest leaps she took was moving out of her own home. An understandable gesture for a woman coming into her own, for with a change of heart of change of setting is also needed. She tells

The final reason for Edna’s escape from her troublesome life is the failure of her relationship with Robert. Edna was able to find some form of escape through her desire and hope of being with Robert, but when those plans fell through Edna feels as if she has nothing to look forward to, nothing to live for in life. Robert realizes that he and Edna will never be able to have a true

Due to the restrictions put on Edna not only by her husband’s dedication to appearance, but by the society that encourages women to be viewed almost as property in a marriage instead of an equal participant in the relationship, Edna grows increasingly dissatisfied with her lifestyle, and feels as if she has been living two separate lives. The reader can sense this duality within Edna, even before she meets Robert leading the reader to believe that while the affair was the lynchpin for her awakening, there was always some dissatisfaction with her role in society. Chopin illustrates this when she describes Edna’s duality, stating: “Even as a child, she had lived her own small life all within herself. At a very early period she had apprehended

this time period as Edna’s had a lot of pressure within her because of this. As she’s starting to

Edna realizes that the patriarchal society is quick to condemn particularly a freedom-seeking woman who neglects her children since she is “intended by nature” to take care of them (Dyer 126). She is "uneven and impulsive" in her affections for her children. When they leave to visit their grandmother, she is relieved because she is not suited to the responsibilities of motherhood. Edna’s mind was at rest concerning the present material needs of her children:

From even the first few chapters of the novel it is evident that Edna is becoming aware of her concealed wants and desires as she begins to distance herself from the society that she considers herself to be an outsider in. While walking in town Edna

She leaves the care of her children to her grandmother, abandoning them and her husband when she leaves to live in the pigeon-house. To her, leaving her old home with Léonce is very important to her freedom. Almost everything in their house belonged to him, so even if he were to leave, she would still feel surrounded by his possessions. She never fully becomes free of him until she physically leaves the house. That way, Edna has no ties whatsoever to that man. Furthermore, Edna indulges in more humanistic things such as art and music. She listens to Mademoiselle Reisz’s playing of the piano and feels the music resonate throughout her body and soul, and uses it as a form of escapism from the world. Based on these instances, Edna acts almost like a very young child, completely disregarding consequences and thinking only about what they want to do experience most at that moment. However, to the reader this does not necessarily appear “bad”, but rather it is seen from the perspective of a person who has been controlled by others their entire life and wishes to break free from their grasp. In a way, she is enacting a childlike and subconscious form of revenge by disobeying all known social constructs of how a woman should talk, walk, act, and interact with others.

Through the story Edna becomes more and more uneasy about not being able to do and have what she really wants. This can be shown from the beginning when she lets her children play by themselves and doesn’t miss her husband when he is away from home. Edna tried to be a good mother by becoming friends with an old fashioned woman, Madame Adèle Ratignolle, who devoted her life to her husband and children. However, when Edna was not around Madame Adèle Ratignolle, she forgot how to be like Adèle Ratignolle and instead busied herself with what was considered to be her “childish ways”. She would try to make herself as happy as possible; she was not her happiest with her husband and kids. When Edna discovered her passion for art, she embraced it and neglected her family even more so than before.

Though it was uncommon during the 1800’s, some women didn’t want to assume the traditional role of a typical Victorian lady. Such is the case in Kate Chopin 's The Awakening; she introduces us to Edna Pontellier a mother and wife during the said era. Throughout the story, we follow Edna 's journey of self-discovery and self-expression through emotions, art, and sex thanks to the help of people she meets along the way. Chopin decides to end the book with Edna’s suicide in an attempt to convey a sense of liberation from her repressed life, but was the reasoning behind her suicide what everyone else thinks? Consequently, this said journey took me along for the ride, and I had no complaints. As Edna figured out who she was, I felt as if I was

The remaining question for the reader is: Does Edna's suicide show that she succeeded or failed in her struggle for independence?