The Awakening By Kate Chopin

Commonly explored throughout her works, the idea of marriage inhibiting a woman’s freedom is the driving force behind Kate Chopin’s contextual objections to propriety. In particular, The Awakening and “The Story of an Hour” explore the lives of women seeking marital liberation and individuality. Mrs. Chopin, who was raised in a matriarchal household, expresses her opposition to the nineteenth century patriarchal society while using her personal experiences to exemplify her feminist views.

Sexual transgression and sexual exploration is one of the most highly talked about topics in today’s society. The path to sexual liberation within society begins with experimentation and exploration, followed by personal acceptance, and finally, although not always, societal acceptance. Although we have come a long way on the path of acceptance of different sexual transgressions, the stories of Kate Chopin’s The Awakening, Tennessee Williams’ “Vieux Carre,” and Lyle Saxon’s “The Centaur Plays Croquet” show that this type of acceptance has not always been the case. Each story plays an integral role when looking at the steps on the path to societal acceptance. Chopin 's story dives deep into the area of experimentation and exploration, whereas Saxon 's story looks more at the areas of personal acceptance, and Williams ' story lies more along the area of societal acceptance, and whether or not acceptance is always the end result.

Over the course of time the male species has always been the gender to attain the more favorable conditions. Numerous cultures heed to the belief that the man is the provider and head of his family. This machismo nature can condition the mind to believe that a man should feel superior to a woman. The continuous cycle of male superiority flows down from father to son subconsciously. Do to this unceasing sequence of behavior women fall subject to repression and control at the hands of mentally undeveloped men. Kate Chopin’s The Awakening, illustrated this particular topic in a way that not only appealed to the readers’ sense of pathos but, the readers’ likeliness to be able to relate to the aforementioned as well. Chopin stylistically renders the struggle of the protagonist Edna Pontellier, a strong willed woman who finds herself imprisoned to the concept of trans-temporal existence, as she seeks refuge to her true being, Edna experiments relationships with multiple men that unintentionally repress her existence. Between Leonce Pontellier, Robert Lebrun, Alcee Arobin and The Colonel effect of Edna’s life they catalyze her awakening and ultimately lead her suicide.

The Awakening is a story based around a woman, Edna Pontieller, during the nineteenth century that has decided that she is not like all the additional women in her life because she questions her life ambitions and dreams and realizes that she does not fit into the usual role of a wife and mother. The Awakening begins on Grand Isle, an island off the coast of Louisiana and then to the state of Louisiana and then the story ends on Grand Isle. This story focuses on metaphors, symbolism, difference and the personal struggles that a woman might face during the nineteenth century where men are the dominating force and women stay home to raise the children. Edna lives in this world were woman have firm guidelines on how to live and present

During the late nineteenth century, the time of protagonist Edna Pontellier, a woman's place in society was confined to worshipping her children and submitting to her husband. Kate Chopin's novel, The Awakening, encompasses the frustrations and the triumphs in a woman's life as she attempts to cope with these strict cultural demands. Defying the stereotype of a "mother-woman," Edna battles the pressures of 1899 that command her to be a subdued and devoted housewife. Although Edna's ultimate suicide is a waste of her struggles against an oppressive society, The Awakening supports and encourages feminism as a way for women to obtain sexual freedom, financial independence, and individual identity.

Flannery O’Connor’s work opens up wide doors and gives direct access to the true heart

In the novel, The Awakening, by Kate Chopin, we see how much of an importance the men in Edna’s life serve as a purpose to her awakening. Chopin is known to write stories about women who are unsatisfied with their lives while living in a life that is dominated by men. Other than Edna, the main men characters are typical men of the late 19th century era. Chopin shows how these three men are diverse from one another. The Creole men are Léonce Pontellier, Edna’s husband, Robert, Edna’s mystery man number one, and Alcee, mystery man number two. Léonce, Edna’s husband, is a businessman who has no time for his family let alone his wife. Alcee comes off as carefree and does not seem to care what society thinks of him. Robert is Edna’s main mystery man who she loves but Robert doesn’t love her back. Throughout the novel, these men make Edna question herself, which lead her to her awakening. These men show how men in the late 19th century behaved. In a male dominated world, women were not allowed to do much except for be good wives and mothers to their families. Edna learned the hard way as to what it meant to be the wife of a Creole man in the Victorian era. Men expected too much of women because appearances meant everything and no man would want to have a wife who is out of line and not well behaved in public. In studying these three men in Kate Chopin’s The Awakening, we see how different yet alike these men are to one another.

Additionally, Chopin shows how women were stereotyped as a mother-woman and etc. Many women in the last 1800s and early 1900s were viewed as a mother-woman, a person who’s job is to only to worship their husbands and carry children and idolize them. Many women during that time, did not like the stereotypes that the society put on them. In this quote, “In short, Mrs. Pontellier was not a mother-woman. The mother-women seemed to prevail that summer at Grand Isle. It was easy to know them, fluttering about with extended, protecting wings when any harm, real or imaginary, threatened their precious brood. They were women who idolized their children, worshiped their husbands, and esteemed it a holy privilege to efface themselves as individuals and grow wings as ministering angels.” (Chopin 19), shows how women were stereotyped in their society. This shows what Edna thinks. She does not want to be a typical woman in the society and follow the rules

Freedom. A goal. A liberty. A myth. So many descriptions for a single concept. Yet the main idea is the same: to be free of restrictions, free to be whatever you wish. It is a life necessity, one that was, unfortunately, and still is, restricted throughout history, resulting in many chasing after its acquisition. Humans currently live in a time, in several nations, where freedom is a right, a necessity of life freely given. However, throughout history, freedom has been kept to only a minority, resulting in individuals struggling to change society for freedom to be distributed to the majority of people, a battle that took years, centuries to accomplish. This fight for true autonomy took many forms, both violent and peaceful. Literary works, in particular, have been major agents to this cause, serving as both reminders of those struggles and remembrance to readers of the endeavors those authors sought to accomplish. Two particular works, The Awakening by Kate Chopin and The House on Mango Street by Sandra Cisneros, spearheaded movements for freedom by tackling the prejudice of gender roles, expressing through their novels’ characters and experiences the arguments for individual freedom and the challenges that must be conquered to achieve those goals for future generations.

Kate Chopin writes a short story named “The storm.” The plot of the story where the author shows two married couples, a total of five people and two of them have an affair. We can see a woman who is a mother, a lover and a wife and her different reaction while performing each one of the different roles. After the storm the characters seem to reveal hidden aspects of them.

Kate Chopin is writing so many great stories about whatever she sees. Kate has many Wonderful stories such as, (The Storm, Desiree’s Baby, A Pair of Silk Stocking, A Respectable Woman, and The Story of an Hour). There is one story in particular that catches my mind which is “The Storm”. 0In Kate chopin's era, women are seen as nothing more than a wife and have to stay with their husband for life. Chopin shows a dramatic scene between Alcee and Calixta during the time of a storm that is passing by. Chopin states a non judgemental spot about refraining from morals about the purity of marriage especially calixta. Chopin drenches in “The Storm” a strong feminist and makes a good question about marriage.

Throughout most of her life, Edna Pontellier’s true self was majorly suppressed by her husband, as well as her duties as a mother, and society’s image of

Edna Pontellier is a woman of great needs. Although she has a husband who cares for her and two children, she is very unhappy. She plays her roles as a mother and wife often, but still keeps doing things unmarried, barren women should do: enjoy the company of other men, ignore her children's cries, dress unladylike for the times. The story is set in the late 1800's, when women were to be in the kitchen preparing a meal for their family, giving birth to more children to help with daily chores, or sitting quietly at home, teaching the children while the husband was at work. Edna Pontellier was a woman not of her time. At only 28, she would have rather been out gallivanting with different men, traveling with them, and painting

In “The Story of an Hour”, by Kate Chopin (Kennedy X.J., The Bedford Guide for College Writers, 2011, p. 280-282), it introduces a woman that lives in the final hour of her life. Within this hour, Ms. Chopin sends the central lead, Mrs. Mallard on a roller coaster of emotional highs and lows, and self-realization, with the dreadful notice that she has received. The sorrow she feels is remarkable because her husband was the only one who was living for her, as a couple they were codependent on each other. As the sadness and pain slowly goes, she finds herself in extreme euphoria, when her brief “celebration” came to a screeching and final standstill when she, Mrs. Mallard, witnesses her alleged deceased husband standing in their doorway, alive and well. The author’s short story ends abruptly with the death of Mrs. Mallard, herself, causing her readers to figure out the true reason behind her unannounced death.

I also disagreed with “The Storm” by Kate Chopin, because it suggested that it is possible to be with more than one person at any given point. To me, love is trust, and without trust, love is nonexistent. Marriage is a commitment, a promise to be both trusting and trustful. To betray that agreement is not to love. Calixata expresses “nothing but satisfaction at their safe return” (727) and this reader has to wonder how she cannot feel guilt. Alcee wrote a “loving letter” to his wife, and this reader still wonders where the guilt is. Though “the storm passed and everyone was happy”, I do not believe that the participants of deceit were happy, because happiness is content in oneself, and content cannot live where deception does.