The sublime is a feature present in many art works. It is an aesthetics category that, unlike other categories such as beauty or the picturesque, examines great and awe-inspiring phenomena. The sublime is an aesthetic notion that describes the emotions of awe that people experience when they encounter the immense, powerful, and even terrifying forces of the natural world. Like all aesthetic notions, the sublime produces various emotions with the persons viewing a piece of art. Moreover, many works of art that depict industrial landscapes or scenes rely upon the sublime to communicate to the viewer the sublime nature of modern industry. Indeed, artistic depictions of technology in industrial paintings reflection aesthetic concept of sublime by the scale and focal point in paintings. The sublime is an art work is meant to bring out the emotion in the viewer or have the viewer reflect personal experience. Jung (2014) states the sublime is an aesthetic notion distinct from Beauty (from which the Picturesque aesthetic flows) in that Beauty generally evokes positive feelings in the viewer; the Sublime, on the other hand, has the ability to instill awe, wonder, and even horror (46). All of these different categories previously mentioned, evoke specific emotions. Compared to the Artists Ney (1994), that states “The history of the sublime from antiquity shows, if nothing else, that, although it refers to an immutable capacity of human psychology for astonishment, both the
A painterly quality with an otherworldly aesthetic is what set pictorialism apart from other photographic practices at the time. This notion of perfection is what really captures my attention. What I find quite interesting is that looking into this aesthetic every man
Name: Nhat Ho Mr. Erwin Philosophy 432 30/10/2015 Hero in High Noon In many Western films, the roles of courage, women, integrity, community , individualism, Indians, landscape, and the wilderness were often presented in a similar thematic way, for the directors and their audiences shared a common view of the Old West and shared the same basic values. Courage, integrity, and individualism were greatly admired, women were admirable creatures but needed to be rescued quite frequently, and communities needed to be united in order to survive hostile Indians and an unforgiving wilderness. These values all reflect the idea of Sublime, Jonathan Locke’s view of property, Thomas Hobbes’ conception of human nature and human society, and Aristotle’s
The great thing about art, is that there are multiple portrayals of one idea but, the artist’s own personal style allows one to feel something that another may not. Early Renaissance painters, Giotto di Bondone and Duccio di Buoninsegna established their own unique style to depict a biblical scene known as, The Betrayal of Christ. Through a close analysis of each artist’s representation of, The Betrayal of Christ, one is able to compare and contrast the artists own understanding of the scene through their attention to detail, character, and space throughout the painting. When examining these two works, one will have a stronger emotional response towards Giotto’s interpretation rather Duccio’s, due to his methods of handling organization, figures, and space.
There are many types of literary work: visuals, poems, movies, stories, and so on. They are all completely different in appearance, but share similar meanings. The beauty of literary work lies in the hidden messages of each piece. Mark Doty’s “Embrace” is about a man losing a loved one, but not having the loss control him, having the love take control of the loss. Amy Tan’s “Two Kinds” is about the complexities in a mother daughter relationship, in which her mom and she both face internal and external conflicts in order to achieve the American dream. Her mom being the internal conflict and America being the external conflict. Lastly, the movie Trance is about a painting auctioneer, Simon, who gets involved with Franck and his criminal associates.
Deep meanings can be conveyed in a number of art forms. Each with its own style that tells a story. Some of the mediums that can give these thought-provoking topics are poetry, music, other forms of literature, painting, and a plethora of others. The creator of the pieces can use their own experiences and what they see to show the thoughts and feelings on subjects that are not purely factual. The stories found in the artworks and poetry differ from person to person as no one has had the exact same experiences, even so the works have multiple pieces in common.
Human emotions remain as one of the world’s biggest secrets. Like sleep, we know what happens to our body when we experience these emotions whether it be a release of hormones or a certain area on the body becomes more sensitive. But we don’t know why we have them, experience them, or what purpose they serve. All we know is everyone’s emotions behave differently. Different types of arts can elicit completely different emotional response from people. Some art may have the ability to appeal to dangerous emotions in certain people. Whether it be the corruption of a once faithful and beautiful young girl, plagued by the desire for romanticism and lofty ideas, or a handsome young nobleman who is obsessed with living life to fullest. Both are fueled by the emotion that a certain type of art elicits in them, leaving them in a never ending chase that ruins there life’s. In the Novels Madame Bovary and The Picture of Dorian Grey the protagonists in these stories perfectly exemplifies the danger of arts emotional appeal by showing the corruption and eventual downfall of two once young and beautiful souls by exposing them to art that pleases dangerous emotions such as desire, pleasure, entitlement and disappointment.
piece that portrays emotion caught the attention of people. Compared to older works of art
the human eye. Visualize having the ability to completely free your imagination, letting your thoughts and desires wander to form exotic scenes or locations. These unfamiliar worlds lay deep inside of the brain as subconscious thoughts, usually undetected by the person with them in his or her possession. With the help of the intriguing art movement known as Surrealism, however, these subconscious thoughts are finally able to be brought to fruition. Surrealism is a unique style of art that originated in France with the help of brilliant writer André Breton (Chilvers 599). He defined surrealism and its principles as a “purely psychic automatism through which we undertake to express, in words, writing, or any other activity, the actual functioning of thought… Surrealism rests upon belief in the higher reality of specific forms of associations, previously neglected, in the omnipotence of dreams, and in the disinterested play of thinking” (Chilvers 599). He also strongly emphasized that its purpose was “to resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality” (Chilvers 599). Surrealism is a 20th century style of painting which rebels against traditional notions of art. In order to understand this genre, it is necessary to examine the movement’s characteristics, representative
While the sublime began as something traditionally beautiful and natural, like a sunset, it was Burke’s belief that something does not necessarily have to be appealing to be sublime. When experiencing a sublime moment, one is overcome by passion, and therefore can ironically be extended to that which is grotesque. The feeling of complete terror, for instance, can be described as sublime according to Burke. In his essay he writes, “No passion so effectually robs the mind of all its powers of acting and reasoning as fear. For fear being an apprehension of pain or death, it operates in a manner that resembles actual pain.
Like everything else, there is a romanticized idea of art. A balcony overlooking Los Angeles/ New York/ Italy/ France/ Greece. A misunderstood starving artist conveying their emotions by painting on a canvas. The underlying aspect is emotion. Art is a way to express emotions if you look at the work of Rene Magritte, Salvador Dali and Pablo Picasso what you will see is subconscious emotions on a canvas. Art making is hypothesized to involve bilateral stimulation, engaging the integrating and planning functions of the prefrontal cortex to sequence narratives using left brain functions. Slowly evolving to being used by psychoanalysts and art therapy becoming a profession. This essay will show how art plays an important factor in psychological
Another way in which the story may correspond with the sublime is Sierva's long red hair that had not been cut from the day she was born until the end of her excorcism. Wordsworth says, about the sublime, "Even in the scenes drawn from ordinary life, [the authors] would throw over them a certain coloring of the imagination" (qtd. in Sander 60). This effect is exactly what Marquez does with Sierva's hair. He alluded that there may be something supernatural about it. "The sublime affirm[s] a spiritual dimension to fantasy and explores, through fantastic images, the meaning and existence of spirit" (Sandner 145). Transformation, another sublime characteristic, is used to show how one's perception of something changes (qtd in Sandner 51). Instead of being just hair, it was a promise to Dominga's god. Defamiliarization, which is a characteristic of both the sublime and magical realism (Simpkins 150), is used in Of Love and Other Demons. It focuses one's attention on something, such as hair, that he or she would normally think nothing
The term "grotesque" in art and literature, commonly refers to the juxtaposition of extreme contrasts such as horror and humor, or beauty and monstrosity, or desire and revulsion. One function of this juxtaposition of the rational and the irrational is to subdue or normalize the unknown, and thereby control it. The simultaneity of mutually exclusive emotional states, and the discomfort it might cause, inspires a Freudian analytic critical approach because of its focus on controlling repressed desires through therapeutic rationality. There are volumes of Freudian art criticism, which typically begin by calling attention to manifestations, in some work of art, of the darkest desires of the id. Perhaps in no field
Many different natural and manmade things can be interpreted as aesthetically sublime. Things that are sublime are all around, and they attract a lot of attention from the public. Most tourist attractions are considered sublime. The sublime portrays the strong emotions of awe that people have when they see powerful forces of the natural world. Along with tourist attractions being sublime, most art pieces, especially paintings, are sublime. While some artists paint natural, sublime scenes like mountains, volcanoes, and waterfalls, the artists Erich Mercker, Hans Müller, and Fritz Gärtner demonstrate the sublime by painting industrial scenes that are immense in size and contain bright orange molten metal which creates feelings of power and fear.
Gothic literature and oriental tales frequently focus on different aspects concerning ethics, where the violation of ethics is often portrayed in a way not harshly condemning. Unlike his grandfather, Haroun Al-Raschid, Vathek is a proud, cruel, ambitious and voluptuous man who kills his subject even little children in order to reach the underground realm of Eblis. Encouraged by his mother, Vathek starts his exotic quest and on his way he finds the city of Istakhar where he meets Nouronihar, daughter of the emir Fakreddin and falls in love with her. They continue their quest until they manage to reach underground realm of Eblis. Although they achieve their quest, they are punished to suffer the torture of eternal burning hearts.
The most important trait in defining art is its beauty. As complex as the term “art” can be, the term “beauty” is nearly just as complicated. In order to understand art more clearly it is important to understand beauty. “We label an object beautiful because it promotes an internal harmony or ‘free play’ of our mental faculties; we call something ‘beautiful’ when it elicits this pleasure.” (Freeland 8). As defined above, beauty is not a direct message. It is something that subconsciously allows man to feel good and pleasurable. There is “an internal harmony” when we observe something beautiful that allows us to take away a deeper understanding of a work of art regardless of it being “nice looking” or “ugly”.