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The African American's Struggle Throughout History's Influence on "Beloved"

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The cast. Slavery in the civil war and the African American struggle throughout history influences Beloved’s author throughout her works. Born in Lorain, Ohio on February 18, 1931, Chloe Anthony Wofford became one of the most influential and inspiring authors of the century. The second child of four, Chloe was extremely independent and eventually changed her name to Toni. After leaving home, she attended Howard University and Cornell University where she earned a Bachelor of Arts Degree in English and a Master of Arts Degree, respectively. Marrying Harold Morrison in 1958 brought great joy to Morrison, but they divorced in 1964. From that relationship, she was blessed with two beautiful children, Harold and Slade. She often uses her …show more content…

Slavery and its effects drive Sethe and many other characters in Beloved to deteriorate as people. Even after fleeing their plantations, slaves did not feel as if they were liberated because of the way they were exploited while enslaved. Beloved’s characters demonstrate that ex-slaves must first own their identity before truly being free. Identity is a key component to a human’s survival, and the degrading force that slavery had on African Americans did not allow them to have love for their own being. Paul D, an ex-slave, explains that white owners could “dirty you so bad you couldn’t like yourself anymore,” which scarred many until their death (Morrison 295). When a person cannot love himself, it becomes very difficult for others to appreciate his life. Even mothers and fathers would become detested by their children over time because of their demeanor. The way in which whites treated slaves as if they were livestock became the way in which slaves regarded themselves. Sethe often has identity issues in Beloved and separates herself from her daughter and the black community in which she lives. Names are an essential part of one’s identity and white owners would have no emotional attachment to what they named their slaves. When owners gave names, they assigned them in a mocking or jeering manner. Cynthia Lyles-Scott explains, “Blacks receive dead patronyms from whites . . . names are

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