There are “move the plot” songs and “deepen character and theme” songs. Most Hamilton songs are both. Your song is: “The Adams Administration” 20% move the plot 80 % deepen character/theme Justify your percentages with evidence from the song. In the song, “The Adams Administration” it consists mainly of Burr, Madison and Jefferson discussing how Hamilton will no longer be a public figure when they ruin his reputation. We learn the events prior that will add to Hamilton’s backlash. The public are already hesitant of his actions due to “Adams fires Hamilton” and “Hamilton publishes his response” which is a public display of his hatred for Adams. It shows how Hamilton has a short temper since he made a private argument into a public discussion. Burr, Madison and Jefferson hope that Hamilton will have another outrageous outburst, which will leave Hamilton humiliated and out of power. A small part of the song talks about how the Federalist party is destroyed, “Adams, the only …show more content…
Hamilton laughs at them because he is wrong, but he goes on to further taunt them “If I can prove that I never broke the law/Do you promise not to tell another soul what you saw?”. He does this in order for no one else to find out about the affair. It shows that Hamilton cares more about his work and reputation rather than his family. Hamilton tells Burr, Madison and Jefferson about his affair, “I may have mortally wounded my prospects/ But my papers are orderly!”. He finally reveals the details to another person, upon hearing this Burr promises not to tell anyone else. Hamilton says “As you can see I have done nothing to provoke legal action/Are my answers to your satisfaction?” He is trying to prevent a lawsuit against himself. It moves the plot forward, Burr doesn’t have any evidence against Hamilton. Burr stops trying to incriminate Hamilton at least for
Hamilton insulted Burr but asking him what the word “despicable” meant which not only insulted Burr’s character, but his intelligence. Hamilton and Burr were constantly bickering in letters so Burr asked for a public apology, later leading to a duel
The chapters are titled "The Generation", "The Duel", "The Dinner", "The Silence", "The Farewell", "The Collaborators" and "The Friendship". In "The Duel", the story of the legendary duel between Alexander Hamilton and Aaron Burr is related in its entirety. It was by far the most prominent deadly standoff between two men in history. Ellis relates the background and brief biographies of the two men involved in the duel. He also reveals the context for the duel, a culmination of political and personal jabs at Burrs character by Hamilton. In fact these jabs held a good deal of truth, and finally resulted in Burr challenging Hamilton. Both Hamilton and Burr went to the plains in Weehawken to conduct the duel in defense of their honor and characters. Historically, Hamilton is seen as a martyr in the duel and Burr seen as a treacherous murderer. This Hamiltonian viewpoint is dominant among historians because it is widely believed that Hamilton went into the duel not intending to fire a shot and that Burr fired the first shot. Ellis believes this version of the story to be wrong. He believes that Hamilton honored his bargain of not firing on Burr, wasting his first shot by firing it into the trees. Burr, thinking that Hamilton fired at him, shot and killed Hamilton with his shot.
In many U.S. history classes all over the country, the Alexander Hamilton Vs. Aaron Burr duel is taught with little detail. Hamilton is a founding father, Burr is the Vice President, they challenge each other to a duel and Hamilton dies. However there is much more to the story as Hamilton consciously made the decision to throw away his shot and give Burr all of the power. This may not be the kind of decision that most people would make in this situation, but for Hamilton it was necessary. Alexander Hamilton had been through a great deal of hardships in his life. In the beginning his childhood was dark and filled with death, he tainted his love life and career with an affair, he gave his son fatal advice, and by speaking what he thought to be true he landed himself a spot in the duel against Burr. Within all of these aspects, Hamilton found himself helpless and no matter what he tried, he could not seem to fix the situation. Perhaps Hamilton decided to lay his fate in the hands of someone else for once because he never truly felt in control.
“The kernel of truth in Hamilton’s distinction between personal and political criticism of burr resides here. In sense that is was an accurate statement of Hamilton’s assessment. Burr’s reputation as a notorious womanizer or as a lavish spender who always managed to stay one step ahead of his creditors did not trouble Hamilton.” The only thing that did worry Hamilton was the ominous fit between Burr’s political skills and the opportunities for mischief so clearly available in a nation whose laws and institutions were still congealing. “The problem with Hamilton’s distinction, however, was that the putative barrier between personal and political criticism, or private and public behavior, kept getting overwhelmed by real choices.” This was a crucial moment in developing America’s personality. Burr finally stepped up and did what was finest for the Nation. Hamilton’s personality was also essential for the hard situations. The personality difference was a huge significance, it made the founding fathers more substantial and have closer relationships with each
Hamilton’s purpose is to intrigue its audience intellectually to the point in which it sparks a deeper conversation and further research following the performance. Brecht and every aspect of his musical take ownership of the fact that the musical is not the historical past itself, but a retelling of the past by actors who were not in the room where it happened.
Within Hamilton, Lin-Manuel Miranda brings history back into the present through his musical. Originally performed at The Public Theater in 2015, the musical was quickly a popular hit and made its way to Broadway. Now performed at the Richard Rodgers Theatre, Hamilton has won 11 Tony awards and multiple honors. Director Thomas Kail and lead producer Jeffrey Seller made many of the final decisions of the production, and through them Miranda’s time and investments, the musical became a success. Now, the musical functions as a public history as it revives the importance of the past, as well as redefines the ways history is made and learned through the integration of rap and hip-hop style in musical theatre.
Alexander Hamilton is the protagonist of the musical. The entire show follows his rise and fall during the American Revolution and first few decades of American history. Born on an island in the Caribbean and eventually orphaned, Hamilton lived a rough childhood. At the humble age of fourteen, Hamilton is placed in charge of a trading charter and at the age of nineteen he travels to
Hamilton has created a revolution. Hamilton: An American Musical is a musical created by Lin-Manuel Miranda. The musical is based on a book written by Ron Chernow about Alexander Hamilton’s life. The story narrates the founding of the United States. The show is being called a revolution due to its language. Lin-Manuel Miranda is being called this generation’s Shakespeare. They both use modern language to reach their audience. In this case, the language is Rap and Hip Hop. Most broadways show reach fame, Lin-Manuel Miranda manages to capture the attention of not only broadway fans but also captures the attention of non-broadway fans.
The play “Hamilton” by Lin-Manuel Miranda brings the founding fathers back to life-with a lot of hip-hop. It all started when Miranda, a writer, composer, and performer, was asked to perform at the White House centered on “the American experience.” The White House expected him to perform something based on his own Latin- American experience, but Miranda had something else in mind. Few months’ prior, Miranda was on vacation with his girlfriend when he started to read a biography on Alexander Hamilton by Ron Chernow. Miranda was seized by the story of Hamilton. He was instantly inspired to create a work chronicling Hamilton’s life. He started to see Hamilton’s relentlessness, ambition, intelligence, and stubbornness through his own
The tone of any piece, whether it be spoken or written, attempts to achieve a goal through the emphasis on certain syllables. This is prevalent in modern songwriting and is shown very well in the music from the latest broadway craze, Hamilton. One specific song in which tone plays a key role is, “Aaron Burr, Sir”. Throughout the song, it is clear that tone difference of dignified vs. unsophisticated from Aaron Burr and the group of John Laurens, Hercules Mulligan, and Marquis de Lafayette shows a clear juxtaposition between the two groups.
The musical progresses to the song “My Shot” with Hamilton adopting new goals: “He ain’t ever gonna set his descendants free, / so there will be a revolution in this century. / Enter me!... Eventually, you’ll see my ascendancy” (I.3). He starts to reveal that he has picked up self-absorbed tendencies when he says, “Enter me”. Now, one can see that Hamilton’s motives have changed in the Revolution.
People worldwide are praising a man who doesn’t deserve it. Despite being considered one of America’s most influential founding fathers, Alexander Hamilton’s character could never compete with his political status. Alexander Hamilton has been made into an inspiration that he doesn’t deserve to be, being portrayed as the exact opposite of what he stood for in a recent resurgence of praise for him sparked in particular by the world-renowned musical Hamilton. Although he may be receiving this praise, his character is undeniably horrid due to many flaws in his character including the encouragement of anti-immigration laws and his desire for powerful landowners to get complete power in government over the
Hamilton: An American Musical retells the story of Alexander Hamilton, the first United States Secretary of the Treasury and one of the Founding Fathers of the United States. With the aid of hip-hop and rap, Lin-Manuel Miranda dramatises Hamilton’s struggles and contributions during the American Revolution and the formative years of the United States. It is praised for its breaking of Broadway conventions, compelling characters and their interactions, beautiful musicality, and the progression of its plot. There are many that see this musical masterpiece as Hamilton’s true autobiography. However, it is not an accurate telling of historical events. Hamilton: An American Musical intentionally alters the truth of Hamilton’s tale as it misrepresents the historical figures of America’s birth, falsifies a romantic interest between Angelica Schuyler and Alexander Hamilton, alters details of certain distressing events, and paints the main antagonist, Aaron Burr, as a villain.
On the other hand, Hamilton’s self-righteousness sometimes helped him and his country. When the Constitution was under fire by many in Congress and in the public, Hamilton took it upon himself to defend it and make sure it stayed in place even with a few amendments. In the song “Non-Stop,” Hamilton puts so much effort into defending the Constitution. This attitude led him to rise to his highest points in the cabinet. At the beginning of the song, he tries to convince Burr to help him in the middle of the night, as Burr puts it, “How do you write like you’re running out of time?” (Miranda and McCarter 143). Hamilton ends up leaving his wife home against her wishes to go and be the secretary of the treasury. From here on, Hamilton joined forces with one of his political opponents, Madison, to write The Federalist Papers. On that topic, the narrator Burr states, “The plan was to write a total of 25 essays work divided evenly among the three men. In the end, they wrote 85 essays, in the span of six months. John Jay got sick after writing 5. James Madison wrote 29. Hamilton wrote the other 51.” This shows the positive impact of Hamilton’s self-righteousness and describes the reason that he became secretary of the treasury and a founding father. His love to write and his attitude brought him far in his line of work and has impacted his life positively by making him a high official in the government and a respected person.
The Broadway musical Hamilton is a phenomenal hip-hop musical telling the story of former U.S Treasurer Alexander Hamilton and how he came to the United States as an immigrant from the west indies finding his way up in the political world to becoming George Washington’s principal aide and later dying in a famous duel with Aaron Burr. The musical Hamilton follows the life of Alexander Hamilton an American founding father. The musical follows not only the life of Alexander Hamilton, but it talks about the revolution war, the relationship between colonies and England, and the lives of other men that Alexander Hamilton associated with such Thomas Jefferson, Marquis de Lafayette and Aaron Burr. The musical talks about the personal, political, and social struggles of living in the colonial America.