The artwork that left me a memorable experience as a viewer and deeply connected to my story is an artwork by Faith Ringgold entitled “Tar beach 2“. This artwork is being display in the SCAD Museum of Art. The Medium of the artwork is silkscreen on cotton, in a form of a quilt. Ringgold herself is a very influential black female artist that addresses racial issue in her artworks. The tar beach is a story quilt that tells a story of an 8 years old girl name Cassie that live in the city of Harlem, New York City. The dimension of the artwork is 66 in x 67 in which almost a square shaped quilt. The artwork is colorful with combinations of warm colors that can be seen in the pallet shade of red to yellow that can be seen in the buildings. On the other hand, the cold colors in a shade of blue are shown to depict the night sky of the city. The composition of the artwork is organize yet messy because almost every space is filled with the picture as well as the written aspect of Cassie’s imagination. The perspective is use to show the depth of the tall buildings of New York that stand lies behind the rooftop where Cassie live. The rooftop setting is the focal point of the artwork that is made by the triangle shape that is place nearest to the viewer and filled the left to right bottom corner of the frame. …show more content…
The artwork addresses the issue of racial and cultural oppression that can relate to the theme of domesticity, which deeply connect to what I feel most of the time. Racial and cultural differences is a huge part of my life as I travel around the world often, this artworks once again reminds to always remember my culture despite being alone in another country. This piece really brings me comforts and takes me back to my childhood memory as if I’m the girl in Ringgold’s
Artists use their artworks to communicate different meanings and transfer specific messages to the audience. Their artworks can be presented in different forms like architecture, drawing, painting, sculpture, pottery and many other forms. Each artwork contains a specific meaning which is usually based on the artist 's beliefs, culture, identity and the nature surrounding us. Rona Rubuntja from the Hermannsburg Potters, Bronwyn Oliver, Christo and Jeanne Claude each presented their art in different forms but they all communicate meanings and ideas to the audience. Rona Rubuntja who is a senior member of the Hermannsburg Potters and her famous pottery work ‘I 'm Black’ for the exhibition ‘Our Land is Alive’ at the National Gallery of
From her auburn curls cascading from beneath her tilted hat, to her arm positioning, the trees, clouds, down to the tiniest blades of grass, they all slant one way or the other. The artist has utilized the diagonal line is multiple ways; the slight angles that Reynolds incorporated into each area provides a sense of movement in what could have been a dry and stagnant scene. Along with movement, there lies an illusion of depth: paired with shading, the use of line gives the perception of more area being included than there actually is. These lines also direct the viewer’s eye toward the sitter. Objects located around the edges of the composition lean towards the center, pulling the viewer’s glance directly to the
“Artists today explore ideas, concepts, questions, and practices that examine the past, describe the present, or imagine the future.” Contemporary artists use a dynamic combination of media and technologies, methods, concepts, and subjects to create works that reflects The Human Condition in modern culture and society. Three contemporary artworks that utilise these artistic practices to express The Human Condition are Michael Parekowhai, Tracey Moffatt and Vernon Ah Kee. Each artist has used artistic devices to express the contemporary significance of The Human Condition by creating works that reflect back to their own experience and the history of their nationality.
Faith Ringgold composed this piece by using oil paints on a 31 by 19 inch canvas. It is depicting the struggles that her community and herself were facing while trying to gain equal rights from the majority of white American culture. She uses line, shape, color, value and texture
When we look at this piece, we tend to see the differences in ways a subject can be organized and displayed. This assemblage by Betye Saar shows us how using different pieces of medium can bring about the wholeness of the point of view in which the artist is trying to portray. So in part, this piece speaks about stereotyping and how it is seen through the eyes of an artist.
The author uses tone and images throughout to compare and contrast the concepts of “black wealth” and a “hard life”. The author combines the use of images with blunt word combinations to make her point; for example, “you always remember things like living in Woodlawn with no inside toilet”. This image evokes the warmth of remembering a special community with the negative, have to use outdoor facilities. Another example of this combination of tone and imagery is “how good the water felt when you got your bath from one of those big tubs that folk in Chicago barbecue in”. Again the author’s positive memory is of feeling fresh after her bath combined with a negative, the fact that it was a barbecue drum.
The image of equality and the handmade message that promotes diversity evokes the idea of strength in diversity. The presence of all the message and colorful images of the poster pull on the feeling of power on its’ viewers at first glance of the poster. The messages on the poster are presented as simple and easy to understand. Each message is written in a colorful and unique way that no message is the same. Each of the messages use strong and powerful language that gives a sense of power to its viewers like “ Our Diversity Makes Us Strong”; “From War to Peace” Theses messages uses the words “Strong” and “War” to evoke passion into the audience as they read them and make them believe that North is a place of
It can be noted that Christina’s life is related to the farm due to the environment and background. The triangle created by the path and the diagonal in her body shows that the house is of significance, reflecting on the Christina’s reflection on her home. This painting was made during 1948. Moreover, this was shortly after World
Texture and pattern are very easy to identify in this painting. The street’s cobblestones show texture and pattern in the way that they are arranged. Texture is also demonstrated through the paint strokes on the buildings, the tree, and even the sky. These thick, uneven strokes add a layer of depth and texture to all elements of the painting.
These women express the hardships that their cultures have faced, and are taking a stand against those that have done them wrong. These brave women understand that culture shaming is wrong, and that every one should be treated equal; no matter what heritage they are. They are not afraid to face their abusers, and defend themselves against them. They are not afraid to tell them, straight to their faces, that what they did was wrong; which is something that these types of people are not used to hearing from their victims, or from anyone in that matter. My social location relates to both of these poems, and the weekly theme, because I am a young, Portuguese girl.
The manipulation of perspective was not only significant for symbolic meaning. It was used as a visual tool in order to create the “magic” that the painting is known for. Because the vanishing point is approximately 5 feet from the bottom of the picture, which is practically floor level, this allows for both the top and bottom of the picture to come together and establishes an illusion of an actual structure. While this “created space” within the picture appears to be real, it is actually just one of the
To expand on the intricacy of the speaker’s life, symbolism is applied to showcase the oppression her ancestors etched on her quilt were facing for their “burnt umber pride” and “ochre gentleness” (39-40). Once again, the theme of absence is introduced as there is a sense of separation among the Native American culture as their innocent souls are forced onto reservations and taken away from their families. This prolonged cruelty and unjust treatment can be advocated when the speaker explains how her Meema “must have dreamed about Mama when the dancing was over: a lanky girl trailing after her father through his Oklahoma
The poems ‘Still I Rise’ and ‘Unknown Girl’ both explore the way women are expected to behave in specific societies. ‘Still I Rise’ focuses on Maya Angelou’s refusal to accept racism and to allow “them”, white oppressors, to push her down. ‘Unknown Girl’ focuses on Moniza Alvi’s want to be accepted in a society where she belongs, but can’t call her own.
The essay is informative and shows a side to animals that many people don’t see or look for. In comparing Blue to the oppressed, she gives light
Then there are also many psychological lines to be seen in the work. One such line is of the woman and the floor, where she is staring down towards it. Another is from the young child and the store clerk, showing a defiance between the two. Next, light and value are not very contrasting in this painting, with only the basic highlights and the shadows seen. It isn’t completely contrasting or contradicting since the colors blend well together with close to the same value ranges, dark colors seen throughout except for the people’s pale faces. There also seems to be a variety of light sources since the woman’s face along with the shop clerk and the young boy’s is lit up by what seems to be a light bulb since they’re much brighter and highlighted and then the men and women in the back aren’t really as bright, except for the ones who close to the open door, creating a blue tinge from the outside light. The shapes shown through the painting is shown to be either very round or very geometrical. There are organic shapes in things such as the umbrella or even the back of the chair, but mostly it is either straight lines and geometrical shapes. The volume shown in the painting is very much implied, correctly showing the