Within “The Masque of the Red Death,” Edgar Allan Poe presents symbolic elements of both life and death to entice the audiences’ emotions and leave them in a state of wonderment. Some of the symbolisms that Poe uses are “The Red Death”, Prince Prospero, the color of the seven rooms, the ebony clock, and the “dreams” within the rooms. As each symbol is introduced, the suspense builds and the audience is pulled from the joyous lives of the masqueraders to the looming “Red Death” to create a roller coaster of emotion. Poe’s introduction of “The Red Death” was a perfect example of enticing the audience with describing the symptoms the victims endured. Tuberculous was very prevalent in Poe’s life as he lost many important people in his life due to the disease such as his mother, foster mother, brother, and his eventually his wife Virginia. The story was written only four months after Poe’s wife Virginia suffered a tubercular hemorrhage while at home singing and playing the piano. An inspiration for the story after Poe watched as “the blood gushed from her mouth.” (Meyers, 133) These symptoms were similar symptoms of the “The Red Death” where there was “profuse blooding at the pores.” (O’Neill, 384) Prince Prospero was the next symbolism to be introduced. Poe having written that Prince Prospero was “happy and dauntless and sagacious.” (O’Neill, 384) Prince Prospero’s name itself is a representation of prosperity, wealth, and happiness. He sought to evade the “Red Death” by using his vast wealth to isolate himself away in his castellated abbey with one thousand of his followers. He would entertain them with “all the appliances of pleasure” in hopes to distract them from the devastation that awaits outside the abbey gates. (O’Neill, 385) Convinced he and his followers would be safe and ride out the disease ravaging the country. However, unbeknownst to him, you cannot stop time and escape death. The ironic part is the happy Prince Prospero was the first to die a horrific death while his followers collapse and die thereafter. The arrangement of the seven rooms in the abbey that Poe described gave the audience a chance to paint a picture within their minds an intricate geometric design. Once entering the first
Everyone fears their own death, thus why some people will do anything to escape it. In Edgar Allan Poe's short story, “The Masque of the Red Death”, this fear is experienced by all. In the story, a prince named Prospero and his people try to elude the Red Death through seclusion and isolation in the prince's abbey. However, no walls can stop death since it is unavoidable and inescapable. Throughout the story, Poe uses symbols such as the rooms, the masked figure, and the clock to convey the theme that no one can escape death.
In the "Masque of the Red Death," the first sentence, "The Red Death had long devastated the country," sets the tone for the whole story. Poe describes the horrors of the disease, stressing the redness of the blood and the scarlet stains. The disease kills so quickly that one can die within thirty minutes of being infected with the disease. To create a frightening effect
Edgar Allan Poe’s use of symbolism in “The Masque of the Red Death” creates a
As a gothic writer, Edgar Allan Poe created horror using gloom as his weapon. Hidden within the suspenseful story of “The Masque of Red Death” is an allegorical tale of how individuals deal with the fear of death as time passes. Frantic activities and pleasures (as represented by Prince Prospero and his guests) seek to wall out the threat of death. However, the story reminds the reader that death comes “like a thief in the night”(Poe 3), and even those who seek peace and safety shall not escape. Poe uses symbolism to illustrate that man cannot hide from his own mortality.
In the story there are seven rooms. The last room symbolises the last stage of life, death. In the story it says “The seventh apartment was closely shrouded in black velvet tapestries that hung all over the ceiling and down the walls, falling in heavy folds upon a carpet of the same material and hue. But in this chamber only, the color of the windows failed to correspond with the decorations .The panes here were scarlet a deep blood color” (Poe).
In the story “The Masque of the Red Death”, Poe expresses the theme that death is inescapable or inevitable. He expresses this theme through rhetorical devices such as symbolism and allegory. For example, Prince Prospero’s chambers were allegorical because of the rooms’ arrangement which was from east to west. The east represents the beginning of life, while the west represents the end of life. The Darkroom, which was at the end of the hall, symbolized death. It was the room that the guests didn’t want to go in and eventually was the place that they were killed by the Black Death. Another example of symbolism is the clock which as a symbol of the time-lapse of life as a human being. It was in this apartment, also, that there stood against the western wall a gigantic clock of ebony...and when the minute-hand made the circuit of the face, and the hour was to be stricken, there came from the brazen lungs of the clock a sound which was clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis that, at each lapse of an hour the musicians of the orchestra were constrained to pause, momentarily (Poe 374). This sentence expresses how compelling the clock is and how it attracts the attention of the masqueraders. The author also uses imagery to build suspense upon the reader. An example would be how the author describes the Red Death. His vesture was dabbled in blood-and his broad brow, with all the features of the face, was besprinkled with the scarlet horror (Poe 378). This describes the dreadful
In Edgar Allan Poe's "The Masque of the Red Death," Prince Prospero's journey from fear to bravery or impulsivity in his confrontation with the Red Death is a testament to Poe's adept use of irony, visual imagery, and foreshadowing. Initially, Prospero's belief in his invincibility leads him to retreat into his abbey, fortifying its walls and hosting a masquerade ball as if to defy death itself. The irony lies in the guests' false sense of security within the abbey's walls, where they ultimately meet their demise during what was intended to be a festive occasion. Poe employs vivid visual imagery as Prospero chases the Red Death through the abbey's rooms, progressing from the brightest to the darkest chambers. This visual journey symbolizes
Throughout the gothic horror short story, “The Masque of the Red Death”, Edgar Allan Poe illustrates the struggle of an egotistical prince who refuses to face the inevitable reality of death. Through the downfall of the protagonist, Poe establishes the idea that the inability to face reality often leads to the destruction of the mind. The downfall of the Prince is emphasized by Poe’s use of characterization, setting, and symbolism.
When it comes to reading literature the most challenging yet important task is to understand the purpose of the author's writing. In Romantic era literature understanding the emotions and thoughts that are created in the reader's mind are essential to gaining a clear message that the writer is trying to send. In Edgar Allen Poe’s short story “The Masque of the Red Death” the narrator immediately introduces the “Red Death”; a disease that has been spreading throughout Prince Prospero’s country; killing his people within half an hour of contracting the disease. Throughout the story the author continuously uses diction and syntax to create suspense and evoke a grim tone to the reader. In the “Masque of The Red Death” Poe produces fearful imagery in the reader's mind through creating a supernatural presence in the setting.
the Red Death shows the futile attempts by a prince and his guests of a party,
Poe’s use of symbolism is very evident throughout the story of “The Masque of the Red Death”. Much has been made about the meaning of the rooms that fill Prince Prospero’s lavish getaway. One such critique, Brett Zimmerman writes, “It is difficult to believe that a symbolist such as Poe would refuse to assign significance to the hues in a tale otherwise loaded with symbolic and allegorical suggestiveness” (Zimmerman 60). Many agree that the seven rooms represent the seven stages of human existence. The first, blue, signifying the beginnings of life. Keeping in mind Poe’s Neo-Platonism and Transcendentalism stance, the significance of blue is taken a step further. Not only does blue symbolize the beginning of life, but the idea of immortality is apparent when considering these ideas. “Perhaps ‘The Masque of the Red Death’ then, is not quite the bleak existential vision we have long thought it to be”, expounds Zimmerman (Zimmerman 70). Poe’s use of each color is significant to the seven stages
Poe uses allegory to allude to the double meanings of the characters Prince Prospero and the masked figure, as well as the setting of the chambers. Prince Prospero represents prosperity. While his nation is suffering from the “Red Death”, “…he summoned to his presence a thousand hale and lighthearted friends…and with these retired to the deep seclusion of one of his castellated abbey” (420). His nobility and wealth give him the ability to ignore the horror around him and live in luxury. This refers to real life in that the privileged are the ones who are able to still live comfortably even if others are in a crisis. Prince Prospero also represents an ignorance, selfishness, and arrogance that come with wealth through right instead of hard work. He believes that “[t]he external world could take care of itself” and that it is “…folly to grieve, or to think” (420). Instead of taking action to help his people, he just leaves them in the grips of the “Red Death”. The “Red Death” is
Conflicts affect the mood of the main characters in a story, by expressing the insecurities, Death,” a couple of conflicts are exposed throughout the piece. In the story “The Masque of the Red,” a couple of conflicts are expressed throughout this piece. The conflicts man versus fate and man versus himself are the conflicts that are displayed several times within this story. From major conflicts to minor conflicts, this story clarifies the problems that Prince Prospero faces within himself. In addition to Prince Prospero’s problems with himself, this story also explains the conflict of how death is uncontrollable.
In "The Masque Of The Red Death", Edgar Allan Poe uses words and phrases to create an effect. He uses bold and dark words to help his readers be able to picture a very good image of the story and the mood that he wants to set. When he claiming that, "no pestilence had ever been so fatal ", that let the readers know that is was probably a very strong and gruesome disease that killed many of the town people. When Poe starts the story he starts by describing "The Red Death" and its symptoms. He described it as, "sharp pains, sudden dizziness, profuse bleeding at the pores with dissolution", "seizure process and termination of the disease were the incident of half and hour", he lists the symptoms as if it were a recipe, he is very straightforward and uses words that give an image to every symptom, he completely lets the reads know that "the red death" was a very nasty painful disease and you could imagine how much it made the characters suffer all in half
Edgar Allen Poe's “The Masque of the Red Death” is an extravagant allegory of the futility of trying to escape death. In the story, a prince named Prospero tries to avoid the Red Death through isolation and seclusion. He hides behind the impenetrable walls of his castle and turns his back on the rest of the world. But no walls can stop death because it is unavoidable and inevitable. Through the use of character, setting, point of view, and symbol, Poe reveals the theme that no one, regardless of status, wealth or power can stay the passing of time and the inevitable conclusion of life itself, death.