Edgar Allan Poe led a somber, lonely life in which he went through many hardships, like the death of his mother, separation from his family, and living in poverty. As a result of these scarring experiences, Edgar Allan Poe became a gloomy and depressing author, writing many stories concerning death and misdeeds. In Poe’s stories, there is a common sentiment about the treatment of people and how the world is divided, which is often revealed by who he tends to vilify and the symbols he chooses to use. Two stories that accurately portray Poe’s sentiment are “Hop Frog,” a story concerning a crippled and dwarf jester named Hop Frog and his friend being abused by a king and his seven counselors, and “The Masque of the Red Death;” a story about members of the upper class trying and failing to bar themselves from a fatal disease. In both “The Masque of the Red Death” and “Hop Frog,” Edgar Allan Poe carefully chooses the antagonists and uses symbolism in order to communicate the message that something should be done to stop the neglect and abuse the less fortunate face everyday, especially by the hands of the more fortunate. Oftentimes, creators make characters a faint image of how they see the people and forces around them, and the aforementioned stories make it clear that Poe is no exception to this generalization. In particular, he tends to characterize his villains as greedy and cruel, and just as prominently, of the upper class. In “Hop Frog,” for example, Poe goes out of his way in order to emphasize who the antagonists are and the atrocities they have committed. As the Hop Frog speaks to a mortified crowd, he reveals that “they are a great king and his seven privy-councillors, -- a king who does not scruple to strike a defenceless girl and his seven councillors who abet him in the outrage” (Poe, “Hop”). This king and his councillors regularly committed terrible acts, forcibly intoxicating Hop Frog and beating his friend Trippetta just being some of them, and did so without consequence; they are part of the highest class of people and are practically immune to any repercussions of torturing those so below them in rank and significance. Other than using “Hop Frog” to address the issue of direct abuse of the
Edgar Allan Poe uses an assortment of writing elements that reflect an overall eerie and twisted side of hin from his life growing up. In one of his short stories, “Hop-Frog,” the main character, a disabled dwarf named Hop-Frog, introduced as a jester who seeks revenge on his king. Likewise, in the story, “The Masque of the Red Death”, a prince banishes disease from his courts, yet death seems to find its way back inside the castle to seek revenge. Poe portrays the message of tragedy and revenge throughout his stories, using allegories, foreshadowing, and repetitive symbols all contributing to his stories.
To analyze Poe’s characterization of class differences and power struggle, we may look at the Masque of the Red Death. In this story, the Prince Prospero and his wealthy friends are shown as wicked in their utter disregard for the common man dying outside their gates. The idea of the upper class being evil and ignorant is seen again in the line, “The external world could take care of itself. In the meantime it was folly to grieve, or to think” (Poe, 269). Here, as in Hop Frog, there is the underlying idea that the rich and powerful are often evil and ignorant but must eventually reap their just rewards. Surprisingly, even though Poe utilized information and understood the popular taste, he did not have incredible success in real life against his own rich and powerful adversaries. His writing may have been a venting apparatus for his own frustrations with those who were in positions of power; namely his father and wealthy capitalists unwilling to provide him with
As a gothic writer, Edgar Allan Poe created horror using gloom as his weapon. Hidden within the suspenseful story of “The Masque of Red Death” is an allegorical tale of how individuals deal with the fear of death as time passes. Frantic activities and pleasures (as represented by Prince Prospero and his guests) seek to wall out the threat of death. However, the story reminds the reader that death comes “like a thief in the night”(Poe 3), and even those who seek peace and safety shall not escape. Poe uses symbolism to illustrate that man cannot hide from his own mortality.
During the late 18th century and the beginning of the 19th century, a new movement in both literature and art swept the nation: Romanticism. This period set a heavy emphasis on emotion and individualism, and while many artists and authors explored the beautiful and fantastical side of the human mind, many more explored the darker, horror-filled side. Two authors especially famous for these kinds of stories were Nathaniel Hawthorne and Edgar Allan Poe. In Nathaniel Hawthorne’s short story “Young Goodman Brown” (“YGB”), Goodman Brown traverses into the forest to meet with the devil and discovers many haunting things about the people in his town. In Edgar Allan Poe’s short story “Masque of the Red Death” (“Masque”), Prince Prospero, the ruling monarch of a country besieged by death, refuses to accept his mortality. Goodman Brown takes pride in his and his town members’ spiritual goodness and refuses to accept the idea that he or anyone else could commit sins, but is psychologically destroyed when he discovers the true nature of the people around him. Prince Prospero similarly takes pride in his wealth and fortune and will not accept his death, but the disease he was trying to avoid arrives and takes his life. Through their initial rejections, the two characters cause the destruction of a critical part of themselves, whether it be their faith in humanity or their physical body. Hawthorne and Poe both establish how pride causes an unwillingness to accept one’s fate, and how the
Throughout the gothic horror short story, “The Masque of the Red Death”, Edgar Allan Poe illustrates the struggle of an egotistical prince who refuses to face the inevitable reality of death. Through the downfall of the protagonist, Poe establishes the idea that the inability to face reality often leads to the destruction of the mind. The downfall of the Prince is emphasized by Poe’s use of characterization, setting, and symbolism.
During his life, Edgar Allan Poe wrote many classic poems and short stories. Two of his most famous works are “The Fall of the House of Usher” and “The Masque of the Red Death.” In “The Fall of the House of Usher,” a man goes to visit his childhood friend and while there witnesses the fall of the Usher family line. “The Masque of the Red Death,” on the other hand, is about Prince Prospero’s attempts to keep death from his abbey and what ensues when death enters. Throughout both short stories, “The Masque of the Red Death” and “The Fall of The House of Usher,” Poe enforces his theme of the fear of death, by carefully crafting the setting, characterization, mood, and point of view of each piece.
Edgar Allen Poe’s chilling short story Mask of the Red Death begins with people dropping like flies, as the king of the land decides to take his close friends with him to live in one of his palaces. leaving his subjects to survive on their own. A puzzling creature known as the Red Death has been terrorizing and killing off people one by one, and no one has a way to stop it. Through characterization of both Prospero and the Red Death, Poe foreshadows Prospero’s eventual death in the end of the story.
Edgar Allan Poe is a famous well known writer known for his dark and gothic horror stories such as “The Tell-Tale Heart” and many others. The well-known author had a rough life which dealt with a lot of death, so most of his stories revolve around this idea. In “The Cask of Amontillado” and “The Masque of the Red Death” Poe uses similar themes or darkness to convey tone and conflict throughout the story. His writing style is dark and revolves around one main concept: death. Edgar Allan Poe uses diction and syntax, setting and conflict, and characterization in his writing style to develop his stories.
Death is an important theme in Edgar Allan Poe’s short stories, “The Pit and the Pendulum” and “The Masque of the Red Death”.
When it comes to reading literature the most challenging yet important task is to understand the purpose of the author's writing. In Romantic era literature understanding the emotions and thoughts that are created in the reader's mind are essential to gaining a clear message that the writer is trying to send. In Edgar Allen Poe’s short story “The Masque of the Red Death” the narrator immediately introduces the “Red Death”; a disease that has been spreading throughout Prince Prospero’s country; killing his people within half an hour of contracting the disease. Throughout the story the author continuously uses diction and syntax to create suspense and evoke a grim tone to the reader. In the “Masque of The Red Death” Poe produces fearful imagery in the reader's mind through creating a supernatural presence in the setting.
The structure of the plot is used to manipulate the way the protagonist is seen, which adds depth to the story. Poe has written this story in a way that does not reveal all of the story line at the beginning like most, he confirms what you have predicted and gives you small glimpses of information as you see Hop-Frog change more and more throughout the story. There are many examples where the plot of this story shines through, such as in page 4, paragraph 10 where
A fascinating short storyteller of all times, Edgar Allen Poe has taken us through the mysterious adventure of “The Masque of the Red Death”. A lot of critics complement Edgar Poe’s work, which is known for being very obscure, strange and puzzling stories of all times. Clearly “The Masque of the red Death” falls into the same gothic category for Poe as it has the same taste. An irrational out breaker ends kills many people, so the elites and the kings are very worried and terrified in this short story. Death had come to everybody everywhere without looking at socioeconomic status.
Sadness, guilt, and fear are some of the most negative emotions that humanity can experience, however they are also the strongest. Edgar Allan Poe, a nineteenth century author and poet, is known primarily for his use of these emotions, as well as the results that may come from these emotions, such as substance abuse, depression, and death. However, the ability to write such elegant, sophisticated works that delve into the very dark recesses of the human mind reflects greatly upon the author himself. Repetitive themes found both in Poe’s stories and in his life deliver insight on the inspiration for this author’s stories. Poe uses themes of death, illness, and depression in order to reflect his own experiences within his writing.
“The Black Cat” by Edgar Allan Poe is one of Poe’s greatest literary works that embodies his signature themes of death, violence, and darkness. Poe’s main character begins his narration of his horrible wrongdoings regarding them as a “series of mere household events” (Poe 705). However, this is where Poe’s satire and irony begins and the story progresses to show the deranged mindset of this character as he tries to justify his actions. As the main character proceeds to rationalize his crime, Poe is able to convey a sense of irony through his use of foreshadowing, metaphors and symbolism.
Edgar Allen Poe's “The Masque of the Red Death” is an extravagant allegory of the futility of trying to escape death. In the story, a prince named Prospero tries to avoid the Red Death through isolation and seclusion. He hides behind the impenetrable walls of his castle and turns his back on the rest of the world. But no walls can stop death because it is unavoidable and inevitable. Through the use of character, setting, point of view, and symbol, Poe reveals the theme that no one, regardless of status, wealth or power can stay the passing of time and the inevitable conclusion of life itself, death.