Sweat by Zora Neale Hurston and The Yellow Wallpaper by Charlotte Perkins Gilman

The short story "Sweat" by Zora Neale Hurston illustrates the abusive and failing marriage between Delia and Sykes Jones. Within the story, good versus evil plays a huge role in developing the two characters. Delia is presented as a hardworking, independent wife that is devoted to her husband. However, Hurston presents her husband as being the total opposite. He's not a hard worker and he is unfaithful. In addition, he abuses her both physically and emotionally. Throughout the story, readers can also see the relationship between the two individuals take an unexpected turn. This story is read as a work of feminism where the protagonist, Delia, is seen as a strong woman rather than one who

In Zora Neale Hurston’s short story, Sweat, Delia finds herself stuck in an unbearable marriage. Her husband, Sykes, mistreats her, leaves all work to her, and is unfaithful. After being married to Sykes for 15 years, Delia has lost all hope in the marriage. The countless beatings and painful acts of Sykes have brought her over the edge. She is forced to go against her strict religious beliefs because of the life in which she has been leading since her matrimony to her husband. One passage that sums up many factions of Delia and Sykes’s relationship is as follows:

In the very beginning of “Sweat” one can see that Delia possesses a very strong work ethic, by the way that she is working vigorously to wash the clothes for the white people that she worked for to put food on the table and a roof over her and Sykes’ head. The white clothing that Delia washes in the story represents her character. White signifies her virtuousness and wholesome

Zora Neale Hurston’s short story "Sweat" takes place in the 1920s in a small African American community in southern Florida. The story takes a look at a woman dominated by her husband, a common issue for many wives in the south during this time. Delia Jones, the protagonist in the story, is a hard-working woman who has bought her own home and supported her husband for fifteen years by taking in the laundry of white folks from the next town over. Delia’s husband Sykes does not value her or the work she does to support the both of them. Sykes has abused his wife for fifteen years and takes no shame in parading around his fat mistress for all to see. Sykes wants to get rid of Delia and take everything she’s ever worked for. Delia, though

Traditionally, men have held the power in society. Women have been treated as a second class of citizens with neither the legal rights nor the respect of their male counterparts. Culture has contributed to these gender roles by conditioning women to accept their subordinate status while encouraging young men to lead and control. Feminist criticism contends that literature either supports society’s patriarchal structure or provides social criticism in order to change this hierarchy. “The Yellow Wallpaper”, by Charlotte Perkins Gilman, depicts one women’s struggle against the traditional female role into which society attempts to force her and the societal reaction

In The Yellow Wallpaper, the narrator uses the psychological gothic genre to present the portrayal of women, women faced in a marriage, within the time frame of the 1890s. Women were seen as the “shadow” as men dominated society. This is presented throughout the book as many readers first interpitation

Charlotte Perkins Gilman is known as the first American writer who has feminist approach. Gilman criticises inequality between male and female during her life, hence it is mostly possible to see the traces of feminist approach in her works. She deals with the struggles and obstacles which women face in patriarchal society. Moreover, Gilman argues that marriages cause the subordination of women, because male is active, whereas female plays a domestic role in the marriage. Gilman also argues that the situation should change; therefore women are only able to accomplish full development of their identities. At this point, The Yellow Wallpaper is a crucial example that shows repressed woman’s awakening. It is a story of a woman who

“Sweat,” a short story written by Zora Neale Hurston depicts the story of Delia, a washerwoman who is physically and mentally abused by her husband, Sykes. As Hurston explains, Delia is a strong, hardworking, calm, brave, and understanding woman who is able to stand with her head held high even through all the troubles she endures. In contrast, Sykes is abusive, a coward, troubleshooter and a man who depends on his wife to provide for him. He even has the indecency to use Delia’s money to pay for his mistress’ apartment. He messes with Delia to bring her down so he can be able to bring himself up as if his masculinity depends on it. All three symbols, which are the snake, the clothes Delia washes, and the light play an important role in this story to highlight Delia’s strength and weaknesses which finally help her find the freedom she desires from the domestic abuse that she has to deal with.

Gender roles seem to be as old as time and have undergone constant, but sometime subtle, revisions throughout generations. Gender roles can be defined as the expectations for the behaviors, duties and attitudes of male and female members of a society, by that society. The story, “The Yellow Wallpaper,” is a great example of this. There are clear divisions between genders. The story takes place in the late nineteenth century where a rigid distinction between the domestic role of women and the active working role of men exists (“Sparknotes”). The protagonist and female antagonists of the story exemplify the women of their time; trapped in a submissive, controlled, and isolated domestic sphere, where they are treated

“The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of belief. The story appears to take place during a time period where women were oppressed. Women were treated as second rate people in society during this time period. Charlotte Perkins Gilman very accurately portrays the thought process of the society during the time period in which “The Yellow Wallpaper” is written. Using the aspects of Feminist criticism, one can analyze “The Yellow Wallpaper” by Charlotte Perkins Gilman through the dialogue through both the male and female perspective, and through the symbol found in the story.

Zora Neale Hurston portrays Delia Jones as a hardworking Christian woman who is a washwoman for white people in the South. “Delia is a washerwoman fighting to keep her house and her sanity (“Sweat”). She takes great pride in her job even when her husband insists on her stopping. In the short story her husband demands her to quit her job. He calls her a hypocrite for doing the wash of the white after she has just attended church. When Delia is not fazed by his words and continues washing the clothes, he becomes very angry and ruins the clothes she put so much time into. “He stepped roughly upon the whitest pile of things, kicking them helter-skelter as he crossed the room. His wife gave a little scream of dismay, and quickly gathered them together

Through external conflict exhibited by three significant occasions with the antagonist and husband, Sykes Jones, Zora Neale Hurston takes her leading character, Delia Jones, through an internal change from a submissive character to an aggressive and defensive character in her short story, "Sweat." When the story opens, one finds Delia Jones on a Sunday evening washing clothes, as was her profession, and humming a tune, wondering where her husband had gone with her horse and carriage. Little did she know that within the week she would stand against her abusive husband and watch him die of the situation he would create.

Zora Neale Hurston’s “Sweat” is a distressing tale of human struggle as it relates to women. The story commences with a hardworking black washwoman named Delia contently and peacefully folds laundry in her quiet home. Her placidity doesn’t last long when her abusive husband, Sykes, emerges just in time to put her back in her ill-treated place. Delia has been taken by this abuse for some fifteen years. She has lived with relentless beatings, adultery, even six-foot long venomous snakes put in places she requires to get to. Her husband’s vindictive acts of torment and the way he has selfishly utilized her can only be defined as malignant. In the end of this leaves the hardworking woman no choice but to make the most arduous decision of her

Not only does he drain her financially, but he has also abused her mentally and emotionally for the most of their marriage. Delia reminds Sykes that all she does is "Sweat, sweat, sweat! Work and Sweat, cry and sweat, pray and sweat!" from the fifteen years she has been washing laundry and laments (Hurston 278). However, despite all the cruelty that is happening, the author still portrays her persona with great compassion. Delia has enormous love, but soon discovers that she has the capacity to hate as much as she loves which has developed from her long-suffering life with Sykes. The author creates Delia based off her own life of being a Christian woman, therefore, in the story "Sykes is clearly wrong throughout the story, and Delia is right in living out the principles of Christian love, tolerance, and humility" (Banks). The importance of this quote is that it puts Delia's character into perspective and reveals why the way she is. The author's beliefs and practices are demonstrated through Delia and explain her actions in the story.

In comparison to the short story “Sweat,” Delia’s job is making her husband Sykes appear inferior to her because she is working when he is not. One critic, Cheryl A. Wall states, “Delia’s work is a economic necessity to her husband, but it is also a psychological threat to Sykes as well. In the story Sykes seems to never work at all, so he asserts his manhood mainly by intimidating and betraying his wife” (qtd. in Akins). Wall argues that occurrences such as abuse and restrictions by men are the result of intimidation because a woman is able to gain power within the relationship by working. The kicking of the laundry symbolizes Sykes discontent with Delia’s work and the threat he feels because he is no longer the breadwinner. Her actions, like talking back; solidifies the threat he feels and only intensifies his brutality towards her.