Summary Of 'Where Are You Going, Where Have You Been?'

Oates starts off by introducing the story’s 15 year old protagonist, Connie. Connie is symbolic of innocence and good. However, Connie has

The story by Joyce Carol Oates “Where Are You Going, Where Have You been?” published in 1969 and the film “smooth talk” 1985, explores the life of a beautiful fifteen-year-old girl Connie. Like normal teenagers, she’s at the age where they begin to explore their sexual desires and disrespect her parents. Her father is unconcerned and her mother is critical, Connie prefers to spend her time with her friends than her family. On one summer day, Connie chooses to skip a family barbecue and stay behind while her family goes out. A stranger later reaches to her at home and persuades her to go for a ride. Later Connie realizes the stranger is trying to rape her and probably kill her. She becomes scared and when she arrives home, she tries to mend her relationship with her mother and family (HANLON). The purpose of this paper is to critique the movie smooth talk by comparing and contrasting it to the short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates.

“We live in a fantasy world, a world of illusion. The great task in life is to find reality” (Murdock). However, fantasies can interfere with an individual’s belief system and can cause a confusion. In the narrative by Joyce Carol Oates short story “Where Are You Going, Where have you been?” The story takes place around the 1960’s. In fact, this was the same time a real-life American serial killer named Charles Schmin started to target females. The narrator admits that her story was influenced by the famous serial killer. What I interpreted throughout the passage is that Connie who is the main character is facing a conflict between fantasy and reality. When Connie leaves home, another side of her is shown to society. She knows she can attract older boys. The way she’s able to do so is because of her appearance and personality. Connie ends up staying stuck with Arnold Friend, who puts her into a horrifying situation. As you read the selection you can’t deny that the author uses symbolism as the main theme. The reason why Oats decided to use symbolism, allegory, and metaphors to demonstrate through Connie’s Sexuality, where she beings to lose touch with her senses.

In conclusion, the search for independence caused the world to change in the late 1960’s and early 1970’s. With many things going on with drugs, alcohol, and sex, it is easy to see why Joyce Carol Oates chose this theme for Where Are You Going, Where Have You Been? Connie fell in to the trap of the sexual desires that she wanted for herself, only with it ending badly. Her maturation along with sexual radicalism and capitalism sexually repressed the masses in the interests of its life negating and exploitative goals. With all of this

Once someone crosses the redline, there is no way to go back. Peoples actions are not reversible, what is done cannot be undone. In both the short story by Joyce Carol Oates “Where Are You Going, Where Have You Been?” and the movie “Smooth Talk” directed by Joyce Chopra, the screen door is portrayed as a transition and a boundary although sometimes it is interpreted in different ways. If Connie crosses the boundary, it will lead to many bad consequences. When Arnold Friend reaches Connie’s porch, the conflict is between the protagonist Connie and the antagonist Arnold Friend who is trying to lure her out of the house to go for a ride with him. Arnold is taking advantage of her youth and vulnerability. The screen

The Cultural Revolution and Sexual Desires in Oates’s “Where Are You Going, Where Have You Been”

If not thought about or read over more than once, the fact that Connie’s father was almost a phantom in her life might be missed. In this era, fathers in particular were not very active in their children’s lives, daughters especially; they were the mother’s problem. This same idea carries over to the father of Connie’s best girlfriend, who after driving them to the stores or movies “…never even bothered to ask what they had done.” (Oates, "Where Are You Going, Where Have You Been?"), the name of the story is also a question that should be asked of any daughter by her father. The fathers in question here display a sense of total apathy to the question of what their daughters are actually doing. These fathers came from a time in the 40’s and 50’s when men worried about men things and woman issues were exactly that. Men and in particular fathers of that time made no effort to be involved in their daughters lives as they are today. Oates noticed that issue in society and attached it to her work in this story although minutely. The main conflict in Connie’s life is trying to balance a fine line between the way she acts at home in front of her mother, and her secret wild side which she only shows to her friends and the boys she meets. Oates’ characterization of Connie is that of a round character, one of intense

In the short fiction Where Are You Going, Where Have You Been? tells a story about a young 15-year-old girl named, Connie. Connie spends her time meeting boys, lounging around the house and going out with her friends. One night an unusual man makes a threatening gesture to her in the parking lot of a local drive-in restaurant. Until, one day the unusual man pulls up in her driveway in a gold colored car. The man introduces himself as Arnold Friend and asks Connie to join him for a ride. During their conversation, Connie is aware that Arnold is dangerous; his language becomes more sexual and violent, and he warns her that he will hurt her family if she calls the police. In the end, she leaves the house and joins Arnold. Connie is stuck between the lines of her sexual daydreams and reality up until she is entangled among by Arnold Friend and his infatuating music playing in his car. Everything about her had two aspects to it, one when she was at home and one for anywhere but home.

Oates's story, according to its ambiguous ending, can have several interpretations. The most literally one depends upon the problem of rape in today's culture. Connie is a pretty, young and inexperienced girl. She is being seduced by an older man, who finally achieves his goal, rapes her, and probably murders. The story can be a kind of warning that there are thousands of women harmed through this crime every day, and more often they are innocent and naive teenagers and girls. It may also call for not only reacting to a victim of a horrible rape, but for searching out the rapists, seeking the causes of rape in the society, and stopping this epidemic at its source.

In Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been?” the author sets the feeling of danger and uncertainty stemming from events occurring throughout the story with the utilization of themes from Thomas C. Foster’s “ How to Read Literature Like a Professor” specifically with references to seasons, the bible, and significant symbolisms.

The teenage rebellion, which most of people experience during the puberty, always worsens the relationship between parents and children. Written by Joyce Carol Oates, the short story “Where Are You Going, Where Have You Been?” describes the condition and consequence of a family whose child is rebellious. Through the characterization, plot, and dialogue, Oates successfully exhibits the thesis that Connie’s bad ending is the consequence of her parents’ attitude and actions.

In the story, “Where are you Going, Where Have you Been?” the author, Joyce Carol Oates, uses literary devices to convey a message about the loss of innocence. To be more specific, Oates’s characterization of the protagonist, Connie, specifically shows the actions leading to her innocence being taken from her. The literary device of characterization gives a clear picture Oates thoughts at the time she wrote the story, expressing concern for young girls who are at risk of having their innocence taken from them.

Life is filled with tragedies, whether they be subtle or monumental. In society we are constantly surrounded by hardships and situations that test our own individual character, forcing us to react in order to move forward. The main characters in “The Story of an Hour” by Kate Chopin, “A Good Man is Hard to Find” by Flannery O’Connor, and “Where Are You Going, Where Have You Been?” by Joyce Carol Oates each react differently to the various tragedies they encounter, revealing their true identities that lie behind the (facade?)/version of themselves they present to the world. These tragedies that factor into all three works are both presented and interpreted differently in each story: In “The Story of an Hour” by Kate Chopin, Mrs. Mallard rejoices

In the same vein, narcissism is another trait that characterizes Connie’s attitude. She obviously has the sophisticated mind-set of a young lady that she pretends to be although she is only an adolescent. It is easy to detect through the story that the protagonist Connie spends all her time acting and protecting her ego. So many passages illustrate that point of view. Connie is a two faced adolescent. She presents to the exterior world the image of a modest and well behaved girl whereas she has in her the hidden quality of sexual flirtation. To describe Connie, Oates mentions, ‘’Connie had long dark hair that drew anyone’s eye to it, and she wore part of it pulled up on her head and puffed out and the rest of it she left fall down her back. She wore a pull-over jersey blouse that looked one way when she was at home and another way when she was away from home’’

He was telling her that he thought she was cute, and she said back to him, that she didn’t know who he was. He told her that his name was Arnold Friend, and he acted like she should know him. They kept going at each other, Arnold from the driveway and her from the house (behind the door). Arnold seemed to know everything about her family. He knew that they were out for the day and that they wouldn’t be back. He told her that he thought that she was cute and that she should come for a ride in the car. She told him flat out that she didn’t want to, but he told her that if she hadn’t done so that he was going to hurt her family. (Oates 367) He told her too that if she picked up the phone and called the police that he was going to come into the house, but otherwise he wouldn’t come in.Connie was terrified she didn't know what to do so she put the phone down “Cmon honey”. She put her hand to the door, and walked towards Arnold Friend. He said to her “My sweet little blue eyed girl.”(Connie had brown eyes)…Oates tells in the end “Connie had never seen so much land before and did not recognize it except to know that she was going to it.” (Oates 377) Arnold friend took Connie away……