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Summary Of Drenched In Light By Zora Neale Hurston

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“Drenched in Light” by Zora Neale Hurston, hints at several reasons for being to minstrelsy for the Harlem Renaissance, mainly because of Isis’s purpose being entertainment. The little girl, Isis, has a personality that hooks readers into the story. Everything about Isis is a way to keep the readers and everyone included in the story captivated. Thus, causing people to believe Isis is simply a puppet being controlled by the need to entertain everyone around her. There are so many elements in the story that point to “Drenched in Light” being to Minstrelsy for the Harlem Renaissance. Minstrelsy was an exploitative form of musical theater that exaggerated real-life black circumstances and reinforced dangerous stereotypes during the 19th and 20th centuries (“History of Minstrelsy” – USF). According to that definition, minstrelsy was essentially a method for white people to use the African-American’s and their lives as entertainment, which is what Isis is all throughout the story.
Isis becomes powerless over her thoughts and motions when the music begins to play. According to the texts, “Music to Isis meant motion. In a minute razor and whipping forgotten, she was doing a fair imitation of a Spanish dancer she had seen in a medicine show sometime before” (Hurston 171). The first sentence of that quote shows that anytime Isis hears music, playing her mind goes blank and she starts to move. As soon as, music plays it means Isis must dance like it was programmed into her by

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