A book from the Sky (Tianshu) is an installation work by Xu Bing, first exhibited in 1988. It consists of three hanging scrolls vertically draping across the ceiling, hovering over columns and rows of books systematically arranged on the floor, surrounded by walls covered with similar scrolls. The books, which are all equally spilt open and spaced out, mimic a wave like motion, and the hanging scrolls in the ceiling appear to be delicately falling from the sky. At the front of the installation, a book with its front page opened signals the name of the artwork, followed by a couple other closed books, all over a short wooden block like table. Each hanging scroll and book is filled with several small Chinese characters, a contrasting black ink on white paper, that Xu Bing carefully printed using traditional Chinese wood blocking technique. To produce the columns of text, the artist hand carved over a thousand individual character on blocks of wood, then arranged them in a specific sequence before stamping them ink on paper. Since its first appearance, A book from the Sky has been displayed in several locations around the world, with slight variation on the arrangement of the elements (for instance, a forth hanging scroll may substitute the ones on the wall). It is arguably one of Xu Bing’s most significant artworks, and it focuses on visually exploring the limitations of written language and the transformation of traditional practices to convey postmodern ideas.
Xu Bing was
Eric Tang’s Unsettled is an ethnographic account of Cambodian refugees in the Bronx, New York that evokes a nuanced understanding of the refugee experience. Unlike many other ethnographies, Tang’s work centers around one individual named Ra Pronh, a fifty year old woman who survived the Cambodian genocide and has lived as a refugee for most of her life. The bulk of his work draws upon two main sources: Tang’s notes that are gathered from his work as a community organizer in refugee neighborhoods and his interviews with Ra Pronh over a three year time period. Throughout his interviews with Ra, Tang often encountered a language barrier with her. There were times where Ra’s children would translate her words from Khmer to English for Tang to
Shen Fu was a Chinese writer and art dealer who lived during the Qing Dynasty. He had a very strong love for his wife Chen Yun and she is the inspiration for his book “Six Records of a Floating Life”, which vividly describes their life and love together. Shen Fu discusses the happiness that he found in marriage to his cousin Yun, in his first chapter, “Joys of the Wedding Chamber”. He then goes into detail, and is even reminiscent, about enjoying the little things and his experiences with them in the second part of his book, “Pleasure of Leisure”. Next Shen Fu talks about the adversities that he and Yun have to experience, in their sometimes-trying
Elliott is a notable researcher of Qing 1644-1911 China who has some expertise in the historical backdrop of its Manchu originators, In Emperor Qianlong: Son of Heaven, Man of the World, Elliott has turned his extensive semantic and chronicled abilities to a life story of the enduring Hongli 1711-1799, who from 1735 until the point when 1795 ruled as Emperor Qianlong, managing a time of amazingly quick social, scholarly, statistic what's more, natural change, Qianlong's mind boggling identity and rule are analyzed once again in Elliott's investigation. There are numerous cases of this with tests of these sonnets by Qianlong himself all through the book and pictures of himself, generally in a purposeful publicity style however. The book gives an awesome short clarification of how Qianlong ruled the country and how he lived in his home life. It points of interest his spouses and the amount he loved them and what he did with them on their many voyages together over the Chinese farmland. It really expounds the amount Qianlong was influenced by the passing of his first spouse and how it may have had an effect on how he led from subsequently.
Hannah Roberts conveys her idea of the inevitability of change and the changes individuals go through as they age. Her ideas on having to change and mature as people get older are powerfully expressed throughout “Sky High”. Roberts explores the idea that change is inevitable, and happens as time goes by. The imagery in “It’s an older, more age warped washing line I reach up to now” creates an image of her childhood washing line aged over the years. The washing line can also symbolise Roberts’ youth deteriorating as she transitions into adulthood.
In the novel A Daughter of Han by Ida Pruitt, the readers are taken through a journey of one woman through her life’s highs and lows. Through the eyes of Ning Lao T'ai-t'ai, readers can truly understand the life of a working woman during this time period. Although life may not have been easy at times, Ning Lao shows the determination and passion she had for her family and for their lives to be better. The life of a working woman is never an easy life but adding in the social rules and opium addiction that effected each part of Ning Lao’s life made it much more difficult.
Mark C Elliott’s book Emperor Qianlong Son of Heaven, Man of the World is a short biography about Hongli. Hongli was the fourth son of the Yongzheng Emperor and the favorite of his father and grandfather and was born in 1711. In the beginning it describes how he rose up in rank as a son through his father who introduced him to the current emperor Kangxi, his grandfather. The first chapter gives us the story of what Hongli was like as a child and how he won the favor of the Emperor. The book follows Hongli all the time from his birth from a low ranking palace consort right up to the end of his life even after he technically gave up his title as
In Jan Wong’s entrancing expose Red China Blues, she details her plight to take part in a system of “harmony and perfection” (12) that was Maoist China. Wong discloses her trials and tribulations over a course of three decades that sees her searching for her roots and her transformation of ideologies that span over two distinctive forms of Communist governments. This tale is so enticing in due part to the events the author encountered that radically changed her very existence and more importantly, her personal quest for self-discovery.
When the jury and judges awarded Elizabeth Fenn the 2015 Pulitzer Prize in History for her book, Encounters at the Heart of the World: A History of the Mandan People, their citation described the book as "an engrossing, original narrative showing the Mandans, a Native American tribe in the Dakotas, as a people with a history."
The book Between the World and Me by Ta-Nehisi Coates offers a poignant reminder that the battle for equality is still ongoing for African Americans, and that the average black reality is rife with perils, which could easily lead to the destruction of life or liberty. In the wake of the recent string of deaths involving unarmed African American citizens by the hands of local law enforcement, Coates presents his narrative in the style of a letter to his son. Writing in the form of a letter offers a deeper sense of intimacy both with its perceived intended subject (Coates’s son) and the reader. The intimacy expressed through this narrative style denotes Coates’s own intense emotions to the reader regarding race in America. In this way, Coates offers a view that is authentic, humanistic, and emotionally charged contrary to just being an omniscient narrator.
As we begin to go on an excursion through literature, it is important to understand the concept of what an ethnography is. Ethnography is known to be a descriptive type of work that analyzes culture and customs of individual people. James Clifford has implemented this work into his studies and has influenced many others to do the same. I saw through the books I have read, ethnography makes these books become vivacious for a reader.
Mckissick, Floyd. “CORE Endorses Black Power.” In Let Nobody Turn Us Around: Voices of Resistance, Reform and Renewal: An African American Anthology, edited by Marable, Manning, and Leith Mullings. Rowman & Littlefield, 2003.
One of China’s most popular love comedies, The Story of the Western Wing (Xixiang Ji) by Wang Shifu (1250-1300) dramatizes a scholar-and-beauty romance. Zhang Sheng, a promising student, and Cui Yingying, a beautiful maiden, meet in a temple, fall in love at first sight and after a series of thwarted attempts, they end up happily marrying each other, after the student has passed the civil exam as the top one, of course. Among the five books of The Story of the Western Wing, Book III stands out in the very middle of the whole play with interesting characteristics in terms of both theatrical features and thematic complexity. First of all, while dan and sheng share most of the
Family loyalty in China has had a tumultuous past filled with fluctuation between remaining loyal to the state, yet also remaining loyal to blood relatives. In the autobiography that also serves as a biography, Wild Swans, by Jung Chang, this is seen. The book, which outlines the biographies of the author’s grandmother and mother, as well as her own autobiography, gives an interesting look into the lives of the Chinese throughout the 20th century. This book is beyond eye opening, and is truly a raw glimpse into the daily lives of women throughout China, struggling with situations that no human should ever be thrown into. I loved this book and was truly scared about the world that it opened me up to. The book does many things well, but also has its faults. The author consistently and clearly exemplifies the social hierarchy that consumes China, as well as its obsession with cultural stagnancy. The author also gives intense imagery that thrusts the reader into the scene, and creates a new reality showcasing the truths of China. Although both of those things take main stage in the book, there are a few weaknesses in the book. One, asking the question of how she had such clear anecdotes on her grandmother and mother’s life, how did she have such intimate details? The second shortcoming that Jung Chang had a subjective view of China, partly being that she loves China despite the cards it has dealt her. Her life was not short of hardships, but her family was typically
In what should have been the prime of his youth, Sungju Lee’s soul and happiness was carved out and replaced with a desperation for survival. Constantly cross between the consuming emptiness of abandonment and the flickering hope that their families are still out there, Lee and his ragtag crew of forgotten boys fight their way until the dying light of each day. As his beliefs crumble around him, Lee climbs his way out from the ashes to open his eyes to the truth,in a bittersweet coming of age story. Lee’s extremely personal and detailed recount of his youth in Every Falling Star make it a truly heart wrenching story full of emotion and depth with descriptive imagery while retaining simplicity and the intimacy of a friend telling a story.
In the next room I came across a very unique and interesting collection of pieces. If you especially like or have any interest in calligraphy, then you are going to love what Hongmo Ren has done. Calling it REN-script, Ren has created what he calls a calligraphy and linguistic “experimentale.” Consisting of seven English and six French pieces, he has combined the art and beauty of calligraphy with writing of equal stature. In ten of his pieces he elaborates on the beauty of nature during various seasons and includes a complete verse from the Book of Genesis. The rest of the pieces are large single word depictions again in calligraphy with intricate detail.