Sula Birthmark Analysis

Georgiana had always lived with the birthmark, and was quite fond of its charm. Many people in the town believe it was a fairy’s handprint left to sway all hearts; to them the mark only magnified her appeal. The mark’s charm had rarely been questioned by anyone other than the jealous women of the town, and its peculiar nature had once intrigued Aylmer and amplified his attraction to Georgiana. He begged for her hand in marriage, but soon after they were wed, he queried whether Georgiana had ever considered having the birthmark removed. She was hurt by the implication that the mark depreciated her and grew upset with her husband. As time passed, Aylmer continued to stare at the mark, unable to keep his eyes from wandering to it. This continued until Georgiana was no longer able to ignore the way his eyes were always fixated on this sole imperfection, the crimson hand that kept him up at night and plagued his dreams. She asked Aylmer to remove the mark, or take her life because she no longer wanted to live if she had to live with the mark. She preferred death to the harsh scrutiny from her husband.

Nel and Sula’s relationship is a complex one, which allows for the novel to become incredibly in depth and driven by interesting characters. Sula’s relationships with her mother and grandmother are opposite of Nel’s relationship with her mother. This is, perhaps, why their personalities differ so much once they reach adulthood. Both become their mothers.

Aylmer’s craving to make his wife Georgiana perfect is destined to fail because perfection cannot be found on earth and only found in heaven. Aylmer obsesses about the birthmark that is on his wife for an extensive time that it actually starts to inconvenience him. For Aylmer, it symbolizes mortality and sin and comes to mast over Georgiana’s beauty in his cluttered mind. Consequently, her tiny imperfection, which is only a birth-mark, is all he can see and is so prominent to him. The desire for perfection not only kills Georgiana inside and out, but it also ruins her husband. Aylmer starts to break down because his desire to create the ideal woman becomes such a fixation that it prevents him from seeing all the good his wife has to over him and the world. Nevertheless, Georgiana says that she will risk her life for him and have the birthmark erased. Aylmer is very confident about it but ends up killing her in the process, emotionally and

It becomes more evident that the relationship between the two is turning form one that is symbiotic to one that is parasitic when Sula returns

For Sula, there is no "other" against which she can then define herself. Having rejected her community and her family, she wanders, trying somehow to define who she is. Sula turns to Shadrack, the local madman, at first because she worries that he saw what happened to Chicken Little, but then because his words truly do comfort her.

In Sula, Toni Morrison questions what true friendship is by putting Nel Wright and Sula Peace’s friendship to the test. Morrison tests the phrase “opposites attract” in this novel. Nel and Sula have two different personalities yet they are able to compliment each other. They are opposites in the way that they relate to other people, and to the world around them. Nel is rational and balanced; she gets married and gives in to conformity and the town’s expectations. Sula is an irrational and transient character. She follows her immediate passions, completely care free of the feelings other people might have about her. To Nel, Sula’s return to Medallion is like “getting the use of an eye back, having a cataract

     Alymer is an older scientist who marries a beautiful woman much younger then himself. Even though Alymer finds his young bride beautiful, he still says that she is “marked.” Upon Georgiana’s left cheek is a birthmark. The birthmark is small, red, and in the shape of a hand. Alymer believes that this mark takes away from her beauty;

In “The Birthmark” we first learn about the main character named Aylmer. He is fascinated with science. “He has devoted himself, however, too unreservedly to scientific studies ever to be weaned from them by any second passion” (Hawthorne 952) He eventually finds love with his wife Georgianna, but there is something about her he just will not seem to take much longer. Georgianna has a red birthmark on her cheek which is the shape of a small hand. While she thinks it is beautiful, the most important person in her life doesn’t feel the same way. In fact, Aylmer is truly disgusted and in shock by her mark, claiming it is a “visible mark of earthly imperfection” (Hawthorne 953). Finally telling his wife how he feels, Georgianna is in disbelief. She is upset, hurt, and confused, even questioning their marriage as she tells him “You cannot love what shocks you!” (Hawthorne 953). The last thing she would have thought is that the person she planned to spend the rest of her life with doesn’t see her beauty mark the way she does.

Sula wanted nothing to do with a husband that would betray her and cheat on her and come home and just be horribly mean to her.  I think the biggest emotional obstacle Sula endured was watching her mother burn to death. Sula went through an obstacle course of emotions and relationships.  Poor choices were made, which led to her ultimate demise, however, her demise was her own choice. It was pretty ironic how the dislike for Sula brought the community together. With their dislike for Sula they forgot about the problems they had with each other.

The archetype of Georgiana can be seen as the perfect women, however, her birthmark acts as a symbol of imperfection and mortality that keeps her from fully pleasing her husband. Georgiana is described as beautiful and perfect except for one flaw, the birthmark. “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on all her productions, either to imply that they are temporary and finite, or that their perfection must be wrought by toil and pain” (Hawthorne 220). The hand-shaped birthmark can be seen as her being touched by nature and acts as a symbol of imperfection and mortality in humans. The symbol of the birth-mark standing for mortality can be seen again towards the end

In “The Birth-Mark,” Aylmer, a natural philosopher, became obsessed with a hand shaped birthmark on his wife’s face. Being completely consumed by the notion of imperfection that graced the face of his wife, Georgiana, he attempted to remove the mark which resulted in her death. Aylmer views Georgiana’s birthmark as something more than a

Because of the sexual confidence Hannah Peace has, Sula must disguise her difference, just like her grandmother Eva had too. Eva’s drastic measures were repeated by Sula an act of survival and denial of powerlessness and vulnerability. Nel and Sula are regularly picked on by the same group of boys, causing Sula to take matter into her own hands. At one point, Sula takes out a knife and cuts off part of her finger saying, “ ‘If I can do that to myself, what you suppose I’ll do to you?’ ” (54-55). This severe act if Sula’s moment of self-recognition of her connection to her grandmother Eva. Here, Sula realizes that she has to fight against her own vulnerability, and establish her identity, hereby following her grandmother Eva’s example. Though this moment shows Sula’s inner strength, it can never disguise her enough of being different from the rest of her community. Just as Eva and Hannah, Sula continues the unpreventable, mature line of breaking past the typical gender roles of the time. Eva’s overly independent attitude and removal from caring and mothering a daughter correctly, leaves her daughters with unlearned, societal caretaking skills. This results in Sula’s highly inappropriate and unnecessary act of clumsy caretaking within her relationship with Nel. Yet, it is understandable because Sula has never been taught normal and conventional means for problem solving. The denial of motherly love from

By looking at symbolism in The Birthmark, the reader can interpret that the birthmark is a symbol for imperfection and mortality which is not obvious to most people. This is important because it turns the birthmark into something all readers can relate to since no one is perfect. Georgiana’s birthmark was “the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on all her productions” (Hawthorne 12). As stated before, nothing is perfect, Nature has a flaw on everything and Georgiana’s was her birthmark. Her husband, Aylmer, notices the birthmark and also sees it as an imperfection even though other men would often tell her it was a charm. “No, dearest Georgiana, you came so nearly perfect from the hand of Nature that this slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection” (Hawthorne 11). Aylmer at first is the only one, other from jealous women, to point out her birthmark as an imperfection but his constant talk began to make her believe she was in fact flawed. This is important because it ultimately leads to the death of Georgiana.

Nel follows all the stereotypes of what a woman should be. She is a simple God-fearing, church going women who marries young and is very domesticated, tending to the house and her children. Nel chooses to settle into the conventional female role of wife and mother while all throughout her life she has been careful to stick close to the "right" side of conformity. She was raised in a stable, rigid home by a family that has always been careful to keep up a socially respectable persona and an immaculately clean house. Sula on the other hand is the complete opposite. Sula gives social reforms no mind and is in a sense a wild woman that can not be tamed. She defies social conventions by never marrying, leaving her hometown to get an education and having multiple affairs with different men. The home she grew up in was in a constant state of disarray supplied by a steady stream of borders, three informally adopted boys all of whom were renamed Dewey and a line of men waiting for her openly promiscuous mother.

In the novel Sula, by Toni Morrison we follow the life of Sula Peace through out her childhood in the twenties until her death in 1941. The novel surrounds the black community in Medallion, specifically "the bottom". By reading the story of Sula’s life, and the life of the community in the bottom, Morrison shows us the important ways in which families and communities can shape a child’s identity. Sula not only portrays the way children are shaped, but also the way that a community receives an adult who challenges the very environment that molded them. Sula’s actions and much of her personality is a direct result of her childhood in the bottom. Sula’s identity contains many elements of a strong, independent feminist