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Subculture of Hip Hop: a Sociological Analysis Essay

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It all started with the birth of a nation. The shameful crimes that build this country rest on the backs of an enslaved people, yesterday in chains and with laws and today behind bars and within socialization. The tale is as old as our time. The first slaves were brought to the Virginia Colony in the early 1600s. they were simply indentured servant whom would be released after working an agreed number of years. They came to America on a voluntary basis. Soon after, that model of slavery was replaces with the race-based slavery used in the Caribbean. Slavery was officially legalized in 1641 and gradually progressed to the brutal form that we know today. The undermining and oppression of those African people were sealed in 1712 when …show more content…

Beatboxing is also included as a sub element of DJing.

Hip-Hop as a subculture was established by Black Americans, the youth in particular because of their marginalization. Mainstream music was made mostly by White Americans for White Americans on topics they could relate to. Even though Hip-Hop started off as just a beat it transformed into something so much more. Jamaica born DJ Clive “Kool Herc” Campbell, one of the most influential in pioneering the art of hip hop music, brought over many Jamaican traditions including their tradition of toasting, which laid the blueprint for the actual rapping on instrumentals. Toasting is impromptu, boastful poetry and speech over music. Hip Hop music became one of the primary constructive outlets for Black Americans to release their thoughts, pain, and anguish about the injustices and mistreatments of Black people. Even though most of the pioneers in Hip-Hop either were not born in America or are 2nd generation immigrants that proves that common oppression can lead to unity. The fact that that these individuals were impoverished and felt marginalized is what brought them together and lead to the culture today. Deep rooted racism in the United States kept the genre of music suppressed for a while before it was allowed to even be played on the airwaves. Now, in 2011, the main consumers of byproducts of hip hop are White Americans.

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