Written by American writer Henry James in 1878, the novella “Daisy Miller” delineates the story of a young American girl Daisy Miller narrated by Winterbourne, a young compatriot of hers who has spent most of his life in Geneva. Henry, along with other characters in the novel, condemns Daisy’s boldness and defiance. He often describes Daisy as seductress who is trying to trap Winterbourne. However, feminist interpretation of the novel brings forth Daisy as a heroine who represents first generation New Woman whose emergent femininity doesn’t fit into societal norms. She acquires her freedom in male dominated world through defiance. Daisy is part of a generation of young American women to whom more options than ever were open as women’s rights …show more content…
James depicts the subversion of gender roles through Daisy’s purposeful violation of cultural women expectations, reinforces gender stereotypes by portrayal of the consequences stemmed from Daisy’s own mistakes and rash choices of defiance viewed as a punishment for her appropriation of masculine liberty, and makes the reader aware of gender politics through pointing out the vast differences between the behaviors of Daisy and Winterbourne. Through this representation, the novella implicitly develops the unjust difference of gender norms.
Firstly, Henry James depicts the subversion of gender roles throughout the novella through Daisy’s purposeful violation of cultural women expectations. Defying the social norms that were strictly enforced during the nineteenth century, Daisy Miller sets her own conventions rather than submitting to the ones dictated by society, majorly men. She ultimately refuses to fit into the social norms at the time and asserts her freedom by doing actions which are in opposition to European concept of an ideal woman. This statement is proven by Daisy Miller when she states, “Poor Winterbourne was amused, perplexed, and decidedly charmed. He had never yet heard a
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James portrayed some of society’s own ambivalent views on what paths the New Woman could take, and what dangers she still faced, especially in the older, more established European culture. In many ways, the novella shows how menacing a path to physical and psychological enclosure can be, causing her to face many adversaries. Henry notes, “The vesper service was going forward...meanwhile, between Mrs. Costello and her friends, there was a great deal said about poor little Miss Miller's going really too far” (James 53). In a time when women were criticized about for not following the common norms of females, Daisy is too much ahead of her time and her feminist urgings causes her to inevitably fail. Alternatively, perhaps James subconsciously wants to kill the impending feminist movement and enforce the dominance of males over females, whose standards are not presented by Daisie’s rebellious character. Furthermore, perhaps James uses his novel to reinforce gender stereotypes and the importance of the cult of domesticity, as Daisy’s rebellious character, which was very peculiar in this era, resulted in her death and intense denunciation from society. Additionally, Daisy crosses the gender line of female sexuality to pursue her desires; her free attitude and
Daisy puts up with her husband’s infidelity because of the benefits he provides, his background, his “old money”, and his reputation. When I talk to Daisy she’s always quite cheerful and peppy, but there are moments when I see how sad and lonely she is, “'All right,' I said, 'I'm glad it's a girl. And I hope she'll be a fool – that's the best thing a girl can be in this world, a beautiful little fool… you see I think everything’s terrible anyhow… I’ve been everywhere and seen everything.” (17) In a society corrupted by greed and scandal, the best thing that one can hope for is to be too stupid to realize what’s actually going on and therefore not get hurt.
On August 6, 1969, a megalomaniac named Charles Manson ordered his “Family” to kill everyone in a house that used to be owned by a well known music recorder named Terry Melcher. However, Malcher was not occupying the house but instead the house was occupied by a renowned movie producer, Roman Polanski, and his wife, actress Sharon Tate. On that date, Manson’s family perpetrated one of the most gruesome crime in Hollywood’s history by stabbing to death Sharon Tate and her friends. The case that ensued after the murder became one of the most publicised murder trial in the history of crime.
In Henry James’s “Daisy Miller” and Edith Wharton’s “The Other Two,” the narrators each disclose the complications of their party’s social formalities during circumstances within their own society. In both short stories, Winterbourne and Waythorn try to figure out their adored ones character and motives but for different reasons. In “Daisy Miller,” it’s noticeable that Mr. Winterbourne ends up longing for Daisy Miller as he tries to fully categorize the character she’s carelessly ruining. While in “The Other Two,” the narrator examines a society of how a married couple, Waythorn and Alice, adjust to an awkward
Taking Daisy with appreciation and without alarm, we also re-read her character and re-evaluate her moral status. We (the readers) seem to meet James’ sophistication with out own, by agreeing on a mixed interpretation of Daisy: she is literally innocent, but she is also ignorant and incautious. (1)
The women in the novel, Jordan, Daisy and Myrtle, are often seen as immoral. How do you respond to this, taking into account the novel’s social and cultural context?
Daisy Miller, a novella written by Henry James, and A Doll’s House, a three-act play written by Henrik Ibsen, are both set in the late 1800’s. Women were not allowed much freedom from their husbands at this time. They could not own property, keep their own wages, or enter into contracts on their own. For example in A Doll’s House, Nora was not allowed to borrow money without her husband's help but Nora did not want her husband so she had to lie. Nora plays her role as a women in the play A Doll’s House just like the women of that time normally would, until the end when she gains courage to stand up to her husband. In Daisy Miller, however, Daisy does not fit in with the role women would normally play. The heroines in each of the stories have significant roles
Daisy knows that she is marginalized. When her daughter was born, she claimed that, “the best thing a girl can be in this world [is] a beautiful little fool” (17). It can be argued that this statement is actively perpetuating the substandard roles of women in the 1920s. However, Daisy is limited in her power, and she knows this. She wants her daughter to be protected. Daisy is not happy in her marriage. She is surrounded by wealth and affluence, but her husband is cheating on her and she does not want to be in the marriage. But, she has to act the fool. She cannot cause a
“Jane Eyre” is a book centred around female duality. In a time when females were still expected to fulfill their “womanly duties,” Charlotte Bronte wrote a novel dealing with a woman’s view on morality & sexuality, passion & sensibility, and conformity & insanity, among other themes. This motif of duality plays a strong part in the dynamism that makes up the book, and is not limited to the themes, but is also used to relate many of the characters to the titular Jane. In “The Mystery at Thornfield,” Valerie Beattie makes claims that the character Bertha Mason’s insanity is a representation of rebellion toward the limitations of Victorian women. Not only is
In The Great Gatsby by F. Scott Fitzgerald, characters are depicted as corrupt human beings influenced by their own personal agendas. With an indistinguishable line between right and wrong, they remain unaware of the consequences that follow their actions. Daisy Buchanan is portrayed as the “golden girl” of her time. She is the woman every man wants to call their own, although they only focus on her superficial features rather than personal qualities. Throughout the novel, her true self begins to unfold, displaying how she misleads others to protect her social stature and reputation. Daisy’s submissive nature continuously hurts the people she cares about by allowing her to engage in dishonest activities.
Daisy illustrates the typical women of high social standing; her life is moulded by society’s expectations. She is dependent and subservient to her husband. She is powerless in her marriage.
When Winterbourne first meets Daisy, he is willing to accept her for the vivacious young American girl she is. Although Daisy's customs are not what are expected of young girls in European society, Winterbourne is charmed by Daisy and her original ideals. He defends Daisy to the aristocracy, claiming that she is just "uncultivated" and is truly innocent. As the story progresses, Winterbourne finds himself questioning Daisy's true nature in comparison to the standards of European society. Winterbourne's opinion of Daisy changes from acceptance to condemnation as his tolerance of cultural standards is clouded by the prejudices of the European aristocrats.
James' manipulation of appearances in Daisy Miller as well as other character's notions of these appearances provides us with a novella of enigmatic and fascinating characters. Daisy, the most complicated of these ambiguities, is as mysterious as she is flirtatious. James gives her a carefully constructed enigmatic quality that leaves the reader wondering what her motivations were and who she truly was. He structures the novella in such a way as to stress the insights that the supporting characters provide into Daisy's character, weather accurate or erroneous. Despite their questionable reliability, they allow James to make commentary on both European and American cultures and social class.
Daisy Miller" by Henry James, is a study of a young American girl's rebuttal of all things "proper" and refusal to conform to social standards. One can see that realism is apparent throughout the text. The characters utilize free will throughout, are affected by their environment and familial relationships, and ultimately make their own choices. These choices eventually affect the outcome in an unhappy ending. Jame's creates characters that encompass both sides of the social sphere in this work. Winterbourne, Mrs. Costello and Mrs. Walker are all individuals that come from old money, a higher societal background, and expectations of what is deemed right and proper. In contrast, Daisy Miller, Mrs. Miller, Randolph and Eugenio are the opposite in many ways coming from an average societal realm and more realistic, modest lifestyle. Winterbourne has a rather telling conversation with Mrs. Walker and her statement to him upon asking what exactly it is that Daisy does that pushes "too far" sums up the overall reputation Daisy is establishing for herself. "(she does) Everything that is not done here. Flirting with any man she could pick up; sitting in corners with mysterious Italians; dancing all the evening with the same partners; receiving visits at eleven o'clock at night"(James, p. 1537). Daisy's ability to make her own choices and follow her free will are aspects of realism which writers began to utilize. Again, her environment and family most definitely affect her behavior.
Daisy Miller is breaking these social norms by constantly associating with different men, drawing the attention of many others and Connie expresses her sexuality by abandoning her friends to spend time with a boy in his car; this ultimately leads to society’s metaphorical murder of these women.
In 1878, Henry James wrote, Daisy Miller, a novella about a young American girl and her travels in Europe. Daisy Miller is a complex short story with many underlying themes such as appearance versus reality, knowledge versus innocence, outward action versus inward meditation, and Nature versus urbanity. In this short story, one is left to judge whether Daisy Miller, the main character of the story, is “a pretty American flirt” or a misunderstood, modern young woman. By probing into the complexities and contradictions of Daisy’s character, it is obvious that Ms. Miller is merely a misunderstood young woman.