Standing In The Shoes Of Michelangelo And Leonardo Da Vinci

The masterworks of Bernini and Canova shared similarities along the lines of the sculptors’ works were crafted with precision and a keen eye for detail and were successful in giving their works a realistic effect. Both workers were masters in their own time and were able to manipulate marble to as though they were constructing a painting. They both incorporated classical forms in their works, depicting great scenes from mythical stories that could be viewed in great detail at a 360-degree angle.

Leonardo Da Vinci’s detail orientated mind and quick expertise led him to make some of the most important scientific discoveries in history! Leonardo was an artist, a scientist, and an inventor in the medieval times. He is sometimes referred to as, the renaissance man. Leonardo Da Vinci loved nature and science. He had a special interest in anatomy. Leonardo Da Vinci, created the masterpiece, Vitruvian man, to show how the marvelous human form is proportioned, and examined dead corpses of both humans and animals, while recording his findings in his works.

Michelangelo was born on March 6, 1475 in Caprese, Italy. Michelangelo was known to be one of the best artists during the renaissance. Michelangelo never was interested in school work. He was always amazed by the painters and artist that were around him. Thus, igniting the flame and desire of him becoming a painter, artist, poet and sculptor. At the age of sixteen Michelangelo sculpted two reliefs, Battle of the Centaurs and Madonna Seated on a Step. Two of Michelangelo’s famous works was the Pieta and David. David is meant to symbolize a young, courageous warrior with a bow and arrow ready to take down his enemy. Michelangelo mad David out of discarded stone, a fact which most people are not aware of. Some other works that Michelangelo did

By the end of the classical age, Greek sculptors had reached perfection in form and movement. This meet “Aristotle’s idea of excellence as the exercise of human will dominate by reason” (Fiero, 2006).

The earliest signs of a painting was with angels one executed on a large landscape, and the last being the figure of Christ, getting the texture of the flesh how he wanted it to be. Leonardo knew how manipulate the way certain colors would mix, how the backgrounds would come off, and how to get the lights the way he wanted them and to achieve his goal. He also k new how to change a rough, hard metallic to a light, soft yielding ones, also getting the cutting edges into far more interesting modulation of light and shade. His name for this trick was what he called it “soft union”. Every skill he had he would use with such great intensity, his works being filled with his scientific and philosophical background. Like every person there is always some little thing that you just cant seem to understand: his was how he would be working on a project to just stop working to take on a other project that everyone thought was to complex, he did it to just stop midway and the cycle repeats. His passion for horses was so strong, some thought he may have been a little crazy, what they didn’t know was that he was in fact studying

The Italian Renaissance Era was a period of revival, of beliefs and thought, one of its primary objectives being the redefining of human form in art, representing it as a more realistic, natural, and three-dimensional form that does not necessarily have to symbolize a religious idea or belief, but a representation that focuses on the emotions, beauty, strength, and grandeur of the human being.

A good painter has two chief objects to paint, man and the intention of the soul. The former is easy, the latter hard, for it must be expressed by gestures and the movement of the limbs… A painting will only be wonderful for the beholder by making that which is not so appear raised and detached from the wall." () Leonardo Da Vinci and Raphael are two examples of Italian Renaissance artist who influenced art throughout the centuries and mastered their fields. Madonna of the Rocks by Leonardo Da Vinci portrays the concepts of chiaroscuro and sfumato through lines, depth, perspective, shadows and light. In addition, although Raphael was influenced by Leonardo, his work is known for conceptual clarity in form and his ease in composition and is seen his piece Madonna of the Goldfinch.

“While some may deem Leonardo da Vinci paintings tame in their total effect on our society’s modern sensibilities, his development of techniques that immersed the viewer in the world of the painting, and the impact of those techniques cannot be understated.”1

The Italian Renaissance was an explosion of the arts in Italy, not only in painting and architecture, but in sculpture as well. Over the span of about eighty years, sculpture became transcendent during this time. Sculpture style has evolved over the course of many years from something that was not just considered philosophical or just simply aesthetic, but to something that involves and combines both. One artist that started this shift was Michelangelo. Michelangelo created breathtaking statues, and because of his innovative thinking and style, he paved the way for other extraordinary and visionary artists like Bandinelli and

Michelangelo's David is the best interpretation of this Renaissance aura of life. The sculpture was influenced by the narrative of the youthful shepherd boy who decided to fight a strong foe in order to save his people from invasion. Wearing no armour whatsoever, and donning only a sling as his weapon, David defeats Goliath utilizing exceptional skill and courage.

Both men lived lives full of art, intrigue, and philosophy, devoting themselves to the betterment of mankind. Doctors, engineers, poets, architects, and artists alike have all drawn inspiration from these Renaissance men. While many today will simply call them artists, I believe they were much more than that. Men of conviction, honor, and dignity that always challenged the best from themselves. As men, though, they suffered from weaknesses that many others have fallen to. Leonardo had a poor attention span, and often would put off a project to work on other things. Michelangelo was known to have a short temper, and would become extremely aggressive any time he was tested. Sometimes we like to look past the weakness of those we look up to, as a way of making them out to be a god. To do this only taints the legacy of men like Leonardo da Vinci and Michelangelo. As strong minded people, they both understood their own humanity and weaknesses, and used these weaknesses to propel themselves forward. Leonardo though unable to stick to a project, always wrote down any ideas he had, knowing that they could be used for more than just blank space. Michelangelo concentrated his aggression to always finish his projects, and do so to the best of his ability without flaw. They never let their weaknesses stand in their way to greatness. Nowadays, we can take more inspiration from them than just their art and inventions. We can continue to live like they did, never letting a weakness stop us from reaching our goals, but using that weakness. Using something meant to cause us to stumble, and creating something else out of it. Creating something absolutely beautiful, and new to this

Leonardo da Vinci was a important part of the Italian Renaissance. He influenced many people with his work. His work caused people to follow him in his beliefs and technique he used for projects he worked. Some of his ideas he did not receive credit for, but some of his inventions and ideas are still used today.

As most people know Leonardo was a magnificent artist however some people don't realize being an artist doesn't always mean you're good at painting and drawing. Leonardo was originally brought to the Moor who ruled the duchy of Milan by music not art. The Moor became Leonardo's patron after Leonardo painted an altarpiece for the Church of San Francesco Grande. When the Moor decided to make a bronze statue of his father on horseback Leonardo stepped up to take on the task. Leonardo planned to make the horse first then make the rider separately and add it on later. He studied horses drawing the best the Moor had in his stable he also measured them even dissecting horses to make sure he had the plans just right. In 1493 Leonardo displayed his clay model that was full size. He still had to cast the enormous statue, which could prove to be the hardest part of making the sculpture. He invented a new way to get all the molten bronze into the mold quickly so it didn't crack when it cooled. When all the bronze required to make the statue (more than seventy tons) was gathered and the molds made the Moor used the bronze to make cannons. The would be eighth wonder of the world was never cast and when the French captured Milan in 1499 the soldiers used Leonardo's clay model for target practice. It eventually crumbled so even the model of the would be eighth wonder of the world is not around today. As an artist Leonardo also made three famous paintings. The Last

During an interview, I am always a little nervous because interviewers never ask the same questions as other interviewers. The one question I was asked time during an interview that I fear will be asked again is “On average, how many days do you call into work to say you are not coming in?” This question was and still is a little tricky to me. You have to consider that you might get sick once or twice a year. If you have children, they might get sick and need you to stay home and take care of them. So, what would be a reasonable answer to this question? When I was asked this question, I answered: “maybe between three and five days”. My interviewer looked at me with a surprised look. I didn’t get the job, and I wonder if this was the reason.

Leonardo da Vinci was one of the stunning craftsmen back in the 1500's. He was a painter, stone carver, planner, builder, and a researcher. Amid the Renaissance, the depictions that he drew were colossal. He drew works of art like the Mona Lisa and the Last Dinner. He went to different spots to influence his fantasy to work out as expected. Leonardo began off as a collaborator, yet transformed into a pioneer and a craftsman later in his life. After Leonardo turned 15, his dad chose to take him to a renowned craftsman named Andrea del Verrocchio. A significant number of the painted assembling of Verrocchio's workshop wound up noticeably executed by method for his faculty. Concurring with Vasari, Leonardo cooperated with Verrocchio on his sanctification of Christ, demonstrating the more youthful holy messenger holding Jesus' robe in a way that was to date better than his lord's that Verrocchio put down his brush and not the slightest bit painted once more. This is most likely an exaggeration. On close exam, the show tells about a decent arrangement that has been painted or touched up finished the gum based paint the utilization of the new strategy for oil paint, the wide perspective of a nature scene, the stones that might be seen through the dark colored mountain stream and a significant part of the observing of Jesus demonstrating the veracity of the hand of Leonardo. Leonardo himself can likewise have been the form for 2 works by Verrocchio, which incorporate the bronze statue of David inside the Bargello and the Most elevated amount holy messenger Michael in Tobias and the Heavenly attendant. By the age of twenty, Leonardo confirmed as an ace inside the association of individuals of St Luke, the craftsmen and specialists of prescription, yet even after his dad set him up in his own workshop, his connection to Verrocchio turned out to be to such an extent that he kept on cooperating with him. Leonardo's soonest perceived dated depictions is an attracting pen and ink of the Arno valley, drawn on August 5,1473. Leonardo da Vinci is altogether different from alternate figures in World History. Leonardo da Vinci was an exclusive tyke until the point that he was mature enough to work for Andrea del Verrocchio. He