Stained Glass Research Paper

“I live in a world that at any moment could erupt into fire. It was sort of knowledge that kept you on your toes” - Jeannette Walls. This book The Glass Castle is about Jeanette and her siblings, Lori, Brian, and Maureen withstanding many hardships living under the roof of their adolescent and neglectful parents, Rex Walls and Rose Mary Walls. Now the Walls’ parents are not first-rate parents, but they can be second-rate parents because they don’t take care of the Walls’ children basic needs and they don’t treat Lori, Brian, Jeanette the way parents should. Although they have some flaws there is a little good in them.

Rose de France window dates back to the Gothic period and can be found in Notre-Dame de Chartres Cathedral. I would say that this type of artwork is more likely to fit perfectly into the category of art in worship and ritual because it serves its purposed very well. The stained glass window serves it's purpose of worship and ritual because it is dedicated to the Virgin Mary, who sits in majesty. In the stained glass window the Virgin Mary is depicted by being surrounded by doves, angels, and royal figures of the celestial hierarchy. Also, if we take into consideration the goal of the Gothic structure of cathedrals which was to fill these cathedrals with light for the purpose that it served as a metaphor for the presence of God we can clearly

Fragility An explanation of themes in the The Glass Castle. At what point would you say a parent is bad? At what point would you consider a bad childhood? Jeanette Walls’ memoir, the The Glass Castle, is a troubling account of her life growing up. The story highlights familial troubles, addiction, neglect, and how Jeanette and her siblings dealt with it.

The culture at this time was focused on seeing representations of their faith pictorially; the culture was both highly religious and therefore highly visual (Nygren lecture 1/23). It is clear that this painting has a religious connotation, due to its iconography. The Virgin Mary, Christ, and Saint Luke are all pictured, and they all play prominent roles in the Catholic faith. Since most people were Catholic at the time, many viewers would clearly see the meaning behind the

By studying the design of the Norte dame of Chartres cathedral, in France and the Temple of Khonsu located in Egypt. We can emphasize how both buildings relate with each other. The Chartres cathedral and the temple of Khonsu have numerous of connections with other. Although, the structures were built throughout different periods of time and in different locations. Both buildings share some of the same visual characteristics. The resemblances in the style of these buildings, the Chartres Cathedral and the Temple of Khonsu could be seem in the carvings and ornaments that are found in the exterior and interior of these buildings. These carvings and ornaments in the columns, portals and gateways were meant to be educational to the individuals that follow such religion, and that unfortunately did not know how to read, implying the idea of a visual bible.

In the Baroque era there was a guy named, Caravaggio, who is considered the founder of the art of tenebrism. The art of tenebrism tells the history of Europe with using light and dark colors in the paints for adding effects for the viewers. This started in Rome when the problem of different churches started to branch off of the Catholic Church. These religious consisted of Lutherans and Protestants were the main ones, and became a huge problem for the Catholic Church, because up until then that was the major big religion. Tenebrism was used mostly as propaganda in an effort to get people to continue with the Catholic faith and nothing else.

Ziggy Marley once said, “God is like the sun. When the sun shines, it shines for everyone. God is for everyone.” In the same way, Abbot Suger built the Basilica of St. Denis so that sunlight would flood throughout the building and symbolize the power of God inviting visitors into the cathedral. The Basilica of St. Denis was an artistic response to the rise of the Catholic Church’s power for it was modeled to be a physical representation of heaven, which the church heavily preached upon. (Thesis) As the basilica represented the shift from Romanesque architecture to Gothic, Abbot Suger introduced new techniques that transformed cathedrals to look more spacious and “heavenly”. (Map Statement #1-Art History) By allowing sunlight to come

being interpreted. Pope Gregory the Great’s legacy of rendering biblical text through mosaics and frescos carried on long after his passing which occurred during the Rome, Byzantine Empire in 604. The use of stained glass mimicked qualities of both mosaics and frescos, (this notion will be further explored in the discussion on Abbey of Saint-Denis) thus contributing to the transition into Gothic architecture. Advances in construction allowed new forms of construction and artistic interpretation.

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Stained glass artists are talented and knowledgeable craftspeople who specialize in bringing all types of designs to life. To produce art that is sturdy and aesthetically pleasing, artists employ a number of tools and techniques of the trade. Here is a brief (and simplified) summary of the process stained glass artists use to create the colorful designs seen in churches, government buildings, and private residences.

I think it's interesting how putting stained glass windows in churches and cathedrals would have such a profound and lasting impact on people attending the services. Although it was originally made for people who couldn't read, I think everyone enjoys looking at the windows. The windows definitely add something special to the sermons and have a long lasting impact on people on their lives.

Stained glass was made during the Gothic period of art history. In the center of the program is the Virgin Mary, enthroned and crowned. The crown means that she is the Queen of Heaven. Cruciform nimbuses/halos frame the heads of both her and the Christ child. This is an indicator of their divinity. Mary’s foot is resting on a stool that is covered by a rug. The throne is held up by the pillars that are held by the angels beneath it. In the segment above Mary’s head is a dove representing the presence of the Holy Spirit. The Christ child sits on Mary’s lap. In his left hand, he is holding an open book with a quote from Isaiah from the Old Testament; his right hand is raised in blessing. The quote is “Every valley shall be exalted.” This refers to the leveling of lands and the creation of roads for the coming of the Messiah, Jesus Christ.

The artwork titled Painting of Ghent Altarpiece in Chapel, located in Rijksmuseum, Amsterdam, was created by Jan van Eyck (Davies et al. 482). The scale and setting of this painting is unmistakably impressive. The purpose of the altarpiece is to clarify the ceremony performed before it (482). Jan work is big in scale and thorough with detail and color that glows (482). This environment is a generic place, although it is a holy place, it is also very common as chapels can be found in virtually every church.

Early Gothic artisans likewise started to watch such common structures as plants all the more nearly, as is obvious in the sensibly carven bunches of leaves that enhance the capitals of segment
2- Monumental sculptures: accepted an inexorably conspicuous part amid the High and late Gothic periods and were set in huge numbers on the exteriors of basilicas, frequently in their own specialties. In the fourteenth century, Gothic figure turned out to be more refined and exquisite and gained a mannered daintiness in its involved and finicky drapery. The exquisite and to some degree manufactured attractiveness of this style was generally scattered all through Europe in model, painting, and original copy enlightenment amid the fourteenth century and got to be known as the International Gothic style. An inverse pattern as of now was that of a strengthened authenticity, as showed in French tomb figures and in the energetic and emotional works of the first late Gothic artist, Claus, model developed into the all the more in fact progressed and classicist Renaissance style in Italy amid the fourteenth and mid fifteenth hundreds of years yet endured until to some degree later in northern

When Abbot Suger created the Gothic style he had in mind to create a church to pay respects to God by illuminating light with stained glass.