Good afternoon and welcome to the State Library Series of lectures on poetry and power where we celebrate the contribution of poets to our cultural heritage. My name is Sammy Whitting and today I will focus on a poet who addresses the typically Victorian concern being morality and to more depth, the oppression of children and slavery, among other social injustices through Christian themes. I am speaking of course about one half of the Browning power poet couple, the 19th Century poet Elizabeth Barrett Browning and in particular her poems ‘The Cry of the Children’ and ‘The Runaway Slave at Pilgrims Point’ that both explicitly and directly confront the political issues of slavery and industrialism. Elizabeth Browning’s’ independence and courage towards expressing her views, was held in a much higher critical esteem and was more admired than any other female poet in the 19th Century. As a women, and an invalid, Elizabeth had comparatively little power so it is interesting that she speaks out for those she perceives to be powerless. Because of this, Elizabeth's poetry demonstrates that whilst this may have been true, the poetic voice itself has the power to advocate for and promote social change.
Born in Durham, England, Elizabeth had the privilege of being raised in extremely fortunate circumstances given her family background and environment. From a young age, Elizabeth always delved herself in a world of books and poetry, and even wrote her first book at the age of 12. Her
Have you ever felt like time was running past you? That the world kept spinning while you just stood still? Time is a central theme in many of Kenneth Slessor’s poems, however it is primarily explored through ‘Out of time’ and ‘Five Bells’. Slessor has made it obvious that he is aware that time continues whether we want it to or not and this is what allows us to put into perspective the notion of humanity’s dominance.
Frances E.W. Harper and James Whitfield are two of the most influential anti-slavery poets of all time. Both individuals use poetry as a form of resistance and as a way to express themselves during a time of great racial tension. Their poems reach out to many different audiences, shedding light on racial injustices that were present in America. Harper’s and Whitfield’s poetry, like many other works that were written during this time, help us to better comprehend the effects of slavery on African Americans.
Elizabeth Bowen-was born on June 7, 1899 in Dublin, Ireland and died on February 22, 1973 in London, England. She was a writer and a novelist. Even though she was born of the Anglo-Irish gentry she spent her early childhood in Dublin, as it says in the autobiographical fragment seven winters. Born in Dublin on June 7, 1899, Elizabeth Bowen lived in Ireland until the age of seven, when her family moved to England. Her education completed, she returned to Dublin in 1916 to work in a hospital for World War I veterans. Two years later she moved back to England and enrolled in the London County Council School of Art. In 1923 she married Alan Charles Cameron and published her first collection of short stories.
Children were taken away from their mothers and had to be raised in slave plantation alone. While at the slave pen Eliza was crying know what future her children await them when they were sold into slavery. “poor innocent things, that knew not the misery they were destined to endure. Soon they would have no mother to comfort them—they would be taken from her.”
Frances E.W. Harper and James Whitfield are two of the most influential anti-slavery poets of all time. Both individuals use poetry as a form of resistance and as a way to express themselves during a time of great racial tension. Their poems reach out to many different audiences, shedding light on racial injustices that were present in America. Harper’s and Whitfield’s poetry, like many other works that were written during this time, help us to better comprehend the effects of slavery on African Americans.
Despite being from different countries, time periods, and social statuses, poets Elizabeth Barrett Browning and Natasha Trethewey seem to have similar social views as seen in Browning’s The Runaway Slave at Pilgrim’s Point and Trethewey’s Enlightenment. An examination of A Runaway Slave at Pilgrim’s Point by Elizabeth Barret Browning and Enlightenment by Natasha Trethewey demonstrate that Trethewey and Browning used poetry to express their dislike of racial prejudice and slavery relevant to their time.
In the early Victorian period, a number of poems were composed which served to highlight a specific troubled spot in society. The poets often wrote for human rights groups and the like in order to convey a message to those members of society who could make a difference, namely, the educated white men. Among these poems is Elizabeth Barrett Browning’s “The Runaway Slave at Pilgrim’s Point.” This piece deals with a female slave who has killed her newborn son and fled to Pilgrim’s Point, where she speaks of her feelings leading up to the present moment. Another poem, which can be placed in comparison to Browning’s, is Augusta Webster’s “A Castaway,”
Elizabeth Barrett Browning’s ferocious abolitionist poem “The Runaway Slave at Pilgrim’s Point” personifies a fugitive slave-woman who curses America, murders her white child, flees from slave hunters, and is brutally flogged and killed. Originally published in the 1848 issue of the anti-slavery annual the Liberty Bell, this dramatic monologue radically confronts American slavery.
Robert Browning, Elizabeth Barrett Browning, and John Henry Newman were all great poets of the Victorian Era. Though all three of these poets were successful and well known, they did have their differences. This paper is going to show the different views each of these poets had on religion. All three of them had different views; some were against the strict religion of the Victorian Era and more open to a relaxed version that would focus more on the body and the spirit and what it wants. Others didn’t have too much of an opinion on them and were open
The society always queries about the role of women and for centuries, they have struggled to find their place in a world that is predominantly male oriented. The treatment of women was remarkably negative; they were expected to stay home and fulfil the domestic duties. Literature of that time embodies and mirrors social issues of women in society (Lecture on the Puritans). But, slowly and gradually, situation being changed: “During the first half of the 19th century, women 's roles in society evolved in the areas of occupational, moral, and social reform. Through efforts such as factory movements, social reform, and women 's rights, their aims were realized and foundations for further reform were established” (Lauter 1406). Feminist poets like Emily Dickinson and Anne Bradstreet talked substantially about feminism in different lights in the past two centuries. They were very vocal and assertive about their rights and the ‘rights for women’ in general. While they might have been successful at making a good attempt to obliterate gender biases but still there are lot of disparities between the two genders. Nevertheless, their poetry reflects a deep angst.
This powerful statement from Hillary Clinton underpins the injustices of female representation in the past. This silence is evident in the Bible verse, ‘Let your women keep silent in the churches,’ (I Corinthians 14: 34-37) and Virginia Woolf’s concept that “Anon … was often a woman [who could not otherwise get the respect of male counterparts].” (Virginia Woolf, 1928, A Room of One’s Own. PAGE). These are only two examples of how females have been largely disempowered by the male constraints of literature. In recent history feminists have deemed it necessary to research the lost and forgotten females and retell history from a distinctly female perspective. This issue is of significant concern to Carol Ann Duffy, the current Poet Laureate. Duffy subverts fairytales, myths and historical stories to empower women, giving them a voice and allowing their stories to be heard. This essay will argue that Carol Ann Duffy presents a feminist perspective in the poem ‘Little Red Cap’.
In 1841 Elizabeth Barrett returned to the family home in London as an invalid. She stayed confined in her room and worked on book reviews and articles. “The Cry of the Children” was published one year later. This was a popular work that helped bring about the regulation of child labor. In 1844 she published a two-volume edition of her poems; in October of that same year, an American edition with an introduction by
During the Romantic Period, poets believed themselves to be very politically aware and important. William Blake and Charlotte Smith are those amongst those Romantic Poets who took it upon themselves to educate the public on the events of the time; particularly the established Church, the Industrial Revolution and the Slave Trade in Haiti: ‘[Poetry] speaks to a divided society in an attempt to constitute its readers as citizens of what [Geoffrey] Hill calls… the just kingdom… and the commonwealth’.
The role of women in the society is always questioned and for centuries, they have struggled to find their place in a world that is predominantly male oriented. The treatment of women was extremely negative; they were expected to stay home and fulfill domestic duties. Literature of that time embodies and mirrors social issues of women in society (Lecture on the Puritans). But, slowly and gradually, situation being changed: “During the first half of the 19th century, women 's roles in society evolved in the areas of occupational, moral, and social reform. Through efforts such as factory movements, social reform, and women 's rights, their aims were realized and foundations for further reform were established” (Lauter 1406). Feminist poets like Emily Dickinson and Anne Bradstreet talked substantially about feminism in different lights in the past two centuries. They were very vocal and assertive about their rights and the ‘rights for women’ in general. While they might have been successful at making a good attempt to obliterate gender biases but still there are lot of disparities between the two genders. Nevertheless, their poetry reflects a deep angst.
"The greatest thing by far is to be a master of metaphor." [It is] "a sign of real genius, since a good metaphor implies an intuitive perception of the similarity in dissimilars." Aristotle in Poetics.