Outline Intro “Do you Believe in life after Love?” This is possible the only song lyric you know when I say “Cher”, and your favorite artist is probably not Cher. No matter what genre you prefer, your favorite artist has been influenced by her. Sonny and Cher number made the list of 20 greatest musical duos of all time by Rolling Stone. List includes Simon & Garfunkel, daft punk, outkast, and the white stripes. Their first hit, “I got you babe” was included on Rolling Stone’s “500 greatest songs of all time.” Before SNL there was The Sonny and Cher Comedy Hour which ran for four seasons. She is one of the most diverse entertainers. An Oscar, Emmy, and Golden Globe winning actress, top selling music artist, and activist. There’s a lot to cover …show more content…
2) Activism i) Lgbt Community – Gay Icon (a) Pride – Headline performer NYC 2013 (b) Olympics Turned down Sochi performance (Macleans interview) (c) Chaz/Chastity Transgender community - Advocate ii) Cranio facial Aasociation Spokesperson – after acting in Mask iii) Discrimination (a) Half-Breed (CAN DROP THIS POINT) (b) PSA Women’s rights. “Don’t let Mitt turn back time on women” (youtube) – 2012 Prez election Transition: That is all great but she wouldn’t be able to have such a positive impact if not for her enormously successful music career, so Finally, the most important aspect, her influence on the music industry. 3) Influence Music Today i) Autotune: The most major influence is the use of auto tune (a) T-pain, Lil Wayne, Kanye’s 808s and Heartbreak album, Ke$ha (b) *Gerbil – new Yorker issue ii) Performance/Costumes, sets etc. (a) Lady gaga concert, VMA Transition: To conclude… Conclusion From being the catalyst for the popularity of auto tune, to an outspoken advocate for gay rights (among other things), her social presence dates back to the ‘60s and she is still relevant …show more content…
(including now) Works Cited Caulfied, Keith. "Cher Shines with No. 1 in Sixth Consecutive Decade." Billboard. 18 Jan. 2011. Web. 12 Oct. 2015. . Cher. Half-breed. MCA, 1973. CD Dickinson, Kay (2001). “‘Believe’? Vocoders, digitalised female identity and camp”. Popular Music, 20, pp 333-347. doi:10.1017/S0261143001001532. Iannacci, Elio. "Cher on the Art of the Comeback." Macleans. 8 Sept. 2013. Web. 15 Oct. 2015. . Frere-Jones, Sasha. "The Gerbil’s Revenge." The New Yorker 9 June 2008. Web. 13 Oct. 2015. . N.A. "20 Greatest Duos of All Time." Rolling Stone. Web. 12 Oct. 2015. N.A. “Auto-Tune” Wikipedia. Wikimedia Foundation. 6 October 2015. Web. 14 Oct. 2015. . N.A. "Cher Biography." Bio.com. A&E Networks Television. Web. 14 Oct. 2015. . N.A. "TUYM: Auto-Tune or How Anyone Can Sing." UpVenue. Web. 13 Oct. 2015. . "Cher & Kathy Griffin - Don't Let Mitt Turn Back Time on Women." YouTube. YouTube, 03 Nov. 2012. Web. 14 Oct. 2015.
Rimes also performed the song that started it all, “Blue” in a way that shows the maturity of her vocal and music creativity and stylings. Full of emotion Rimes also performed “How Do I Live,” “He Stopped Loving Her Today, “Probably Wouldn’t Be This Way,” and closed with the semi-biographical “What I Cannot Change.” Performing the famed Elton John classic “Rocket Man” as her one and only encore, fans still could not get enough of
Her untimely death splintered her rising profile and, as often happens when a bright, deeply genial star dies far too young, left many to mourn all the untapped potential. As a result, fans have been inspired over the years to dig in their heels even harder, working to ensure that her achievements will not be
Buffy Sainte-Marie, is a Canadian musician, composer, visual artist, educator, and social activist. Throughout her career in all of these areas, her work has focused on issues of indigenous peoples of the Americas. In any of Buffy’s albums one will find decorous waltzes, among lyrical efflorescences weighted with imagery which grants an occasional glimpse of a steel mind. Her French style torchers have all the gripping qualities of that superannuated mode, combined with unconventional love song lyrics. Other love songs are warmly sentimental, with haughty and forbidding undercurrents. The one quality they all have in common is their lively tension. She was also a capable interpreter of outside material, and to top it off, her idiosyncratic vibrato made large-scale commercial success out of the question. Recently, Buffy adorns her native habiliment as she undertakes a partnership with the RSO seeking to promote a dialogue of truth and reconciliation surrounding the atrocities inflicted upon Native Americans by the white man. The partnership includes a Regina-based concert at the Conexus Art Center on October 11th which I’ve attended, followed by a tour of three First Nations communities across southern Saskatchewan, with a focus on Treaty 4 land. Herein, I will examine two songs Buffy played during her Oct 11th concert and offer an inchoate critique of her performance.
She created a space for people of color to flourish and dominate. She created a space for LGBT member to flourish and dominate. She has managed to give everyone a chance to see themselves reflected on TV. She uses her shows to speak out against police brutality, to bring awareness to black lives, to Uplift the LGBT community and to show the world that women are not sex toys or damsels in distress that women are strong and smart and can be leaders too. Despite some backlash for the characters she decided to portray in her shows she continues to break barriers and writes the world as it actually
She has recorded almost 150 albums. She was famous all over the world and in 1958 she won her first two Grammys and made history as the first African-American woman to win a Grammy. She won for best individual jazz performance and best female vocal performance. She was praised for her flexible, wide-ranging, accurate, ageless voice. She could sing slow ballads, jazz songs and imitate every instrument in an orchestra. She worked with many jazz greats like Nat King Cole and Frank Sinatra. She performed at many of the top venues all over the world. Her audience was very different. They were rich or poor, different race and religion, it didn’t matter everyone loved her
	Lucille Ball has made significant and positive contributions to the country with her comedy. Many consider her America's best female actress. Kathleen Brady, in fact, says, "Lucille Ball is one of the greatest performing artists America has produced" (ix). Throughout her career, Ball has not only been a comedienne, but also a superb businesswoman, an excellent role model, and has won numerous awards.
something for Sonny it was because his mother had wanted him to, not because he
With Pink now dominating the airwaves she finds herself dogged by questions about certain other big name musical talents. She addresses this issue directly on the very rock-sounding new cut "Don't
She has risen from a poor background and was ranked the richest African American of the 20th Century, the greatest black philanthropist in American history and was once the world’s only black billionaire. She is also known as the most influential woman in the world, both older generations and young.
This song displays the traditional messages sent by male artists. What about female artists? What do their songs portray? Andsager and Roe’s findings give a good description. According to them, there are two kinds of female artists. The strong, more established female artists portray women as “fully equal.” These women are in their thirties at least, they are more established, and they dress in casual suits. They sang romance, female emancipation, and heartbreak like the rest, but they did not compromise their image in their videos. They use Trisha Yearwood as an example in her song Everybody Knows. The other type, were women who “fell into the lowest level on the consciousness scale.” They used Deana Carter’s song We Danced Anyway as an example. In this song she rolled on the beach in a wet t-shirt. Another one is Faith Hill’s song Breathe. In this song, Hill is seen rolling around in her bed sheets with no clothes on.
Fed Up. Stephanie Soechtig. Perf. Michele Simon, Katie Couric, Bill Clinton, Michael Bloomberg. Atlas Films, 2014.
She displayed the whole range of female emotions from the fear of parental disapproval in songs like Papa Don’t Preach to the desire to take a man for his money and control a sexual relationship in songs like Material Girl. Women like Marilyn Monroe and Madonna were trail blazers because of their ability to change identities and their innate confidence made their crowds go
Lorde’s first performance in the United States was a headline show at Le Poisson Rouge in New York City on August 6, 2013. The captivating tune intrigued radio listeners from around the world, becoming the first song by a female solo artist to steal the number one spot on Nielsen BDS-based Alternative Chart since Tracy Bonham’s “Mother, Mother” in 1996, five months before Lorde was even born (Billboard Magazine). “Royals” went on to accomplish much more than just that. The single took home Best Song of 2013 by MTV News. The hit song was also nominated for four GRAMMY Awards in 2013, winning two: Song of the Year and Best Pop Solo Performance (Grammy.com) Who would have guessed that the biggest breakout star of 2013 would be a disarmingly regular teenager and would set the mark for the longest lead female reign in a twenty-five-year history of the Billboard Alternative Music Chart (Trust, Gary)?
Whitney Houston is considered as one of the greatest singers of our generation. According to the Guinness Book of World Records, she holds the record of being the most rewarded female artist of all time. I chose her as my topic, because she represents resiliency and tenacity, despite her troubled experiences with drugs and her personal life. Whitney Houston comes from a family with an amazing, musical pedigree; her mother, Cissy Houston, was a successful back-up singer for Aretha Franklin and Elvis Presley. Dionne Warwick is her first cousin and Aretha Franklin is her godmother. In 1983, Houston was signed to Arista Records and music executive, Clive Davis, became her mentor and helped launch her successful career. Whitney Houston was
I remember it clearly, the day that she died. Even though I tried my hardest to ignore those memories of hers, they kept coming back to me. There was no way that I could forget them, they were just too thrilling. Her raspy voice, her soft skin, her chapped lips, her hot tears, her pleading, everything about Celine was perfection. Celine, that was her name. Celine was my first trophy. She was my first victim.