Keane’s “Somewhere Only We Know” is a song about losing your youth, or losing a relationship whether it be romantic or not. When you return to a place where you made memories, by yourself or with people, you feel nostalgic and want to return to a place where you felt happy. In the song, the speaker is telling a story of how he wants to go back to simpler times before he lost his childhood, and before the relationships he had with certain people were destroyed. In the first lines of the song, (“I walked across an empty land/ I knew the pathway like the back of my hand”) the speaker is returning to where he spent his childhood. He refers to the place as ‘an empty land’ because he has grown into an adult, and his childhood was lost when he moved
In this stanza there are very similar lines towards the original for e.g. 'A land of open drains ' to the original 'A land of sweeping plains '. Oscar talks about the urban sprawl across the country, with references to taking over land that was once a sign
This first stanza from the poem, explains the journey of a man driving through a sawmill town and his observations. Murray describes his journey through a small sawmill town in New South Wales whilst using strong, vivid imagery and emotive language.
The speaker's depression stems mainly from his unwanted responsibility and feeling of regret. The basic conflict in the poem, which is resolved in the last stanza, is between an attraction toward the woods and the drudgery of life and responsibility outside of the woods. "And miles to go before I sleep,/ And miles to go before I sleep" (line 15-16).
In the song “The New World” the lyrics paint a picture of land that calls to be discovered. “A new world call across the ocean, a new world calls across the sky, a new world whispers in the shadows, time to fly”. Jason Robert brown uses the image of a land across the sea in order to show how distant this new life is. Similarly in the book, Eilis leaves Ireland and becomes a stranger in an entirely new
The opening two lines of the following stanza is similar to the first line of the first stanza being that the grass commands for more history left behind for it to wipe out at Gettysburg, Ypres, and Verdun. All the grass wants to do is to accomplish its objective of wiping out physical signs of history. However, these events are recent and so there may still be some visibility of the battles. Some societies think that what happened hundreds of years ago happened yesterday. Carl then uses the image of the passengers who pass the places mentioned in the poem now covered with the grass. They ask the conductor "What is this place? Where are we now?" The passengers do not have a clue as to how much blood had been dropped there in the stated places. They then carry on with their voyage just as the grass keeps on growing.
Everyone experiences adversity in their life, but not everyone experiences adversity the same. The book ‘The Book Thief’ by Markus Zusak, published in 2005, is narrated by a death who tells a story about a foster child, Liesel, who grows up in Nazi Germany. Liesel has a love for reading and steals books to be able to read. She finds comfort in words as the novel goes on. She and Max, the jew her family protects, are the only 2 main characters that survive the war.
Quotes: “deep and green”, “golden foothill slopes”, “rabbits sat as quietly as little grey stones (unafraid), “for a moment the place was lifeless”, “path beaten hard by boys coming down from the ranches.”
That is what they are now. It is here that one notices the inextricable link between time and space. It is not only the land that they left behind but it is also time (their past) that they had to leave. It is that land and that past (their life) that they are in search of. Time and space are concretized as one entity in them.
I took a long walk North of town, out into the pastures where the land was so rough that it had never been ploughed up, and the long red grass of early times still grew shaggy over the hilltops. Out there I felt at home again. Overhead the sky was that indescribable blue of autumn; bright and shadowless, hard as enamel. (Cather 237). Jim is wandering out into the country where he grew up.
The Korean War was the first war in which the United Nations played a major role in. It was also part of the cold war between the US and Soviet Union. One of the deadliest war in history, it took many lives in such a short span of time of three years. Even after all these deaths, the conflict isn't completely resolved in Korea. There are still American troops stationed in South Korea, in case the Communists decide to take aggressive action.
Could he be referring to his own death and a decesion that he may have made that makes him feel more confident about his salvation? Another thing the author is saying is that he wanted to take both roads, but he knew he couldn't. So what he really wanted was the best of both worlds, meaning he wanted to take both roads. There is a common saying about not being able to have the best of both worlds, and it applies very well in this situation; "you can't have your cake and eat it too." He eventually ends up making up his mind; he chooses the road that was "...grassy and wanted wear" (5). Many people before him had taken the road he did not select, and it is possible that we can look at that road as being the easy way out. We can tell that not may people have taken the road in which he has selected, because it still has a lot of grass growing there; this road could symbolize the long-term success of doing what is right and not what is easy. It would have been easiest for him to take the same road as everybody, but instead he wanted to be different from the people around him. In the poem the author says, "I doubted if I should ever come back" (5 ); could this be because he likes the road he choose? We have all made choices in our lives that made us so happy that we did not want to go back to our old ways; is that what the author feels? I believe the main point the author is trying to get across in this poem is
In the poem, a person is walking along a path in an autumn forest in the early hours of the morning, when he stumbles upon a fork in the road. The speaker wishes that he would be able to travel down both of them, but he has places
In the next four lines, the speaker goes on to express the isolation of the woods and on the winter solstice, or “the darkest evening of the year”. The speaker lays the responsibility of saying that it is strange to be her on his little horse who “must think it queer”. The speaker is in isolation in the growing dark, yet he stops and stays in the lonely woods. The line, “between the woods and frozen lake” gives a sense of being trapped and having no escape. He is ensnared between the ever growing foreboding of the woods and an icy expanse that could prove deadly. Also, throughout history, the winter solstice has been a night of superstitions, of fear and loathing. It seems strange that with all of this, the man still desires to be alone in a dark wood when he has a long way to travel yet before he gets home. In a way, the speaker is intentionally isolating himself from society.
Technology has dominated our lives in every direction. Children are growing up in a digital era; a world full of technology. Since our world is full of technology every child is growing up wanting to be a part of the latest portable technologies. Children younger and younger are exposed to the latest technologies as the technology advances. Determining whether or not it is appropriate for elementary school students to be able to carry their cell phones in school is very difficult. Parents and guardians are under the impression that technology is beneficial, but they don’t understand how children are using the technology to their benefit. Robin M. Kowalski, Susan P. Limber, Patricia W. Agatston, who wrote the book Cyberbullying: Bullying
Donne starts off this poem with an extended earth metaphor. "No man is an island, entire of itself;" (1). This line is used to open the poem with a strong statement. This line helps begin the extended by stating that no individual is completely isolated. Donne continues this into next lines, "every man is a piece of the continent, a part of the main" (2-3), to