In The Help by Kathryn Stockett, intricate and interesting mother-child relationships exist in a typical white household. Unlike today where motherly bonds are renowned to be the most loyal and powerful friendships one can ever achieve/obtain, mother-child relationships in The Help are like unsteady and flimsy houses of cards so breakable, a small breath can easily destroy them. Filled with extreme irony, in this story white women become mothers to children only to hire a maid to raise them and often times even neglect/maltreat their own kids. As a result, the Help house maids turn into the real caretakers and develop strong close bonds with their employers’ children. These kinds of scenarios are seen in the homes of Charlotte Phelan, Miss …show more content…
Often times, Eugenia/Skeeter’s birth mother, Charlotte Phelan, concentrates on physical appearances, criticizing Skeeter of her flaws and constantly nagging her to stop “chewing gum in the house” (74) or “march upstairs and brush your [her] hair down” (74). In contrast, Constantine focuses not on the physical but personality aspect/component of Skeeter. She accepts Skeeter’s appearance, and even praises her insecurities/weaknesses/blemishes/flaws. However, whenever Skeeter experiences events that make her emotionally insecure about her physical appearance, like a brush, Constantine combs out these hard tangles in Skeeter’s life. For instance, Constantine comforts Skeeter after Carlton’s friend tells her she is ugly, teaching her that “Ugly live on the inside. Ugly be a hurtful, mean person” (73, both in movie and book) ( ). Through several of Constantine's inspirational lessons, Skeeter also learns that Constantine is the pocket she can tuck her devilish secrets for safekeeping. From little embarrassing secrets like not getting “asked to dance” by a boy (in the movie) and dangerous smoking habits, Constantine keeps Skeeter's secrets tightly to herself. (Wisely said by Constantine in the Help movie 2011, “Some things we just got to keep to ourselves”.) Through these events of Skeeter’s childhood, revealed is how Constantine is like an …show more content…
As described in the movie/film, Elizabeth Leefolt does not believe her “child is pretty” (Taylor, The Help), and instead of using her time to take care her of her child, she “dress[es] up nice every day. Always got her make-up on” (5). The selfish Miss Leefolt also busies herself on the sewing machine and her friends, ignoring Mae Mobley’s cries and “rolling her eyes like it’s [Mae Mobley’s] a stray cat stuck in the screen door” (5). While Mae Mobley is only “pick[ed] Baby Girl up but once a day” (movie) and constantly smacked by her biological mother, Aibileen is her medicine, curing the painful cuts of negligence with love and nurturing support. By teaching Mae Mobley how to use the toilet and tending to her hygiene and hunger problems, Aibileen additionally deeply cares for and satisfies the child’s needs, like a true mother. With the recurring line/quote in the movie (but different versions of this quote is in the book... do i mention this?), “You is kind. You is smart. You is important” ( ), Mae Mobley also sincerely feels the warmth of Aibileen’s genuine love and support through these words. As a result, Mae Mobley considers the sympathetic and caring Aibileen as her “real mama” (336 and in the movie) instead of her egocentric
Historically, the job of women in society is to care for the husband, the home, and the children. As a homemaker, it has been up to the woman to support the husband and care for the house; as a mother, the role was to care for the children and pass along cultural traditions and values to the children. These roles are no different in the African-American community, except for the fact that they are magnified to even larger proportions. The image of the mother in African-American culture is one of guidance, love, and wisdom; quite often the mother is the shaping and driving force of African-American children. This is reflected in the literature of the
Though born into slavery, Nanny had "dreams of whut a woman oughta be and to do." She wanted to "preach a great sermon about colored women sittin' on high, but they wasn't no pulpit for [her]." She tries to fulfill her dreams first through her daughter and then through Janie. But slavery and years of dependence on a white family have warped
Life in the 1960’s was not sweet like pie for the women who found themselves stuck in an endless loop of clearing someone else’s tables, raising someone else’s children, and living by someone else’s rules. These black maids lived in fear, knowing the white ladies they worked for could ruin everything for them by saying the wrong thing, or having the wrong attitude. The book, The Help, and the movie of the same name have quite a few differences that I noticed. It may only have a Lexile of 730, but that does not reflect the extreme measures this story goes to tell an amazing tale of bravery and strength that nothing else can rival. However, the author of The Help, Kathryn Stockett, and the director of the movie, Tate Taylor, knew what they were
“‘Don’t you ever wish you could change things?”’ (10). In Jackson, Mississippi during the 1960’s, woman ahead of her time, Miss Skeeter, proposes an idea to write a book about the lives of colored maids in Jackson. Aibileen and Minny, two maids, are among the first ones to agree to help Skeeter, despite the potential danger to themselves. In The Help, Kathryn Stockett creates an engaging and immersive world that explores racism and social injustice by using well-developed writing, the ideal amount of imagery, and strong characters.
Based off of Kathryn Stockett’s 2009 novel, The Help is a movie told from an African American’s point of view during the early 1960’s in Jackson, Mississippi. The three main characters include, Aibileen Clark, Minny Jackson, and Eugenia (Skeeter) Phelan. Skeeter is a young writer who has recently returned from the University of Mississippi. She has been advised by the Elaine Stein, who is the head editor at Harper & Row, to write about a topic she is passionate about, that way she can continue her dream of becoming a serious writer. In addition, Skeeter accepts a writing job down at the Jackson Journal where she writes a housekeeping column. Ironically, she has no housekeeping experience as she grew up with in house help. In order to keep her job she goes to Aibileen, her friend Elizabeth Leefolt’s housekeeper. At this point in her life, Aibileen is just trying to get by. She writes out her prayers on a daily basis as a way to clear her mind since she is fairly reserved on the outside. On the contrary, Aibileen’s friend Minny is also a housekeeper, but she has a rather sharp tongue which doesn’t usually work in her favor. Consequently, she is trying to find a new employer, but is having trouble since there is a bit of discord between her and the most influential socialite in Jackson, Mississippi.
Feminist theory is a term that embraces a wide variety of approaches to the questions of a women’s place and power in culture and society. Two of the important practices in feminist critique are raising awareness of the ways in which women are oppressed, demonized, or marginalized, and discovering motifs of female awakenings. The Help is a story about how black females “helped” white women become “progressive” in the 1960’s. In my opinion, “The Help” I must admit that it exposes some of our deepest racial, gender, and class wounds as individuals and social groups, and that the story behind the story is a call to respect our wounds and mutual wounding so that healing may have a chance to begin and bring social
The book , The Help by Kathryn Stockett, is about a women named Aibileen who is a black maid. She is taking care of her 17th white baby now. She works for a woman named Miss Leefolt. Aibileen has never disobeyed an order in her life and never intends to do so. Her friend Minny is the exact opposite. When she is around her boss, she has to hold herself back from sassing them all the time. Skeeter Phelan is different than the rest of the white ladies. She thinks that blacks aren’t all that bad. She decides to write a book about the lives of maids for white ladies. Otherwise known as the Help. She with the help of Aibileen and Minny hope to create a book that starts a revolution about what white people think about blacks.
The film “The Help” (2011), is a story based on the daily lives of prominent white women and the relationships with their African-American housemaids in Jackson, Mississippi, during the 1960s Civil Rights movement in America. A well-to-do white woman and central character in this film, Eugenia “Skeeter” Phelan, aspires to be a journalist and decides to write and publish an exposé of the stories of the housemaids in Jackson to achieve this goal, however, only two maids, Aibileen Clark and Minny Jackson are willing to discuss their experiences with her. The other maid’s in Jackson resist telling Skeeter their stories, fearing the punishments they would endure if the authorities were to find out. In spite of this, after the malicious arrest of one of their befriended maids, all of the maids begin to share their experiences, which consist of racial hostility and being treated as intrinsically subservient to white people. The story Skeeter publishes entitled The Help, creates a disturbance among the white families in Jackson, by exposing the racism the maids are faced with, forcing the white families to reflect upon how they have treated their maids. The storyline represented in The Help exhibits examples of the primordial approach to race and ethnicity, as well as numerous sociological concepts including segregation, internalized oppression, and white privilege, which will be exemplified in this paper in order to uncover the race relations evident within this film.
The Help brings light to this idea of domestic victims being very mistreated and ultimately being dehumanized because of the color of their skin. “I want to yell so loud that Baby Girl can hear me that dirty ain't a color, disease ain't the negro side of town. I want to stop that moment from coming – and it come in every white child's life – when they start to think that colored folks are not as good as whites.”(Stockett 80) This passage brings up how children are born with prejudice thoughts and how it is taught by the older generations. Aibileen tries to keep Mae Mobley's mind from being polluted from these horrible thoughts. Critics argue that the maids should not teach the child this because they are not really their parents it still seems as if it is their job to teach the child this because they are so affected. Kathryn Stockett does a great job of demonstrating the racist and prejudice thoughts that affected these innocent
The movie, The Help, is based on the book written by Kathryn Stockett. It was released in 2011 and directed by Tate Taylor (Taylor, 2017). The Help is set in Jackson, Mississippi in the 1960’s, and it is about the experiences black women had as maids for white families. These women decided to risk it all and tell their stories in an effort to show what is was really like for them (Taylor, 2011). The Help illustrates how these women fought racism and prejudice by becoming unified with one another. This paper will address how prejudice, discrimination, stereotyping, and inequality affect the characters and their relationships in the story.
Part 1 - In American author's 2009 book, The Help, the primary thesis is the relationship between Black maids and white households in Jackson, Mississippi during the early 1960s. The story is really told from three perspectives, Aibileen and Minny are Black women, both maids, and Skeeter is the nickname of Eugenia Phelan, daughter of a prominent White family. Skeeter has just finished school and hopes to become a writer. In general, the relationship between the Black maids and the White employers is six sided: On one side we have the White employers who have three views: 1) Their personal and private beliefs that can range from extreme scorn and bias to kindness regarding race; 2) Their public persona that must have the "proper" attitude about Blacks and "the help," and 3) Their employer attitude, which is condescending and parental. The Black view also has three segments: 1) Their personal and private beliefs that usually range from understanding not all Whites are the same and an extreme love and empathy for the White children for whom they care; 2) The public persona that is deferential, polite, and stoic to their White bosses; and 3) Their attitude and view among the Black community, which usually separates the "poor and ignorant but rich" White souls from the Black view of family and common sense. All in all, the relationship is contentious, phony, and based on economic advantage.
“The Help” is a movie about African-American maids working in white households in Jackson, Mississippi. The two black maids, Aibileen Clark and Minny Jackson, tells their side of the story to a young white woman, Eugenia “Skeeter” Phelan, who is a journalist who decides to write a book from the maids point of views. Skeeters intention for writing this book is exposing the racism they receive while working for white families in Jackson. Aibileen Clark takes care of white children and helps raise them and cleans around the house, while her best friend, Minny Jackson, is an outspoken black maid but has a quick short temper which gets her into trouble later on. Eugenia “Skeeter” Phelan is a white single independent woman, she earned a double-major
Cornelia is watching as her brave and independent woman is slowly fading away, mentally and physically. "She was never like this, never like this" (Porter, 517). Cornelia tells the doctor worried as she sees her mother's capacity diminishing. Granny hears this and is spiteful towards Cornelia. Granny has had a hard life and that has made her very independent. For eighty years Granny has taken care of herself, she remembers, and tells herself, "I pay my own bills, and I don't throw my money away on nonsense" (516) and now to have people coming in her room checking in on her, taking about her is unfamiliar and condescending to her. Granny is a very reserved woman one who is almost embarrassed or ashamed of allowing people to know her thoughts, "no use to let them, the kids, knows how silly she had once been" (517).
Not only does The Help show historical importance but was also revolutionary during that time period and now. Growing up Skeeter maid was Eugenia. Skeets says that she sometimes felt that the only person in the world who really understood her was the family’s “help” (The Christian Science Monitor). In the scene when Skeeters mom fired Eugenia it shows her walking out, and stopping at the door to look back and walk away from the people she had worked for her whole life and raised their kids. As Skeeter
The real mothers in The Help were obviously the maids. They basically raise the children since birth. They do all the back work. They feed the children, bathe the children, potty train them. They do all the things biological mothers should be doing. Between the arguments of the Jackson housewives and the snide comments exchanged at the bridge table, the book only shows tender moments occurring between the maids and the children who they look after. Despite their love for the children, they often to grow up to be just like their mothers, the maids say: overtly racist, demeaning, and smug towards the