Similarities Between The Yellow Wallpaper And The House Of Usher

Throughout time women and their rights have varied among where they are living and the people that surround them. Some of the major changes with women’s rights is giving them the right to vote, reproductive rights, and the right to work for equal pay. Another thing that varies throughout time is women’s roles. For example 100 years ago the only jobs that women could have was to either be a housewife, nurse, or a teacher. Until about 1910, women didn’t really fight for their rights and what they could do. In 1910, women started to voice their opinions in society and fought for the right to vote. Though things have changed greatly today, there are still women in the world that believe in the “traditional way” and prefer to still wait on

As an author, it is their job to make their piece catching and exciting for the reader, and to portray a character's emotions effectively. In both pieces, the authors use extensive figurative language to create the world Roderick and Jane live in. In “The Fall of the House of Usher” Roderick is completely isolated from the outside world and has had no contact with anyone other than his sister for the past ten years. In “The Yellow Wallpaper” Jane’s husband, who is a doctor, keeps her in isolation

Charlotte Perkins Gilman’s “The Yellow Wallpaper” has received wide praise for its accurate depiction of madness and the symptoms attributed to mental breakdowns (Shumaker 1985).   While these symptoms may seem obvious from today’s psychological perspective, Gilman was writing at the close of the 19th century when the discipline of psychology was still emerging out of a rudimentary psychiatric approach to treating the mentally ill. Though doctors have attempted to write about the treatment of insanity since ancient Greece, the history of madness has most often been characterized by a series of popular images, images that may have stunted the

Poe’s ‘The Fall of The House of Usher’ express gothic completely immersed in madness and darkness while ‘The Yellow Wallpaper’ limits the decent madness of woman but shows the depression and gloominess of the character.

“The Tell -Tale Heart” by Edgar Allan Poe, was released in 1843. It is one of Poe’s shortest stories and provides a look into paranoia and mental deterioration. “The Yellow Wallpaper” by Charlotte Perkins Gilman, was released in 1899. This story also provides a look into mental deterioration and had been misinterpreted when it was first published. The Poe and Gilman stories discussed in this essay will help readers comprehend the credibility of the narrators and the different symbolisms used to create informative yet suspenseful content.

Women have a profound role in not only the society, but in all facets of culture. Their impact can be seen/felt in music, fashion, and even literature. After reading the short stories from the last few weeks, it has become more apparent that women truly encompass a definite role as well in gothic fiction. As a result, this paper will seek to analyze and define the roles of women in two (2) prominent gothic fiction pieces: “The Yellow Wallpaper” by Charlotte Perkins Gilman and Edgar Allen Poe’s “The Fall of the House of Usher.”

While reading “Young Goodman Brown” by Nathaniel Hawthorne, I couldn’t help but feel a constant overwhelming sense of dread. The root of this could have come from the story’s dark setting deep within an “haunted forest” or from Brown’s mysterious “Devil”-esque companion. While I read, another story came into my mind; the story of the “Fall of the House of Usher” by Edgar Allan Poe. In Poe’s tale the same heart pounding emotion can be felt as he describes the reunion of two friends within “the House of Usher.” With the manors “eye-like windows” and “sorrowful impression,” Poe wastes no time in setting the Gothic mood. Through their distinct writing styles Hawthorne and Poe establish a common Gothic theme within their stories.

Picture this: a person who is there in body, but not in mind. This is considered to be a mental illness. The American Psychiatric Association says “Mental illnesses are health conditions involving changes in thinking, emotion or behavior” (“What”). Throughout the works of literature, numerous writers tie in mental illness in their work to bring back a time in their life that they experienced this. In the short stories, “The Fall of the House of Usher” by Edgar Allen Poe, and “The Yellow Wallpaper” by Charlotte Gilman, both represent Poe and Gilman’s mental illnesses within themselves. The two authors’ mental illnesses impacted their main characters and made them as if they were that person playing the part. Both Poe and Gilman suffered

For it is only within the context of this nightmare that one can explain why “Usher,” occupies such an important place in the 19th century development of the Gothic genre. With great attention to economy of expression and unity of effect, this pattern would be revisited by countless other Gothic stylists” (Dougherty 6). This means that Poe used the fantasy of impending doom in “The Fall of the House of Usher” to change it from being just an upper class dream, to a tale of horror which brought together some of the political situations in the nineteenth century such as those of race and class. Hawthorne and Poe successfully incorporated gothic elements in their writing which provides greater insight to the meaning and interpretation of their works.

“The Fall of the House of Usher (1939)”, arguably Edgar Allan Poe’s most famous short story, is a tale centered around the mysterious House of Usher and its equally indiscernible inhabitants. These subjects are plagued with physical and mental degradation – the Usher siblings suffer from various abnormal ailments and unexplained fears, while the house itself seems to be tethering on the edge of collapse. The gothic elements in the story are distributed generously, and the plot is increasingly ridden with the supernatural as it progresses.

The main themes of Edgar Allan Poe’s works are death, perversity, revenge and destruction. The settings he employed in the given short stories, especially in The Fall of the House of Usher and The Black Cat are Gothic. Therefore, naturally the mood of these stories would be dark and sepulchral. However, this is not a trivial employment undertaken to put the reader in a certain kind of zone.

Edgar Allen Poe’s short story, “The Fall of the House of Usher”, sets a tone that is dark, gloomy, and threatening. His inclusion of highly descriptive words and various forms of figurative language enhance the story’s evil nature, giving the house and its inhabitants eerie and “supernatural” qualities. Poe’s effective use of personification, symbolism, foreshadowing, and doubling create a morbid tale leading to, and ultimately causing, the fall of (the house of) Usher.

Edgar Allan Poe became an author that has grasped the importance of language in his short stories to form the perfect mood and the ability to affect his readers emotionally. In the short story, The Fall of the House of Usher, a man decides to go on a trip to reunite with a friend from his childhood, who suffers from an unknown illness. During the visit, bizarre events occur while staying in his friend’s home. This short story allows Poe to use hints of horror and gothic prose to drive the protagonists into constant mental distress and eventually driving them to madness. Poe incorporates horror and gothic prose such as the unsettling description of the setting, demise, and the fear of paranormal slowly will creep fear upon his characters

In gothic literature, the architecture that inhabits a story can go a long way not only in establishing the mood, but also in establishing the story’s characters. In “The Fall of the House of Usher,” by Edgar Allan Poe, published in 1839, readers are introduced to a dreary house that is falling apart, while in another story by Poe published in this same year, “William Wilson,” readers are introduced to a school that, although not in disrepair, is labyrinthian and similarly dreary. Moreover, Wuthering Heights by Emily Brontë, published in 1847, showcases a house, the size of which would normally reflect the wealth and high class of it’s owner, and yet the grounds are overgrown, indicating a lack of attention to maintenance while the house itself only features sparse furnishing. In all of these stories, the buildings that inhabit their pages are more than merely settings. Instead they are fragments of specific characters, representations of some form of wellness, while almost being characters in their own right. In “The Fall of the House of Usher” the house represents the physical wellness of both Roderick and Madeline Usher; whereas in “William Wilson” the school reflects the mental wellness of the lead character; and in Wuthering Heights, the titled building represents the emotional wellness of its owner.

“The Haunted Palace” is one of Edgar Allen Poe’s mysterious and phantasmagoric poems. Written in the same year as “The Devil in the Belfry,” and included in his short story “The Fall of the House of Usher,” “The Haunted Palace” is another tale of innocence and happiness now corroded with sorrow and madness. It is fairly easy to say that “The Haunted Palace” is a metaphor for Poe’s own ghostly troubled mind, more than it is about a decaying palace. For in 1839, it was found in a book that the main character in “The Fall of the House of Usher” comes across. In the context of its appearance in “Usher,” it is startlingly clear that this is no fable of earthly decay, but one of mental and spiritual ruin.