How Does The Cave The Sun Form Of The Good

Once the cave prisoners and Neo are released from their state of ignorance, they start to become more understanding of the outside world, as represented by the cave dwellers escaping the cave, and Neo leaving the matrix. As the prisoners are in the cave, watching the shadows pass on the wall, one of their prisoners is released from the shackles. Because of his natural curiosity, the prisoners turns his head to look outside the cave. Whilst looking outside the cave, the light from outside and will cause him to “suffer sharp pains; the glare will distress him, and he will not be able to see the realities of which in his former state he had seen the shadows” (33-35). Because of the looming darkness always present in the cave, the bright light of the sun blinds the prisoner momentarily.

His body isn’t ready for the direct sunlight and his mind cannot comprehend the world in comparison to what he felt he knew. In time, the man is able to see that all of the previously “known” information he had was completely false but also that he must start a different journey in order to find himself as the way of life he was previously use to, in which guessing was the way of judging knowledge, is ineffective and useless to him now. Finally, the prisoner returns to the cave with a new base of knowledge. He tried to share this information with his fellow prisoners but after hearing about his travels and that they were in fact wrong the prisoned men said to him that “up he went and down he came without eyes, and that it was better to not even think of ascending” ("The Simile of the Cave." Republic, 1974) . He is then met with resistance in offering them help and freedom from their binds. They threaten “if anyone tried to loose another and lead him up to the light, let them only catch the offender and put him to death”, it is as if they feel that his “loss of sight” is death to them and they are perfectly happy with the information that they know to be true ("The Simile of the Cave." Republic, 1974) .

In The Republic, Plato introduces a philosophy that transcends the exclusivity of the contemplative and the active lives. He defines the ultimate truth as “aletheia”, which literally translates to mean “unhidden” or “that which does not remain unnoticed”. Through his use of the term and his allegory of the cave, Plato makes the strong implication that philosophers must actively seek to discover the absolute truth, rather than relying on traditional methods of contemplation and the persuasive tone of rhetoric to prove its existence. To better explain his reasoning, Plato constructs a metaphor between the sun and the ultimate good. He argues that “the soul is like the eye” in that it requires an exterior force to establish clarity of

Has someone ever looked at you and immediately disregard you for you are just because of your ethnicity? Have you ever done it someone? Racism is a huge culture issue that we have not only in America, but in other parts of the world, but it does not matter the color of one’s. What really matters is the character they have withheld inside but are not given a chance to express because someone didn’t even bother to give them a chance. This is idea comes from the book written by Plato, “The Allegory of the Cave” where in the book Socrates speaks of man being in a dark cave all their lives not realizing the truth until once they reach the end of the cave to see that the light is the truth. The truth is the reality of life.

Once one of the prisoner’s is released, he is forced to look at the fire and the objects that once made up his perceived reality, and realizes that the new images he is made to acknowledge are now the accepted forms of reality.

The man ran up the hill towards the light and the end of the cave where he was temporarily blinded because he was used to the darkness inside of the cave. Of course this is all very confusing to him and maybe even angers him because he does not understand what he is seeing. Eventually this man will gain knowledge of the world and everything in it, from the shadows of the objects he saw on the wall of the cave all the way up to how the sun helps the earth. He will see that was he was made to see and understand was not reality but just was he was made to believe. This freed man now pities the other prisoners that are still inside the cave because he realizes how wrong they were about everything they know. Plato describes how if the freed prisoner were to go back to the cave and tell the others what he has seen that they would criticize him, laugh at him and tell him he would have been better off if he had never escaped. They even go as far to say that if another person were to be released that they should be caught and killed so as to not follow the same fate as the released prisoner.

Plato’s theory of the Forms showcases that acquiring knowledge involves turning away from the world of senses and moving towards the Forms/world of intellect. Within Plato’s Republic there are three analogies: the sun, line, and cave, which are intended to clarify how things experienced in the sensible world are less real than the Forms. All three analogies are consistent through their descriptions of the differences between the intelligible and sensible worlds. The usage of all three also enables Plato to guide readers through the knowledge process, starting with a simple description of the sun and ending with a full example of how man can reach that sun.

When the prisoner begins his journey, he is reluctant, like Montag. “And suppose once more, that he is reluctantly dragged up a steep and rugged ascent, and held fast until he 's forced into the presence of the sun himself, is he not likely to be pained and irritated? When he approaches the light his eyes will be dazzled, and he will not be able to see anything at all of what are now called realities.” This shows that like Montag, the prisoner has ideas of what he will encounter. As the Allegory continues, the prisoner thinks back on his past life, in the dreary cave, chained up and begins to pity those he left behind. “And when he remembered his old habitation, and the wisdom of the den and his fellow-prisoners, do you not suppose that he would felicitate himself on the change, and pity them? Certainly, he would.” Both characters realize it is a privilege to be in the situations they are in, even if they are alone. They're grateful to know rather than be stuck in their past, ignorant ways, like those stuck in the city and the cave. In both texts, the sun is a cause of sudden realization. In the Allegory of the Cave, the prisoner realizes there is more to the world than the shackles and the shadows he was accustomed to, while Montag realizes that time continues with or without you. Both realizations are vital to the path of enlightenment both characters

In “Allegory of a Cave”, Plato has the reader imagine a cave in which people are confined to only being able to look at the walls. In this cave, they can see shadows which are the extent to their knowledge of the outside world. He explains how to them this is their world and what they see and hear is all that they can know, so he then explains how if one man were to escape he will be able to truly see how great the world actually is. Moreover, as he returns to the cave everyone else calls him a liar convinced that their reality is real. This allegory shows how there is a battle between what is truth and what is fantasy and one has to be able to learn how to decipher between them. When considering Miranda from “Sexy” it can be said that as a

Once the prisoner climbs out of the cave and is fully immersed in the sun's rays, Socrates continues to explain the prisoner's bewilderment, fear, and blindness to the objects he was now being told were real. The natural reaction of the prisoner would be to recognize shadows and reflections. After his eyes adjust to the sunlight, he begins to see items and people in their own existence, outside of the cave. When the prisoner looks up to the sky and looks into the Sun, and recognizes it as the cause of all that is around him—he has perceived the "Form of the Good!" This point in the passage marks the climax, as the prisoner, who not long ago was blind to the "Form of the Good" (as well as the basic Forms in general), now is aware of reality and truth. When this has occurred, the ultimate stage of thought has been achieved, and that is

This is he finally reaches cognitive though. He thinks about his past life and the other still living this life of lies and pities them. Plato also suggest that the prisoners play a sort of “guessing” game of naming which object was which and what would appear next. It is settled that to the freed prisoner these games would be meaningless and if he were compelled to renter the cave and go against the ways of the cave, everyone who believes the way of the cave, as life would think he is crazy and try to kill

An allegory is a kind of story in which writer intends a second meaning to be read beneath the surface story. One of the most important allegories ever to be gifted to humankind is Allegory of the Cave. Plato’s Allegory of the Cave is one of the most potent and pregnant of allegories that describe human condition in both its fallen and risen states. The Allegory of the Cave is Plato's explanation of the education of the soul toward enlightenment. It is also known as the Analogy of the Cave, Plato's Cave, or the Parable of the Cave. It is written as a fictional dialogue between Plato's teacher Socrates and Plato's brother Glaucon at the beginning of Book VII of The Republic.

The Allegory of the Cave or also known as, Myth of the Cave, is a good example of explaining the feature of the way people think. It is a concept that demonstrates how humans are fearful of change and what they don’t know. Plato says that men are living in an underground cave and it is a situation. The Allegory of the Cave is Plato's explanation of the education of the soul toward enlightenment. Plato talks about being free, everyday life, knowledge, and essentially what he wrote to be true. I think that he was very unique with his writings because there are so many ways to look at the world and his way was just one. He was educated highly and is recognized as a philosopher to this day.

In his allegory of the cave, Plato describes a scenario in which chained-up prisoners in a cave understand the reality of their world by observing the shadows on a cave wall. Unable to turn around, what seems to be reality are but cast shadows of puppets meant to deceive the prisoners. In the allegory, a prisoner is released from his chains and allowed to leave the cave. On his way out, he sees the fire, he sees the puppets, and then he sees the sun. Blinded by the sunlight, he could only stare down to view the shadows cast onto the floor. He gradually looks up to see the reflections of objects and people in the water and then the objects and people themselves. Angered and aware of reality, the freed prisoner begins to understand illusion

I had an experience that each represents the symbol towards the Allegory of the Cave. My childhood was mostly in Jamaica where I lived with my father for two to three years. I can relate to the symbols from the "Allegory of the Cave".