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Shakespeare's 'Natural Constincts Of Humanity In Measure For Measure'

Decent Essays

MFM demonstrates that the natural urges and instincts of humanity cannot be contained or regulated by an imposed system of rules and laws. Discuss.

Shakespeare's tragi-comedy Measure for Measure concerns itself with human behaviour and the need for laws to govern human appetite whilst ensuring domestic tranquillity. The play written in the Jacobean era, set in Vienna emphasises that natural human tendencies outweigh the laws. Firstly, the congruence between outer actions and inner values is one of the overriding themes of the play, especially as it is the manifest in the issue of seeing and being. Additionally, in the play, Shakespeare presents the transformation of characters. Also, he emphasises how excessive suppression or excessive liberty can lead to a beleaguered …show more content…

Here, readers interpret that appearance is synonymous to laws and natural urges to reality. On a seeming level, there are several instances throughout the play in which appearances deny the truth of a situation. This is encapsulated in the concept of dramatic irony. Ironic cases of mistaken identity appear in the play, such as the Duke's disguise and Lucio's unintentional denouncement of him as emphasizing that “cucullus non facit monachum…” to his face. Meaning that “a hood does not make a monk”, Isabella's switch with Mariana to seduce Angelo, and Angelo's mistaking the pirate's head for Claudio's. In each case, characters misunderstand a situation based on its appearances. However, there are deeper contradictions between appearance and reality. One illustration is the hypocritical Do-As-I-say-not-as-I- do approach that Angelo demonstrates. This is the obnoxious side of dissimulation, which allows the least virtuous characters to seem the most upstanding. The opposite scenario, however, is found in Isabella's personal dilemma: in order to “…redeem…” her brother Claudio, she must appear to disregard her religious vows and “…[yield] up [her] body to [Angelo’s]

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