Lady Macbeth -- a Lady? -- in Macbeth
William Shakespeare's Macbeth places a woman in center stage, a woman who embarrasses every woman because of her lack of conscience. This essay attempts to shed light on her character.
Blanche Coles states in Shakespeare's Four Giants evaluates the character of Lady Macbeth:
A woman who could speak as Lady Macbeth does, who could call upon the spirits that tend on mortal thoughts to unsex her and fell her from head to foot full of direct cruelty, who could entreat these same spirits to stop all avenues of remorse so that no compunctions of conscience will interfere with the carrying out of her purpose, who could call upon the night to wrap itself in the murkiest,
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Samuel Johnson in The Plays of Shakespeare underscores how ambition by the protagonists leads to detestation on the part of the readers:
The danger of ambition is well described; and I know not whether it may not be said in defence of some parts which now seem improbable, that, in Shakespeare's time, it was necessary to warn credulity against vain and illusive predictions.
The passions are directed to their true end. Lady Macbeth is merely detested; and though the courage of Macbeth preserves some esteem, yet every reader rejoices at his fall. (133)
The Tragedy of Macbeth opens in a desert place with thunder and lightning and three witches who greet Macbeth with "hail to thee, thane of Glamis," "thane of Cawdor," and "thou shalt be king hereafter!" When Ross and Angus arrive with news of Duncan's reward ("He bade me, from him, call thee thane of Cawdor"), it is logical for Macbeth to assume that all of the weird sisters' prophecies will come true.
At Inverness in Macbeth's castle, his lady, after appreciating his letter detailing the witches' prophecies, reacts with, "Glamis thou art, and Cawdor; and
Women (according to Shakespearean times) were supposed to be fragile, weak, and feminine; however, Lady Macbeth is vicious, cruel, and masculine in the play. Lady MacBeth becomes the prime mover and instigator in the entire regicide business. Revealing that she wishes to depart her feminine traits, because being a female makes her weaker, foreshadows Lady Macbeth's future actions. She has no intention of waiting for a chance of crown and prefers to take a speedy and violent action. Lady MacBeth is ambitious, driven, and full of the dark spirits. Fearing MacBeth's nature “of the milk of human kindness" calls upon the forces of the supernatural to "unsex" her (39). The mood is created through the use of the supernatural forces that create a sense of fear and uncertainty. Lady Macbeth asks to be filled with cruelty, remove all remorse, and to remove her milk which is associated with nurture and care to be replaced with bitter gall. A recurring motif is the
Lady Macbeth progresses throughout the play from a seemingly savage and heartless creature to a very delicate and fragile woman. In the beginning of the play, she is very ambitious and hungry for power. She pushes Macbeth to kill Duncan in order to fulfill the witches’ prophecy. In Act I, Scene 6, she asks the gods to make her emotionally strong like a man in order to help her husband go through with the murder plot. She says, “Come, you spirits That tend on mortal thoughts, unsex me here, And fill me, from the crown to the toe, top-full Of direst cruelty!” Also, she does everything in her power to convince Macbeth that he would be wrong not to kill Duncan. In Act I,
Nevertheless, Macbeth quickly discounts these bloody visions of murder and continues to fantasize about his future glories. Furthermore, when Macbeth encounters the witches, we are only told a quick summary of the prophecy, “All hail, Macbeth! Hail to thee, Thane of Cawdor!” (1.3.52).and then, “All hail Macbeth, that shalt be king hereafter!” (1.3.53). Yet the witches do not reveal the means by which Macbeth will come about this glory or mention any ill deeds that are to come. This leaves one to believe that the witches knew Macbeth’s fate as Thane and King, yet the other bloody elements of the prophecy are enacted solely through Macbeth’s own will. Macbeth is only prompted in his bloody actions by supernatural forces and of course Lady Macbeth.
Even so, if Lady Macbeth was a heartless, truly selfishly ambitious and a ruthless character then she would not have to call upon spirits to help become evil and take all her womanly qualities. Thus implying that she has womanly qualities that she wants rid of. And Shakespear makes us weary of this by allowing her to speak her thoughts and agony’s but only when Macbeth is not around.
To begin, the witches are the catalyst to Macbeth’s crimes because the convince him that he will become king. Macbeth first meets the witches while returning from a gruesome battle and it is safe to say that they greet him with some audacious titles. They initially greet him as the Thane of Glamis and the Thane of Cawdor, but it is their final greeting which has the greatest effect on Macbeth. The witches hail Macbeth as someone “that shalt be king hereafter!” (1.3.53). This ignites a fire inside Macbeth, who is an immensely ambitious person. He begins to fantasize about the luxurious life he would have if he were the king of Scotland and he suddenly has the temptation to kill King Duncan. Although the witches’ prediction is favourable, Macbeth has no reason to believe them, at least until one of their other predictions turns out to be true. This
Lady Macbeth, a leading character in William Shakespeare’s famous tragedy Macbeth, progresses throughout the play from a savage and heartless creature to a delicate and fragile woman, having no regard for mortality.
The Tragedy of Macbeth opens in a desert place with thunder and lightning and three Witches who are anticipating their meeting with Macbeth, "There to meet with Macbeth." Macbeth is greeted by the witches with "hail to thee, thane of Glamis," "thane of Cawdor," and "thou shalt be king hereafter!" When Ross and Angus arrive with news of Duncan's reward ("He bade me, from him, call thee thane of Cawdor"), it is logical for Macbeth to assume that all of the weird sisters' prophecies will come true.
The scene shows the three witches lack of consideration of the outcome of their prophecy as they did not consult with their higher power, Hecate over whether they should tell Macbeth of his prophecy. Their thoughtless actions caused for many deaths and much corruption amongst themselves and the entire country of Scotland. The witches’ gain of power furthermore corrupted them as they did not tell Macbeth his full prophecy. When the witches first tell Macbeth of his fate the first witch states, “All hail Macbeth! Hail to thee, thane of Glamis!” (1.3. 48-50) This is then followed by the second witch claiming “all hail Macbeth! Hail to thee, thane of Cawdor!” and finally the third witch states, “All hail Macbeth! That shalt be king hereafter!” the prophecy given can be seen as false as they suggest that Macbeth is to be king for a long time when they state “hereafter”
Lady Macbeth, in contrast is never depicted as a soft tender female figure, instead Shakespeare makes her ambitious character apparent from the start, after reading the letter from her husband, telling her about the Witches’ predictions, the seed of ambition grows within her and immediately a plan forms in her head, her first speech is one full of strong metaphors, “come, you spirits that tend on mortal thoughts, unsex me here, and fill me, from the crown to the toe, top full of direst cruelty.” This initial speech is so powerful and strong, as she summons spirits to give her the strength of a man, so that she has the vigour to plot Duncan’s murder, and convince Macbeth to form an alliance with her, ensuring he will become king, just as the Witches predicted. Although the Witches
Throughout the play “Macbeth” Shakespeare uses multiple examples of strong diction, paradox, metaphors, and imagery to demonstrate the theme that fate is inevitable. These examples also help emphasize that the witches are in control of Macbeth's severe and hostile actions throughout the tragic play. Without the witches prophecies the idea of murder would have never crossed Macbeth’s mind. After the witches informed Macbeth that he would soon become king he was willed to do anything to make sure this bizarre prophecy would come true.
In the beginning of the play Macbeth is cautious and somewhat suspicious of the witches. He only starts to really think of the idea that they might be telling him the truth when they hail him as the thane of Cawdor, which shortly after, he receives
The purpose of this essay is to describe Lady Macbeth’s role in the play and discuss why this makes her the most fascinating character. Her evil doings are the main reasons why she dominates the plot so greatly. These include the following: considers Macbeth to be a wimp not wanting to murder; letting Macbeth fulfill her plan; taking control over Macbeth’s thoughts and actions; turning Macbeth from a loyal man to a greedy, coldhearted human being. Also Lady Macbeth’s transformation in character and her relationship
Lady Macbeth persuades her husband to kill the King for her benefit along with his, but she never would have thought what kind of a man it would turn Macbeth into.
Upon this realization, Lady Macbeth indicates a newfound desire to be rid of her feminine qualities, seeking instead to replace them with masculine counterparts. Crying out, Lady Macbeth declares, “Come, you spirits. That tend on mortal thought! Unsex me here, and fill me from the crown to the toe top full of direst cruelty” (1. 5. 38-41). Her abstinence towards the limitations of gender thus set her down the road to madness.
Macbeth is one of William Shakespeare’s most powerful and emotionally intense plays. Macbeth, once known for his courage and bravery is transformed into a ruthless tyrant. His wife, Lady Macbeth, once known for her strength and great ambition is soon engulfed by guilt and sensitivity greatly weakens her. As the tragic hero Macbeth is overcome by tensions in his criminal act and the reactions by his conscience (Nix).