Shakespeare's Hamlet-Deception, Lying And Spying

Hamlet behaves very ambiguously with Rosencrantz and Guildenstern and continues to act this way with Polonius. Once Hamlet realizes that the two were sent by Claudius and Gertrude he got angry and had a feeling something wrong was going on and kept asking them questions as to why they went behind his back and betrayed him. He was being very suspicious even before they admit they betrayed him.

Polonius: Claudius and Gertrude, I have discovered that Hamlet loved Ophelia and that Ophelia’s rejection to him is the root of this problem of his behavior.

In Act 3 Hamlet finally decides that now is the time for action, he must betray both Claudius and Ophelia if he is to get anywhere. The first scene in act 3 includes Hamlet acting berzerk towards Ophelia while Claudius and Polonius watch from the shadows. In this scene the pride of Polonius is what will lead to his demise. Due to Polonius thinking so very highly of himself, he must get involved in the affairs of Hamlet and Ophelia. This ends up draws him into

Spying, the act of observing someone secretly, is a theme that is commonly found in William Shakespeare's Hamlet, and is the source of many internal and external struggles between characters throughout the play. Multiple characters in Hamlet, such as Polonius, King Claudius, Hamlet, Rosencrantz, and Guildenstern, are guilty of this deceitful act. Their scandalous ways often result in anger, destruction, and death.

Ophelia tries to obscure the truth because she is afraid of disobeying her father. It is obvious that Hamlet is already well aware that Polonius is watching after he states “Let the doors be shut upon him, the he may play the fool nowhere but in’s own house.”(3.1.132-133) Ophelia could have easily told Hamlet the truth, but due to her undying love for her father chooses to deceive Hamlet. Ophelia’s deceit leads Hamlet to start questioning her honest nature. Hamlet begins tearing apart by Ophelia because he is so irritated with her for being insincere to him. He states to Ophelia that “you should not have believed me: for virtue cannot so inoculate our old stock but we shall relish of it: I loved you not.” (3.1.117-119) Hamlet states that he does not love Ophelia because he believes that through this scheme, Ophelia will reveal the truth that Polonius is in fact behind their “unplanned” meeting. Ophelia had betrayed Hamlet by lying to him, thus Hamlet felt the need to betray her. If Ophelia had just been honest with Hamlet he would have not become so discourteous towards her, but she was not which resulted in him denying his love for her. Just as Hamlet was deceived, Ophelia was also because it was her lies that led to the ending of their love. Ophelia’s dishonesty resulted in her becoming a mockery of Hamlets antic disposition. Hamlet uses Ophelia to uncover

In the play Hamlet, deception is a major factor in the cause of the deaths of all those who die in the play, including Hamlet himself. The following paragraphs will outline the deception involved in the deaths of various characters including: Polonius, Gertrude, Laertes, Ophelia, Rosencrantz and Guildenstern, and Old Hamlet; as well as the downfall of the antagonist and protagonist: Claudius and Hamlet themselves.

To learn the truth of Hamlet's actions, Claudius entreats upon Rosencrantz and Guildenstern (two of Hamlet's oldest friends) to investigate the situation: "Some little time; so by your companies To draw him on to pleasures, and to gather So much as from occasions you may glean, Whether aught to us unknown afflicts him thus That, opened, lies within our remedy." (II:2, ll 14-18) Claudius, at this early point in the play, is slightly nervous of Hamlet's state of mind. Although Hamlet has not yet done or said anything that distinctly proves that he knows of Claudius' wrongdoing, Claudius is still suspicious. Ironically, he is worried about being deceived by Hamlet, so he sends two of his friends to spy him to learn what is bothering him. Laertes expresses a further example of the fear of deceit in his conversation to Ophelia regarding Hamlet: "His greatness weigh'd, his will is not his own; For he himself is subject to his birth. He may not, as unvalued persons do, Carve for himself, for on his choice depends The safety and health of his whole state," (I:3, ll 17-21) Laertes fears that Hamlet is not sincere in his love for Ophelia. He tells her that since he is of royal blood, he is not free to choose his own wife. The court and other royals must decide who is the best choice to be queen, for the safety of Denmark. Hamlet knows this to be true, and therefore, any sign of love that he gives her must be false.

Hamlet also uses Ophelia as a pawn, perhaps more than her family. Hamlet uses the court’s knowledge of his relationship with Ophelia in order to draw attention away from his real purpose of killing his uncle. In Act III, Scene I, Ophelia approaches Hamlet in order to return his letters and other pledges of affection for her, according to her father’s wishes. Hamlet appears to be very distraught, and accuses Ophelia of lying to him and being prostituted by her family. This outburst, however, is used solely to camouflage his real purpose-to have revenge of Claudius, his uncle, for killing his father. Hamlet is aware that Polonius and Claudius are watching this encounter between him and Ophelia, and uses the situation to his benefit- he can pretend to be heartbroken by Ophelia’s supposed

Deception in Hamlet is fundamental, without it there wouldn't be a plot, the characters wouldn't be interesting and get the audience involved, honesty and transparency would destroy the play.

Rosencrantz and Guildenstern also sow the seeds of their own destruction by betraying their lifelong friend. From their point of view of course, they are being loyal to the king. They are faithful, obedient subjects, merely doing services to their king, trying to find out the reason for Hamlet’s madness. To Hamlet however, their willingness to do the King’s bidding is just more evidence of the corruption of the court. He urges them to treat him as a friend, to be loyal to him, to tell him the truth-;’were you not sent for?’ They eventually and reluctantly agree that they were sent for. But this is not the last of it. They continue to do the King’s bidding,

Hamlet kills Polonius and Gertrude becomes scared as to what is going to happen with Hamlet. Claudius betrays her trust by taking advantage of it and takes matter into his own hands. Claudius solution to the problem is to have Hamlet sent to England, where he is going to be safe from the law and will not have to deal with any consequences for his actions. " O Gertrude, come away! The sun no sooner shall the mountains touch. But we will ship him hence, and this vile deed. We must, with all out majesty and skill, Both countenance and excuse" (4.1.28-32). Claudius makes Gertrude believe he is setting this up because he wants to protect Hamlet. But even though the audience knows the real reason as to why he is doing this. He is sending Hamlet to England to be killed. " By letters congruing to that effect, The present death of Hamlet" (4.3.66-67).

[Done in] England” (4.3.66). Gertrude with no control over his decisions agrees to everything Claudius suggests about Hamlet’s exile. Gertrude trusts Claudius which allows him to control her in the actions and decisions he makes. The lack of lines Gertrude has throughout the play proves her trust for Claudius proving that she has nothing against what he decides. Similarly, Ophelia is controlled by Polonius, her father. Polonius controls Ophelia due to immaturity and her ignorance of her relationship with Hamlet. “Affection? pooh! you speak like a green girl, / Unsifted in such perilous circumstance, / Do you believe his tenders, as you call them?” (1.3.101-103). Not only Polonius but Laertes, her brother, constantly advise her to avoid Hamlet because he is just counterfeiting love and his intention is to hurt Ophelia:

Deceit and lies are rampant in William Shakespeare’s The Tragedy of Hamlet. It can be seen in the characters’ actions and words, as well as what they fail to say and do. It comes in various types of relationships -- between husband and wife, parent and child, siblings, and between lovers. Nearly every character in the play either deliberately spins a web of their own lies, uses another person for their trickery, or is used in another person’s deceitful plot. Each has different motives for their deceit -- to maintain power, to achieve their goals, to attain vengeance, or simply because it is necessary to function in this twisted society -- but all of them face a tragic ending no matter their initial intentions. In this play, deceit is so uncontrolled, intertwined, and multidimensional that it becomes impossible for either the characters or audience to ascertain what is true.

The play, Hamlet by William Shakespeare, surrounds the central idea of revenge and betrayal. Revenge drives the characters and determines their actions throughout the play, which results in several instances of betrayal. With revenge, the friendship and loyalty of characters are tested and conflicts are established between characters. Hamlet’s father, the king of Denmark, was helplessly poisoned by his own brother, Claudius. Hamlet, the protagonist, becomes aware of his father’s death and finds himself seeking revenge and starting a cycle of hatred. Hamlet embarks on his journey for revenge by displaying an act of craziness. Throughout the play, there were several moments where Hamlet’s actions caused confusion and made it difficult for

Lies and deception are some of the many actions that have disastrous consequences. For the most part, they destroy trust and leave the people closest to us feeling vulnerable. In Hamlet, one of Shakespeare's many plays, the theme of lies and deception is very significant. This play shows that every character that lies and practices the act of deception is ultimately punished for doing so by their treacherous deaths. Hamlet has lied and practiced deception several times which has prolonged his primary goal and also causes his death. Additionally, Rosencrantz and Guildenstern’s unskilled acts of dishonesty and disloyalty towards Hamlet have all backfired; as a