Sexism In Lorraine Hansberry's A Raisin In The Sun

Lorraine Hansberry was born in Chicago on March 19, 1930 Tillman. She was an African American. She was one of four siblings that includes two brothers and one sister. In the 1930’s racism and segregation was prevalent in the time. Her parents were civil rights activist Carl and Nannie Hansberry Tillman. She grew up in the Woodlawn neighborhood on Chicago's South Side Rane. Her family was one of the wealthy African-American families in Chicago. When she was five years old, her parents got her a fur coat. She wore it to school one day and she got beaten for wearing it. Also when she was eight years old she moved to the white suburbs of Chicago and once her and her family arrived at their new homes they were threatened by mobs of white people. She nearly died after getting hit in the head with a brick. Her father went to court to fight for the legal right to live in that new neighborhood.The Supreme Court case of Hansberry v. Lee Weston Playhouse Theater Company. The characters in A Raisin in the Sun are black and live in Chicago just like Hansberry. The characters are also going through segregation/racism, similar to Hansberry.

The play A Raisin in the Sun by Lorraine Hansberry is an accurate representation of how much of a role racial discrimination played during the 1950’s for African Americans in America. The poem “Harlem” by Langston Hughes ties in very closely to this subject because they both discuss the views of the African American people during this time period and how they were being affected by the racial discrimination. Lorraine Hansberry included “Harlem” as the epigraph to the start of A Raisin in the Sun to set the mood of the novel. The mood tells the reader this story isn’t going to be a perfect happy story, there will be struggles and pain, but it makes the characters who they are. The purpose of Hansberry writing A Raisin in the Sun is to include her stance on racial discrimination by putting her thoughts as the characters own, to show how not all dreams are so easily attainable sometimes due to financial situations,

The years following the Second World War were bleak in regards to Canada's future as a country, with the public and politicians alike set against each other, but soon a Québec man by the name of René Lévesque entered journalism, and then politics, voicing his views for all to hear, with great success and vigour. Though obstacles presented themselves often in his life, he changed the views of Québec, Canada and the world as a whole. René Lévesque was a passionate and charismatic politician who greatly contributed to post-war Québec and even today through his beliefs in separatism, founding the Parti Québecois and passing Bill 101.

The only white character in the domestic tragedy play, A Raisin in the Sun by Lorraine Hansberry tries to convince an African American family that segregation is in their best interest.

In the book “A Raisin in the Sun” by Lorraine Hansberry, there were characters whose dreams were stated, some of which were shattered by greed and misfortune and others which would eventually come to be true. The first dream that came about was Walter’s dream of one day owning and maintaining a liquor store. He would do anything to attempt to get his dream to come true, but his mama wanted anything but that to happen. His mama had a dream of her own though, she dreamed of one day owning her own house, where her whole family could stay comfortably. She dreamed this because in the apartment that she resided in was too small, and dumpy, as Ruth called it. Her grandson Travis had to sleep on the couch, and all

In the play, A Raisin In The Sun, Mother tries to keep everything under control because she believes in her children and their dreams, yet understands that they still need to learn and strengthen their value's as they begin to realize their own aspirations. She is the head of the family around whom the conflicts arise and are resolved.

Lorraine Hansberry’s novel, A Raisin in the Sun, revolves around a middle-class African-American family, struggling during World War II. By reading about the Younger’s true to life experiences, one learns many important life lessons. One of the aforementioned would be that a person should always put family’s needs before their own. There are many examples of this throughout the novel. Just a few of these would be the example of Ruth and her unborn baby, Walter regaining the respect of his family, and Mama and her unselfish ways.

   We can learn a great deal by observing a given moment in history. The politics, fashion, and religion of a given society reveal the inner workings of the individuals that combine to make the society functional. While every society is different and unique, there are universal themes that apply to every society; the need to eat and sleep as well as the concept of "family" exist in all societies. In Lorraine Hansberry's "A Raisin in the Sun," we are witness to the common drama that occurs within a family set in a specific historical period.

   “Why do some people persist despite insurmountable obstacles, while others give up quickly or never bother to try” (Gunton 118)? A Raisin in the Sun, a play by Lorraine Hansberry, is a commentary on life and our struggle to comprehend and control it. The last scene in the play between Asagai and Beneatha contrasts two contemporary views on why we keep on trying to change the future, and reaches the conclusion that, far from being a means to an end, the real meaning of life is the struggle. Whether we succeed or not, our lives are purposeful only if we have tried to make the world a better place for ourselves and others- only, in other words, if we follow our dreams.

In Langston Hughes’ poem “Harlem,” he discusses the idea of unfulfilled dreams and their plausible outcomes using symbolism and imagery. He initially describes a “deferred” dream as a sun-dried raisin, depicting the dream originally as a fresh grape that now has dried up and “turned black” (Jemie 63). This idea provides Lorraine Hansberry’s play A Raisin in the Sun with its basic foundation, for it is a play about a house full of unfulfilled dreams. As the poem goes on, Hughes depicts the idea of a deferred dream as something rotten or gone bad. According to Onwuchekwa Jemie, this may be an allusion to the American Dream and its empty promises (Jemie 64).

Beneatha faces further gender restrictions from her suiter George Murchison who believes that a women is all but just a pretty face as he clearly informs her ‘You’re a nice looking girl’ and ‘That’s all you need’, this suggests that his interest in her is solely romantic and sexual and that her intellectuality does not interest him in any shape or form. She is sadly only valued or recognized for her looks. His reference to her strong opinions as “Garbo routine’ clearly suggests that he does not respect her thoughts and modern world views. All of the above strongly confirms how he sees the female gender as a less superior to men and how he uses his gender to dictate what he wants from her. He displays annoyance towards her modern views and also finds it funny that she wishes to become a doctor. This clearly suggests that the play was written at a time when women are not very driven into bettering themselves because they are conditioned to thinking that they have no other place in male dominated society other than being wives, home-makers and mothers. All these statements from George is a clear indication of how he wants her to conform to what he sees as the ideal women which I posit in his opinion is as a good looking puppet who does as she is told. In other words her thoughts, ideas and dreams means nothing to him which portrays how he does not allow her to express herself freely as an individual person. It is therefore evident that the men in the play find it strange to see a women so determined to better herself as most women living during those early years have just accepted

Not only is she black but she’s a woman so in the 1950s the whole world was against her. “I know―because that’s what it says in all the novels that men write. But it isn’t. Go ahead and laugh―but I’m not interested in being someone’s little episode in America[...] (page 64)” Beneatha is a feminist and a resilient character but every male figure in her life treats her dream like a joke and a phase. She is belittled by her own brother who tells her to just be a nurse. She is belittled by George Murchinson her boyfriend who tells her that she’s too pretty for thoughts and that her dream is just a girlish fantasy. Even Asagai treats her as lower to himself. But Beneatha has dreams. After seeing a child named Rufus get his face split open and thinking he’d never be put back together, she saw him later all fixed up by doctors. This was a life changing moment. From then on Beneatha wanted to be a doctor and she is working as hard as she can to get there. This money is crucial for Beneatha. In order to become a doctor she needs to go to medical school but in order to go to medical school she needs money. Half of the insurance money was supposed to go towards her college education but instead her brother lost it

Lorraine Hansberry develops the theme that racial discrimination makes it hard to obtain the American Dream through the use of setting. The play takes place in Southside Chicago 1950. During this time the south was segregated by racist Jim Crow Laws. Jim Crow Laws were laws requiring the separation of whites from persons of color. Many African Americans faced unofficial racial barriers in the North. Black and white communities were even segregated from each other. Black and white communities were very different. Buying a house in a black community was different from buying a house in a white community. Black communities were more expensive and were less well-kept, in contrast to white communities being cheaper, very clean, and well-kept. Linder states, “I want you to believe me when I tell you that race prejudice simply doesn’t enter into it. It is a matter of the people of Clybourne Park believing, rightly or wrongly, as I say, that for the happiness of all concerned that our Negro families are happier when they live in their own communities.” Linder is trying to say that they are not trying to be racist but clearly are because they are telling the Younger’s that they can not live there because it is an all white community and blacks have their own communities. Linder offers money for the Younger’s to leave just so that they don’t have any blacks in their all white community. Galens states, “Mama Younger has the money to pay for a house she wants, but people attempt to

In Lorraine Hansberry’s 1959 play A Raisin in the Sun a number of social issues are both explicitly and subtly exemplified through out the characters experiences and relationships. Living in a cramped Chicago apartment, the Youngers’ display both influential goals and conflicting restraints. Beneatha Youngers is a controversial character; she complicates society’s typical gender roles, introduces the wrestle between assimilation and ancestry of African-Americans, but specifically serves as a paradigm for her generation in the play.

Beneatha is an independent woman with great ambition. She always stands up for her beliefs and ideas no matter how contradict others. Beneatha is a fox, she is clever and, a quick thinker, she stays true to herself. When talking about her future Beneatha states, “Listen, I’m going to be a doctor. I’m not worried about who I’m going to marry yet--if I ever get married… I couldn’t be bothered with that. I am going to be a doctor, and everybody around here better understand that” (Hansberry, page 32). Beneatha is already sure of herself and what she wants to be in life. This encounter between her family is a defining moment for her character it shows how serious she is about her future. She also is not afraid to speak about her beliefs no matter the consequence. For example, ”God is just one idea I don’t accept. It’s not important. I am not going out and be immoral or commit crimes