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Seduction Of Women In The Odyssey

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Outline Argument 1: Women act as obstacles to the male heroes’ fate by using seduction to tempt them away from their path. • In the Odyssey: Calypso and Circe seduce Odysseus and prevent him from continuing his journey home. o “The divine Calypso was certainly for keeping me in her cavern home because she yearned for me to be her husband and with the same object Circe, the Aeaean witch, detained me in her palace…” (Homer 9. 29-30) • In the Aeneid: Dido establishes a sexual relationship with Aeneas, which delays his destiny of founding Rome, preventing him from following the orders of the gods. o “'Obsessed with your wife, you're now building a lovely city for her. You've forgotten your own obligations and kingdom!’” (Vergil 4. 266-267) • In …show more content…

• In the Epic of Gilgamesh: Though Shamhat’s seduction of Enkidu has a positive impact, as it civilizes him, Enkidu later blames her for his fate as he is dying, and curses her. o “' [I will] curse you with a mighty curse, my curse shall afflict you now and forthwith!” … 'Because [ you made] me [weak, who was undefiled!] '” (George 6.104-105, …show more content…

Women with power who display agency as punished. • Definition of the Other: Those who are different and unideal. Women, as the lesser sex in the societies from which these poems originate, are set apart from men as a sort of “Other” because they do not meet the ideals of manliness, and belittled because of this. • Male heroism is active and based on the deeds they perform, while the female ideal is passive and based on the actions they do not perform. o Penelope is characterized as the ideal woman in the Odyssey. While she does display intelligence, she is primarily praised for her loyalty to her husband. In other words, for not taking a new husband. • Powerful women in epics are only able to use this power through their sexuality, and tend to be punished for their agency. o Dido is the queen or Carthage. She exerts power over Aeneas through her seduction. She ultimately meets a terrible end in her suicide. o “Dido was dying a death that was neither deserved nor predestined, but premature: a poor woman, swept up by the quick fire of madness.” (Vergil

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