Scott Pilgrim Vs The World Essay

     John Hughes’ 1985 film, The Breakfast Club, gives countless examples of the principles of interpersonal communication. Five high school students: Allison, a weirdo, Brian, a nerd, John, a criminal, Claire, a prom queen, and Andrew, a jock, are forced to spend the day in Saturday detention. By the end of the day, they find that they have more in common than they ever realized.

Dazed and Confused is a film that follows a plethora of characters on the last day of school before summer vacation. Although lacking in tangible plot, it makes a bold attempt to encompass and present the zeitgeist of the 1970s. In my opinion it is as if Dazed and Confused was produced in hopes of making those viewers who lived through the 1970s feel a sense of nostalgia. The film’s trajectory, harnessing of zeitgeist, and soundtrack are all very similar to George Lucas’s American Graffiti—a film that also successfully rooted in nostalgia. Dazed and Confused was released in 1993 and, like American Graffiti, was able to look over its shoulder to determine what music stood the test of time. The film attempts to epitomize what it meant for

In the Scott Pilgrim universe time is a central concept. Bryan Lee O’Malley expertly layers the familiar styles of classic videogames, music, and pop culture throughout the series to create nostalgia. The author uses this nostalgia in order to emphasize the importance of the past and show Scott’s inability to grow. As Ryan Lizardi puts it in his essay Scott Pilgrim vs. hegemony: nostalgia, remediation, and heteronormativity, “Scott must deal with his past… his inability to grow up compared with other characters, and…conquer Ramona’s romantic history before they can move on in their relationship,” (Lizardi, ). The intertwining themes of past and immaturity reappear throughout the series through the previously state medium of nostalgia.

Have you ever wanted a bad memory erased? Is love erasable? These questions are attacked head on in the wonderfully complex drama Eternal Sunshine of a Spotless Mind. After working together on the film Human Nature, director Michael Gondry and screenwriter Charlie Kaufman discussed the possibility whether or not they would have their memory erased of a bad relationship should the opportunity present itself (dvdtalk). Out of that discussion a movie idea was formulated, pitched to a studio, and a film was created showing the potential impact of doing so. Through Kaufman’s brilliant and strange storytelling, Eternal Sunshine of the Spotless Mind takes its audience on a journey challenging us to ask: what would we do

You can judge a society by its treatment of the old, the weak, the helpless and the needy. Through the narrative conventions of foreshadowing and characterisation, John Steinbeck, in his novel Of Mice And Men, published in 1937, is able to effectively reveal the imperfections of America’s capitalist

Everything everywhere is constantly changing. People change, weather changes, plans change, everything changes; you can’t escape change. Two movies that really illustrate the concept of change are Pleasantville and Back to the Future. In both of these movies, the main characters – Marty, David, and Jennifer – are sent back into the times of the 1950s and are faced with a world completely different from their own. In Pleasantville, David and Jennifer get stuck in David’s favourite television show, Pleasantville, as the characters Bud and Mary Sue. Jennifer seems to want to stir things up, creating change throughout Pleasantville, causing things to turn to colour, while David is doing all he can to stop Jennifer from destroying their perfect world. On the other hand, in Back to the Future, Marty gets sent back in time to when his parents were his age. Unfortunately, he runs into his parents, causing his mother to fall for him, supposedly interfering with Marty’s future. All of these main characters have to deal with a lot of change – the key concept these movies have in common. While Pleasantville and Back to the Future both focus on the concept of time and change, both movies illustrate change from different perspectives. These movies also have other similar concepts, such as racism, masculinity, and the idea of the “ideal family”; however, they both differ by discussing other social issues as well.

SlaughterHouse-Five is a book about a man named Billy Pilgrim who is stuck in time, and constantly travels throughout different events in his life. Billy accepts different values and sees traumatic and morbid events differently than others. Billy accepts a way of life that is not perceivable to other humans. Many would argue that Billy’s experiences make him insane, but Billy’s experiences with the Tralfamadorians actually allows him to preserve his sanity, and stay a very intelligent man.

showed off because it seemed so fake and unnatural every time they would do so.

What insights into the American Dream are offered through the novella Of Mice and Men and the film American Beauty? In your essay you must consider the influences of context and the importance of techniques in shaping meaning.

An auteur is a director who personal creative vision and style is expressed through films. The term auteur is originated in France and is French for author. There are different ways in which a director can express their vision in films and show who they are. There are many directors that are considered to be a auteur such as: Quentin Tarintino, Tim Burton, Kathryn Bigelow, Stanley Kubrick and Woody Allen. The director I have chosen as an auteur is Spike Lee.

In Graham Greene's The Power and the Glory, setting is essential in understanding the spiritual conquest of the main character. The story takes place in post-revolution Mexico of the nineteen-thirties, where Catholicism has been banned. The government has shut down all of the churches and established anti-Catholic laws, jealous of the rising power of the church, and nervous of the corrupt ways in which the church has been dealing with sin. The main character, a nameless "whiskey priest," hopelessly roams the desolate plains of southern Mexico, on the run from the law, as the only priest left who has not denounced his fatherhood. The surrounding communities in southern Mexico refuse to

The Breakfast Club is a movie about five totally different students in high school who are forced to spend a Saturday in detention in their school library. The students come from completely different social classes which make it very difficult for any of them to get along. They learn more about each other and their problems that each of them have at home and at school. This movie plays their different personality types against each other. In this essay I will go into detail about each of the students and the principal individually.

     Of Mice and Men was written during a period of racism. In the 1960's it was important for everyone to get along with eachother because not everyone was equal. George and Lennie showed a great part in friendship throught the whole book. At the ranch in Selinas mostly everyone showed friendship in some way. Friendship was a great factor when the book was published because of all the racism going on at the time.

Sunset Boulevard (Wilder 1950) explores the intermingling of public and private realms, puncturing the illusion of the former and unveiling the grim and often disturbing reality of the latter. By delving into the personal delusions of its characters and showing the devastation caused by disrupting those fantasies, the film provides not only a commentary on the industry of which it is a product but also a shared anxiety about the corrupting influence of external perception. Narrated by a dead man, centering on a recluse tortured by her own former stardom, and concerning a once-promising director who refuses to believe his greatest star could ever be forgotten, the work dissects a multitude of illusory folds to reveal an ultimately

Blood, gore, and a lot of language; you will find this is most Quentin Tarantino movies. Although, this is what makes him such a writer and director. Quentin Tarantino is not only a fantastic screenplay writer, but he also pushes the limit of intense plots of drama, and mostly violence. As a great director, who changes the world of filmmaking, Quentin Tarantino is one of the most unique directors/writers, today.