Scene One of A Streetcar Named Desire
What is the dramatic significance of scene one of the play A Streetcar named Desire?
Scene 1 of this play has great dramatic significance. In this essay, I will be looking at key points throughout the scene that reveal the key features of the plot, characters, theme and imagery plus how it is used to give the audience a taster for what is to come.
Scene one is set in New Orleans, I feel this is used because in peoples mind beforehand it has a strong emotional presence and is often associated with many types of genres such as music. Sight and smell are often used in plays to help people get a sense of atmosphere and this is no exception. Cleverly as always to make something stand
out
…show more content…
Stanley does not fall for her intimidating and self - pitying ways from the death of her husband and the lies of her wealth, the use of polka is premeditated to knowingly be brought to the audience that only they and Blanche hear it due to her change in mood and actions. The contrast between Stanley and Blanche is immediate, due to their opposition of childhood backgrounds, Blanche coming from an aristocratic background to the less well off Stanley who is a relaxed man with strong beliefs and up until the arrival of
Blanche he knew the true meaning of living(loving and caring for those you love) which when Blanche arrived made him take out his stress on
Stella.
There is already a lot of things to take in for the audience, even though it can be broken down quite simply, they soon realise the contrasting opposites of Blanche and Stanley and the current and future rifts it is likely to cause between Stanley and Stella. We see that Stella is becoming the middle-link between these two characters.
On top of the contrast between Stanley and Stella there is now an extra aspect of Blanche’s true deception. This is first shown when
Blanche, who is offered whiskey from Stanley, comments that she does not like to touch a glass, even though the audience have clearly seen her drink a glass alone while Stanley is not in the room. They realise her misleading self – I say this
In Tennessee Williams’ play A Streetcar Named Desire, Williams explores the internal conflict of illusion versus reality through the characters. Humans often use illusion to save us pain and it allows us to enjoy pleasure instead. However, as illusion clashes with reality, one can forget the difference between the two. When people are caught up in their illusions, eventually they must face reality even if it is harsh. In the play, Blanche suffers from the struggle of what is real and what is fake because of the difficult events of her past. Blanche comes to her sister Stella seeking aid because she has lost her home, her job, and her family. To deal with this terrible part of her life, she uses fantasy to escape her dreadful reality. Blanche’s embracement of a fantasy world can be categorized by her attempts to revive her youth, her relationship struggles, and attempts to escape her past.
“Stella has embraced him with both arms, fiercely, and full in the view of Blanche. He laughs and clasps her head to him. Over her head he grins through the curtains at Blanche.” (Williams 73) A Streetcar Named Desire written by Tennessee Williams exemplifies the theme of a struggle to attain happiness. The play not only portrays this theme in its characters and setting, but through the literary devices of Foil, Imagery, and Intertextuality. Williams took great care in applying each of these literary device techniques to the theme as he presents an intriguing contrast between Blanche and Stanley, vivid images both animalistic and broken, and imploring the use of the Odyssey to further
This 1950's theatrical presentation was directed by Elia Kazan and written by Tennessee Williams. It is about a southern bell by the name of Blanche Dubois who loses her father's plantation to a mortgage and travels to live in her sister's home in New Orleans by means of a streetcar called Desire. There she finds her sister living in a mess with a drunken bully husband, and the events that follow cause Blanche to step over the line of insanity and fall victim to life's harsh lessons.
A Streetcar Named Desire is a socially challenging play in light of the way in which Tennessee Williams depicts the capacity of human nature for brutality and deceit. He takes the viewpoint that, no matter how structured or 'civilized' society is, all people will rely on their natural animal instincts, such as dominance and deception, to get themselves out of trouble at some stage in life. William's has created three main characters, Blanche Dubois, Stella Kowalski and Stanley Kowalski. Each of these characters is equally as civilized as the next, yet all are guilty of acts of savagery on different levels. Throughout the play Williams symbolically relates these three characters to animals, 'savages,' through the disclosure of
In the classic fairytale of Cinderella, the main character is trapped in an abusive household. However, Cinderella’s self-perception of optimism and hope, enables her to believe that ultimately, her life will naturally improve with these attributes. True to her convictions, Cinderella gets her happily ever after by going to the ball where the prince falls in love with her. Cinderella is saved from her evil. On the other hand, Cinderella can be viewed as a victim who does nothing to enable herself to escape her abusive reality, insteads helplessly waits for fate to intervene. She does not confront the situation nor independently strive to improve her circumstances. Correspondingly, how individuals act when faced with conflict is strongly influenced by their self-perception. It is possible to become confused between reality and illusion, which is determined by their level of self-awareness. In Tennessee Williams’ play, A Streetcar Named Desire, the character of Stella struggles between the control of her husband and sister. Throughout the play, this conflict is demonstrated as she struggles with becoming aware of her abusive household and the contrast to the fairytale illusion she desperately clings to. Ultimately, Stella’s choice to maintain her illusion, rather than confronting her reality, is due to the self-perception of her need to depend on others and desire for idealism, which overall controls her fate.
Old folks used to say everything will happen thrice for a person. Twice Blanche escaped from dangerous situations, and the final one is about escaping from Palmer her rapist. African American people believe that Ancestors will send people in someone’s life for a purpose to understand or to enjoy their life. Blanche believes that her Ancestors had given Thelvin as a reward or consolation prize for going backs to her homeland. “That night, for the first time in a long time, she dreamed of having been raped” (165) thus Ancestors shown her sign of forthcoming happenings.
Two cavemen stumble upon a burning log, neither familiar with fire, the first trusts his instincts proceeding to run away cowardly, he survives only to later die a lonely cold death succumbing to hypothermia; while the second takes the log to his cave and proceeds to thrive, living a long, prosperous life, despite being haunted by the fact his greatest accomplishment was picking up a exaggerated stick. See the first man trusted his instincts, a strategy that kept him alive until then, while the other took a risk and it payed off but we have those instincts because risks do not always pay off. These primal instincts allow humans to quickly fall back to the tried and trusted safe path but can also lead a person to do something to meet the needs
The Raw Power of A Streetcar Named Desire Tennessee Williams's play A Streetcar Named Desire contains more within it's characters, situations, and story than appears on its surface. As in many of Williams's plays, there is much use of symbolism and interesting characters in order to draw in and involve the audience. The plot of A Streetcar Named Desire alone does not captivate the audience.
Scene 6 is a poignant part of 'A Street Car Named Desire' and only contains the characters Mitch and Blanche. The scene begins with the impression that Blanche and Mitch have not enjoyed the evening that they have just spent together at a local carnival. Blanches voice and manner is described as being " the utter exhaustion which only a neurasthenic personality can know." Mitch is described as being "stolid but depressed." Mitch even admits "I'm afraid you haven't gotten much fun out of this evening Blanche." and "I felt all the time that I wasn't giving you much-entertainment." At this point in the scene the viewer gets the impression that Mitch and Blanche are not
There are 3 major themes in the play A Streetcar Named Desire, the first is the constant battle between fantasy and reality, second we have the relationship between sexuality and death, and lastly the dependence of men plays a major role in this book.
I agree that characters in the book A Streetcar Named Desire by Tennessee Williams, use lying and deception to fuel their social status. These lies develop trust and relationship issues and threaten the wellbeing of everyone involved. Blanche, was a high school english teacher in mississippi who was forced to leave her life behind there. With nowhere to go Blanche moves in with her sister Stella and husband Stanley, who has a suspicion about Blanche's past life which lead to some unwanted events.
A Streetcar Named Desire is a classic tragedy written by Tennessee Williams, which earned him the Pulitzer Prize as well as many other awards. This brilliant play explores many important themes and issues. The main recurring theme Williams explores to the readers is the conflict between fantasy and reality, honesty and lies. However, sexuality, violence, and social differences also shape the action of the plot, in which they contribute to the effect of the characters of the play. The three main characters, Blanche Dubois, Stella Kowalski, and Stanley Kowalski, have different ways of dealing with the said conflicts in their harsh surroundings in which they live in, as they all face different crisis. Blanche, who suffers from emotional and
In both The Glass Menagerie and A Streetcar Named Desire, Tennessee Williams makes use of very specific light cues. In his works, Williams uses lighting to declare relationships, portray moods, and connect with the audience. Tennessee Williams uses light in The Glass Menagerie and A Streetcar Named Desire to make the audience feel the characteristics of Blanche, Laura, and Stanley, the relationships between characters, and to show that The Glass Menagerie is a memory play.
I am expected to have a high social class, like my oponent Blanche Ingram. Blanche is like everything a man in my society could ever want, she is beautiful, talented, a good host, from the upper class with suffient schooling. Blanche would fit everyone's standards as an accesory to a man.
The play A Streetcar Named Desire revolves around Blanche DuBois; therefore, the main theme of the drama concerns her directly. In Blanche is seen the tragedy of an individual caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present. The final result is her destruction. This process began long before her clash with Stanley Kowalski. It started with the death of her young husband, a weak and perverted boy who committed suicide when she taunted him with her disgust at the discovery of his perversion. In retrospect, she knows that he was the only man she had ever loved, and from this early catastrophe