In this video Say Something - Jazz / Soul A Great Big World Cover the musicians are Hudson Thames and Robyn Adele Anderson. Playing instruments are Mike Cottone on flugelhorn, Adam Kubota on bass, Allan Mednard on drums and Scott Bradlee on piano. I picked this video because of the modern day song election. This song selection draws in a younger crowd allowing them to hear a jazz remake of a pop song; this gives them an opportunity to be able to appreciate the forgotten genre of our era: Jazz. The flugelhorn and piano gave me a feel of the swing jazz era in 1935-1945. This modern day video I found has the same sound to me as the beginning Coleman Hawkins Body & Soul video. I really like this video and the song they chose to cover. I thought
“JAZZ” is a documentary by Ken Burns released 2001 that focuses on the creation and development of jazz, America’s “greatest cultural achievement.” The first episodes entitled, “Gumbo, Beginnings to 1917” and “The Gift (1917-1924), explain the early growth of jazz as it originates in New Orleans and its expands to Chicago and New York during the Jazz Age. In assessing the first two episodes of Ken Burns' 2001 documentary, "JAZZ," this essay will explore the history of jazz, the music's racial implications, and it's impact on society. In doing so, attention will also be given to the structure of the documentary, and the effectiveness of documentary film in retelling the past.
Before entering the exhibition the viewer is introduced to an energetic video montage of all the works with a sound created by Kevin J. Simon. This fast pace hip-hop sounding song at first seems very out of place from the work, but after listening to it for some time you do hear
In the middle of the 19th century, Congo Square became a center of musical expression. On these Sunday afternoons, a new form of music was born. Pioneered by those on the bottom of a society full of slavery and segregation, the origin of jazz was less a singular event than an evolving movement. None of those pioneers, however, could have anticipated the future of their developing art form. None could have foreseen that their informal rhythmic gatherings would eventually lead to nationally recognized big bands with more than 20 musicians and celebrity band leaders. The trajectory of jazz history is complex and rich, flowing from style to style and from region to region. Each step along the way from the early brass bands to the bebop bands
From its inception, Jazz has applied both innovative approaches in different degrees and boundless configuration. And has continually amplified, progress, and modify music through various distinctive episodes of growth. So, an all-encompassing denotation of jazz is likely vain. Additionally, jazz as a music whose prime attribute was “improvisation,” for example, revealed to be too regulated and chiefly false. Meanwhile composition, adaptation, and ensembles have also been imperative constituent of Jazz (for most of its backstory). Furthermore, “syncopation” and “swing,” often viewed as important and distinctive to jazz, are certainly lacking the genuineness of it, whether of the 1920s (or of later decades). However, the prolonged perception that swing could not transpire without syncopation was utterly refuted when trumpeter Louis Armstrong often produced vast swing while playing repeated, and unsyncopated quarter notes (Armstrong, L., Fitzgerald, E., & Middleton, V. (1988). Satchmo. Gong.)
During the 1920s, New orleans was in the spotlight. This wonderful place wasn’t famous for its crazy food and funny broadcast however, but for its amazing music. Louisiana had delivered soul through their musical talents and showed something new. Infact the people would gather around bars and clubs just to hear it. Jazz music originated in New Orleans around the beginning of the 20th century and subsequently developed through various styles and exciting tempos. The life of Jazz during this period was a spectacular moment in history, due to the culture it brought, the impact of Louis Armstrong, and the excitement it gave to Louisiana.
Meadow, Eddie. Bebop To Cool: Context, Ideologoy, and Musical Identity. Westport: Praeger Publishers, 2003. Print.
In the United States, cultural divide is evident almost everywhere you go. Police are often the ones blamed for divide. In the past couple of years, many African American men have been killed by police in streets across America. With most of the cops being white, the black community has linked these killings to racism. Black groups have become furious with these killings. African Americans are taking a stand against police and racism on an everyday basis. We see these stands being taken place on social media and TV. Although most people would look at this video thinking it’s about speaking out against police, I see a different message. The music video by Big Sean, “One Man Can Change The World”, demonstrates an inspirational impact somebody can have on social issues.
Out of the streets of New Orleans, a new form of music arose. This new type of music was not known as African or European, but simply American. It was jazz. In 1900 jazz first developed, but it wasn’t until the
The next song on the playlist was called “Everything Happens To Me”. The texture to this was very soft as well. The instruments were playing off each other but it was still a freestyle type of song. I think jazz is generally played like freestyle. There was no melody to this song. The rhythm was not existent as well. It was more of a free flowing song. This song had a very quiet dynamic. It sounded very romantic like something out of a movie. The tempo of the song was very slow and mild but the trumpet was going very fast. The cello and the drums had a portion of the song where they fed off each other’s energy and the trumpet was doing its own thing.
When listening to “The Santé Fe Jazz Combo,” you get a mellow feeling that courses through your body. Their opener “Recorda-Me,” which was my favorite piece, featured solos from Dr. Hamilton on Piano, Spencer Hoefert on Guitar, Ben Salhanick on Bass, Doc B on Alto Sax, Wyatt Thomas on Trombone, and Noah Woolard on Drum Set. The song had a moderate swing tempo that kept your feet tapping up until the solo. First, the brass rang through their part, then the electric instruments. Next came the bass; he was strumming so fast but he was barely audible. The pianist busting through with a tricky piano rift and the drummer finished it off with an intense solo. Every rim-shot sent a jolt into the air like lightning and the buzz rolls sounded like thunder. Noah’s part reminded me why I love playing the drums.
Knowledge of jazz has fallen far behind its development. Most people do not know the facts on jazz, only some generalities and stereotypes. Often being called America’s only original art form, jazz began as an ethnic music, but there is much more to jazz than music. It is difficult to think of jazz without thinking of African-American
The mystery of Jazz and its powerful impact on the music community can be explained largely by the context of it’s creation. Jazz was born in the United States, and because of this, many have referred to Jazz as “America’s music.” Like America, Jazz has a balance between structure and spontaneity. It capitalizes on the fluidity of the musicians, having several different instruments with independent spirits, coming together as one to form a great piece of music. Unlike other styles of music, Jazz has a certain way about it that makes it stand-alone in the world of genres. It improvises, moves, and transforms itself in a moment’s notice based on the musician’s intuition. Just as America harbors democracy, so too does a jazz ensemble, showing both the responsibility to a larger group, yet still allowing room for individual freedom. It all comes down to how well others can respect the overall framework and structure of the jingle.
I used to always go over to my grandparent’s house and watch my grandfather go crazy over this “Jazz” music. He explained to me that it wasn’t Jazz unless it swung like the greats. I listened to a song “Sing Sing Sing” the other day from one of my Jazz collections that my grandpa gave to me and realized that their was so much energy and pizzazz in this music. He explained to me that it was all put together by a guy named Benny, and I understood why.
Miles Davis’ Kind of Blue is the single biggest selling jazz album ever made, selling over 5 million copies, and was my favorite to learn about. It is known to be one of albums that convert people to liking jazz styled music, even though it was created over fifty years ago. The most significant part of the album to me was that it made such an impact on the jazz community and it was only made in seven hours and all but only one of the tracks were first takes. What has stuck with me in the documentary was the saying, “The first thought is the best thought.” I really appreciated this because the artist stuck with their initial first gut feeling. The music was really innovative and most specifically, the opening of “So What”, was completely improvised and then the riff takes off, allowing to be one of the most iconic songs in jazz (in my opinion). The magic of music was truly created in this album creation and led a different direction of jazz creation.
Thesis: Although Jazz music was first introduced over 80 years ago, the genre still influences artists and the new music they make to this day.