preview

Satire In Invisible Man

Better Essays

There is a deliberate juxtaposition in the opening pages of Graceland between the garbage-ridden streets of Lagos teeming with naked children and Elvis—melancholy, retrospective and, (not without a deliberate irony on the part of Albani) reading a copy of Ellison’s American classic Invisible Man. The monstrous slum of Lagos is crushing in its poverty; Elvis, despite the squander of his personal circumstance, somehow doesn’t fit the image of his city. Why, in a novel based in its exploration of a poverty-stricken African slum, would the protagonist live entirely outside of the normality of his setting? Elvis is an aspiring dancer; frequently ambiguous in both his gender and sexuality, the unprecedentedly moralistic teenager constantly contradicts …show more content…

It is here that the power of globalization is most evident; Elvis is molded and guided by intangibilities, and the city of Lagos is also understood through the ways in which it contrasts America. Despite the literal geographical separation between Lagos and Nigeria, the colonialist influence of the western world and the United States are clearly chartered throughout the novel. “Admiring himself from many angles, he thought it was a shame he couldn’t wear makeup in public. That’s not true, he mentally corrected himself. He could, like the transvestites that haunted the car parks of hotels favored by rich locals and visiting whites. But like them, he would be a target of some insult, or worse, physical beatings, many of which were meted out by the police, who then took turns with their victims in the back of their vans. It was exasperating that he couldn’t appear in public looking as much like the real Elvis Presley as possible.” Struggling with his identity, Elvis desires to wear makeup without fearing the retaliation of his community. It is in the implanted whiteness and pockets of Americanism where that freedom is most closely accessible. Yet, the physical reality of the hotels (their literal placement in Lagos) meant that the governing moral principles of Lagos prevented Elvis from being anything but an outcast and a victim if he chose to express himself. The American presence in Lagos managed to be pervasive while simultaneously having no palliative effect on Elvis estrangement within the slum. The cast of characters employed by Albani, from the elitist white tourists to Redemption to Uncle Joseph all serve to construct an image of Lagos in relation to America. It wasn’t singularly the explicit references to America or to Elvis’s connection to the United States that aided Albani in his describing of

Get Access