Sartre The Wall

For this unit, I decided to read Kafka’s “In the Penal Colony.” The author, Franz Kafka, was an early 20th century middle-class Jew who lived in Prague and wrote mostly in German. The present short story, published in 1919, refers to an unnamed penal colony somewhere in the tropics and focuses on four characters: the commander of the camp, an invited foreign dignitary, a guard, and a victim. The story revolves a twisted idea of justice, where the punishment does not fit the crime, and the condemned does not know neither the charge nor the nature of his punishment. Indeed, justice seems completely irrelevant to the commander who is only fascinated with the torturing as an art and science; the apotheosis of the latter represented with the torturing machine that resembles a CNC router that inscribes the accusation on the skin of the condemned who then dies slowly from bleeding.

Romare Bearden’s art exhibition “Vision and Activism” portrayed his perception of society and the need to put in motion social change. The Black History Museum is where I observed his art collection. The set up of the pieces were by category and was not congested because there was a moderate amount of space between each piece. For first impressions the two art pieces titled “Noah and the Seventh Day (Prevalence of ritual series)” and “The Family” is highly detailed and the use of tone exhibits dramatic traits in the first piece while the second piece has tranquility. The subject matter for “Noah and the Seventh Day” is culture and for “The Family” is a focus on African American lifestyle. Intently scrutinizing “Noah and The Seventh Day” the setting is outside among the sea and animals are on a boat. The color is subtle, slightly vibrant, and uses cool tertiary colors. The texture has a grainy and hard effect as if he stippled using a paint brush. The shapes are organic but the water had strong emphasis where the lines gradually got deeper and broader away from the horizon. On the contrary, “The Family” setting took place inside of a house with women gathered at the table preparing food. The colors are subtle, earthy, and include warm tertiary colors. The background texture has a fine and smooth appearance. He included recognizable shapes such as cylinders, rectangles, and squares. By Bearden applying cross contour, pointillism, and cross

“The setting plays an important role in how the narrator discovers the many ways he may die” (2). It is a dungeon full of torturing traps, and the character, as any normal human, feels terror inside his prison and fears his death in any of the cruel ways arranged for him. Still, he has to decide between death and the relief which it brings or life with the interminable agony of being tortured as a lab mouse.

The last two lines act as a slap in the face. Every element works toward death, and the speaker almost slips into eternal rest. One can see him, putting the

Love is perhaps one of the most contested issues in the world. No one has a precise definition of what love really should look or feel like. Most people have resorted to use their own experiences in love to effectively derive its true meaning. Through these experiences, philosophers have argued that the definition of love varies greatly depending on whether it was given by a man or a woman. This is however not the case. As proven by the narratives of Beauvoir and Sartre, the definitions of love derived from the experiences of both men and women are quite similar. Consequentially, Beauvoir’s account of the woman in love sheds important light on Sartre’s conflicting thought about love. By first highlighting the concepts of love as stated by Beauvoir, this text seeks to establish how Beauvoir’s account of love lays a vital foundation for Sartre’s.

“We are left alone, without excuse. This is what I mean when I say that man is condemned to be free” (Sartre 32). Radical freedom and responsibility is the central notion of Jean-Paul Sartre’s philosophy. However, Sartre himself raises objections about his philosophy, but he overcomes these obvious objections. In this paper I will argue that man creates their own essence through their choices and that our values and choices are important because they allow man to be free and create their own existence. I will first do this by explaining Jean-Paul Sartre’s quote, then by thoroughly stating Sartre’s theory, and then by opposing objections raised against Sartre’s theory.

Let’s first begins with who Jean Desire Gustave Courbet was. Gustave Courbet was a famous French painter. Courbet was born in Ornans, France on June 10th of 1819. Ornans, France is a filled with forests and pasture’s perfect for realist paintings. At the age of 14 Courbet was already in art training receiving lessons from Pere Baud a former student of a neo-classical painter named Baron Gros. Courbet’s parents hoped he would go off and study law when he moved out in 1837. To there misfortune he had enrolled in at the art academy. At the art academy Courbet received lessons from Flajoulot another famous neo-classicist. At twenty years old Gustave Courbet went to Paris, the European center for art, political,

writes towards the middle of his essay about seeing the prison being brought up to the hanging site and

     By the end, the only emotion left among the prisoners is fear. The prisoners desire food more than anything, two cauldrons of soup are there for the taking, “but who would dare?” (66). The prisoners are crushed by the fear of death or pain, and drop their hope and desire, having lost the last vestiges of humanity. Without their humanity, the only thing that matters to them is satisfaction of bodily requirements, and the prevention of

Throughout Borowski’s collection of short stories, “This Way for the Gas, Ladies and Gentlemen” various characters have been deceived into their own executions. The thought of being led to one’s own death without even knowing is what went through the minds of many Jews during the Holocaust. These victims had no control or say in their fates and faced the judgment without any sympathy or remorse from their executers. Although the victim’s futures were for the most part condemned, as they got closer and closer to death, few never lost hope that some miraculous intercession could drastically change their fate for the

Matisse is one of the best artists at surrounding a background around the viewer. His paintings are the most realistic compared to other current artists, as he uses a feel of a soft wind as a landscape and the smell of fresh citrus fruits to compose his still life arts. "The Casbah Gate" contains vivid colors that describe a gate.

In this essay, I will talk about Jean-Paul Sartre’s work about the Nature of Consciousness. Firstly, I will discuss his theories of Consciousness and secondly, I will talk about how they developed in response to the work of other philosophers. Lastly, I will state why his work is still interesting today.

In "The Wall," Jean-Paul Sartre uses many literary techniques to convey irony. Jean-Paul Sartre, an existentialistic writer, states through his characters and symbolism that life has no value. Through Pablo's decision to "trade' his life, Sartre furthers the irony in the story. Symbolism provides authors with a way to convey an underlying theme or to portray the meaning in an event without explicitly outlining the incident. Sartre employs the symbol of a graveyard to express meaninglessness and nothingness. Emotions can express more than a character's feeling at a particular moment, they can also set a tone for a whole story. The conclusion of laughter brings another example of irony through its contradictory nature to the tone at the end

     How ever law enforcement was closing in on Escobar. The U.S. want him to be extradited to the U.S. but Escobar surrendered to the Colombian’s in exchange for a promise not to be extradited to the U.S. He was able to design his own luxurious prison and continued to run his business behind the walls. Fifty new charges were brought against Pablo, including political assassination and mass murder. Escobar confessed to just one shipment of cocaine to Europe. When two men came and told Pablo he was being transferred to a military prison, Pablo would have none of this, and he took out hidden weapons, taking the two men hostage. After a night of negotiations 400 army commandos stormed the jail, but Escobar and his brother, along with many others, were gone. After 16 months on the run, he was finally hunted down by Columbian police with the aid of U.S. technology that recognized Escobar’s voice on a cell phone. On December 2, 1993 Pablo Escobar was killed trying to run away on a roof top in one of his safe houses in Columbia.

          In the poem, “The Mending Wall” Frost creates a lot of ambiguity in order to leave the poem open for interpretation. Frost’s description of every detail in this poem is very interesting, it leaves the reader to decide for themselves what deductions they are to be making of the poem. To begin with, Frost makes literal implications about what the two men are doing. For instance, they are physically putting the stones back, one by one. Their commitment and constant drive shows how persistent these men seem about keeping the wall intact. On the other hand, there are inferences that something deeper is occurring.