Sartre No Exit Essay

Existentialism, a philosophical ideology conceptualized by Jean-Paul Sarte, encapsulates most thought processes where “the individual is obliged to make a choice as though he were choosing for all mankind” (Arnold, “Jean-Paul Sarte: Overview). Put simply, Sarte’s concept of existentialism is the thought process by which humans find themselves existing, and the analysis of their existence itself (Tulloch, Sartrian Existentialism). This analysis of existence found itself in many writings during the twentieth century, and acts a driving force in both Bishop’s “In the Waiting Room” and Lispector’s “The Daydreams of a Drunk Woman”.

Central to “Inferno” is the concept of contrapasso, the idea that the punishment one experiences in Hell is the reversal of one’s sin on earth: gluttons are forced to consume filth against their will; prophets and soothsayers have their bodies disfigured to turn their heads backwards; adulterers are forever forced to couple with their lovers; it is a poetic, medieval take on Exodus’s reciprocal punishment of “eye for eye, tooth for tooth, hand for hand, foot for foot” (King James Bible, Exodus 21:24). Within Canto XIII Dante meets those who have committed suicide: those that have taken their lives are “reborn” into bleeding, deformed trees upon which harpies feed and onto which harpies nest. There they remain forever, subject to all forms of abuse--and completely unable to abuse themselves again (as they did in life). While Dante’s intent may be to illustrate the justice of God’s punishment for sins done on earth, the forest of suicides found in Canto XIII questions the punishments delivered by God through the words and actions of the unfortunate souls found in this level, the words of our guide, Virgil, and our the words of our protagonist, Dante.

While love is not frequently mentioned in the poem the Inferno, it always has a presence on the back of the reader’s mind. The most surprising appearance of love comes at the gates of hell. This is where Dante learns that this place of punishment has been created from “Primal Love”. Dante displayed hell as being birthed from “the primal love”, or the Holy Spirit. Though those who do not believe the justice of eternal punishment are all less inclined to regard it as a byproduct of God’s love. In this essay I will reveal how hell is the result of God’s loving character, and how it was indeed created from love.

When you think of Hell, what do you see, perhaps a burning pit full of criminals and crazed souls? Or maybe you’re like Dante and have a well organized system of levels in correspondence with each person’s sins. In Dante Alighieri’s epic The Inferno, Dante and his real life hero, Virgil, go on an adventure through a rather elaborate version of Hell. In this version of Hell numerous thoughts and ideals are brought to the attention of the readers. Through Dante’s use of both imaginative and artistic concepts one can receive a great visual impression of how Dante truly views Hell, and by analyzing his religious and philosophical concepts the reader can connect with the work to better understand how rewarding this work was for the time period.

Dante’s work Inferno is a vivid walkthrough the depths of hell and invokes much imagery, contemplation and feeling. Dante’s work beautifully constructs a full sensory depiction of hell and the souls he encounters along the journey. In many instances within the work the reader arrives at a crossroads for interpretation and discussion. Canto XI offers one such crux in which Dante asks the question of why there is a separation between the upper levels of hell and the lower levels of hell. By discussing the text, examining its implications and interpretations, conclusions can be drawn about why there is delineation between the upper and lower levels and the rationale behind the separation.

Often, we cannot see the good until we have experienced the bad. Dante Alighieri, a poet who makes himself the main character in his Divine Comedy, finds himself lost in a dark wood at the start of The Inferno. Though he sees a safe path out of the wood towards an alluring light, he is forced to take an alternate route through an even darker place. As the ending of the pilgrim Dante’s voyage is bright and hopeful, Alighieri the poet aims to encourage even the most sinful Christians to hope for a successful end. Thus, Dante the pilgrim goes to hell in The Inferno to better understand the nature of sin and its consequences in order to move closer to salvation; his journey an allegory representing that of the repenting Christian soul.

Yesterday, I enrolled for class. Now this decision was definite as I couldn’t go back and not enrol. However, the actual action of me actually attending was completely my choice; a conscious decision. Although it was compulsory to attend, nothing given could determine the outcome. John Paul Sartre an eminent existentialist, would argue that just because I made a commitment didn't necessarily mean I needed to follow through with it. Enrolling was part of the facticity of the in-itself. I had only made the decision, I had to follow through with an action. Sartre would contend that by forcing myself to attend if I didn’t want to would be trying to escape from my freedom. Sartre, stated that the basic principle of existentialism was existence precedes essence for human beings. In his essay, Existentialism is Humanism, Sartre attempts to answer the accusations. Essentially, he rejects the notion of any innate human nature; implying that because our essence comes to be after our existence, we are free to choose and live our lives accordingly. This essay will discuss Sartre’s explanation of the expression and the related implications.

      While reading Susan Glaspell's play Trifles, the use of characters, descriptive language, and symbolism teaches the audience that one person's home and one person's way of living can also be an introduction to one person's private hell.  Throughout the play, discoveries are made to teach the audience that maybe things are not what they seem and that sometimes people must take a deeper look into what is around them.

Robert Herrick, an English poet, once said, “Hell is no other but a soundlesse pit, where no one beame of comfort peeps in it.” Picture any type of Hell with relief, happiness, or even the smallest crack of a smile. There is no place. In fact, one can only think of the complete opposite, whether it is a Hell filled with neglect, pain, disgust, or a never-ending life of horror. This is the place created by Dante Alighieri; The Inferno is exactly the type of Hell where no person would want to be. Even those who acted upon the lightest of sins suffered greatly. While each realm contained a different sinner, the punishment that each were forced to face was cruel, repulsive, and sometimes rather disgusting. Through grieving tears without an

In his play, No Exit, Jean-Paul Sartre examines basic themes of existentialism through three characters. The first subject, Garcin, embraces existentialist ideas somewhat. The second character, Inez, seems to fully understand ideas deemed existential. Estelle is the third person, and does not seem to understand these ideas well, nor does she accept them when they are first presented to her. One similarity amongst the three is that they all at some point seem to accept that they are in Hell for a reason.

Hell. The four lettered word that trembles in the throats of men and children alike; The images of suffering, flame pits and blood, the smell of burning flesh, the shrieking of those who have fallen from grace. For centuries man has sought out ways to cleanse his soul, to repent for his sins and possibly secure his passage into paradise, all evoked by the fear of eternal damnation and pain. The early 20th century philosopher and existentialist writer Jean-Paul Sartre saw life as an endless realm of suffering and a complete void of nothingness. His pessimistic ideals of life followed through to his beliefs on death, as death for him was a final nothingness. If death was a final nothingness, Sartre's view of hell was really a final

American Educator Susan Blow studied Dante’s Inferno with great respect to the implements of ethics and theology. “In the following excerpt, she discusses the Inferno from an ethical and theological point of view, explaining that divine retribution implies man's fundamental ethical responsibility, and that ‘Hell is the Creator's final tribute of respect to the being he made in his own image’ “ (Blow, para 1). Blow clearly understood Dante’s views and states, “His poem is not individual but universal; he utters not his own thought, but the unformulated creed of Christendom. Nay, he reaches beyond Christianity and speaks to the universal conscience of humanity—that inward witness which is always calling upon man to rejoice in his freedom and tremble before the responsibility bound up with it” (Blow, para 2).

Jean Paul Sartre is a philosopher that supports the philosophy of existentialism. Existentialism is a twentieth century philosophy that denies any crucial human nature and embraces that each of us produces our own essence through our free actions. Existentialists like Sartre believe there isn’t a God that determines people’s nature. So, existentialists believe that humans have no purpose or nature except the ones that they create for themselves. We are free and responsible for what we are and our engagements; even though we are mindful that this can cause agony.

“Letting go gives us freedom, and freedom is the only condition for happiness. If, in our heart, we still cling to anything—anger, guilt, or possessions—we cannot be free” by Zen Master, Thich Nhat Hanh. As humans, we do not always find the will to let go of the things that doesn’t serves us. Finding the will to trust and let go of what no longer serves a purpose in life such as anxieties, fears, old emotion, and baggage can drag one down thus preventing happiness to occur. When you let go, you make room for better things – things that are more suited for your life now. When you learn to let go, you live with greater ease. Freewill is important to human existence and thought. Laws and guidelines are set out as a suggestion on how to lead life.

Jean Paul Sartre was a existentialist philosopher who like other such philosophers, attempted to characterise man by his will, choices and decisions he makes