Question 1- The connection that Vowell could relate or feel with her partial Native American heritage was that she is proud of her family’s cherokee history. She really sympathized with John Ross- a principal chief during the Trail of Tears- when he was outraged due to the US, betraying “ not only the Cherokee but its own creed”. Once Sarah Vowell heard her “ancestor helped build the columns” she immediately felt “ actual familial connection to the story.”. Question 2-The parts of her self identity, she related to as an American was that she was experiencing the trail of tears not as a Cherokee but as an American. She yet revealed that she admired John Ross but because he believed in the “possibilities of the American Constitution enough
1. How did William Byrd’s life in Virginia reflect British influences? How did it reflect American characteristics? (Mention pertinent customs, interests, institutions, and objects.)
In the poem Heritage by Linda Hogan, Hogan uses the tone of the speaker to demonstrate the shame and hatred she has toward her family, but also the desire for her family’s original heritage. The speaker describes each family member and how they represent their heritage. When describing each member, the speaker’s tone changes based on how she feels about them. The reader can identify the tone by Hogan’s word choices and the positive and negative outlooks on each member of the family.
Ida B. Wells, an African-American woman, and feminist, shaped the image of empowerment and citizenship during post-reconstruction times. The essays, books, and newspaper articles she wrote, instigated the dialogue of race struggles between whites and blacks, while her personal narratives, including two diaries, a travel journal, and an autobiography, recorded the personal struggle of a woman to define womanhood during post-emancipation America. The novel, _THEY SAY: IDA B. WELLS AND THE RECONSTRUCTION OF RACE_ , provides an insight into how Ida B. Wells's life paralleled that of
Traditions and old teachings are essential to Native American culture; however growing up in the modern west creates a distance and ignorance about one’s identity. In the beginning, the narrator is in the hospital while as his father lies on his death bed, when he than encounters fellow Native Americans. One of these men talks about an elderly Indian Scholar who paradoxically discussed identity, “She had taken nostalgia as her false idol-her thin blanket-and it was murdering her” (6). The nostalgia represents the old Native American ways. The woman can’t seem to let go of the past, which in turn creates confusion for the man to why she can’t let it go because she was lecturing “…separate indigenous literary identity which was ironic considering that she was speaking English in a room full of white professors”(6). The man’s ignorance with the elderly woman’s message creates a further cultural identity struggle. Once more in the hospital, the narrator talks to another Native American man who similarly feels a divide with his culture. “The Indian world is filled with charlatan, men and women who pretend…”
In the beginning of “Museum Indians” the narrator of the story didn’t really understand her heritage. Then she slowly started to understand how her mother was a Native American and that she was to. The only problem with that is that she wanted to stay in Chicago and didn’t want to be a Native American. “I introduce my mother to the city she gave me. I call her home” At the beginning of “Bonne Annee” the boy in the story does not want to leave New York; he even says that him and Papa Doc’s lives are linked. “I do not know Papa Doc, but our destinies are linked. If
Leslie Marmon Silko’s novel, Ceremony, reveals how the crossing of cultures was feared, ridiculed, and shunned in various Native American tribes. The fear of change is a common and overwhelming fear everyone faces at some point in their life. The fear of the unknown, the fear of letting go, and the fear of forgetting all play a part in why people struggle with change. In Ceremony the crossing of cultures creates “half-breeds,” usually bringing disgrace to their family’s name. In Jodi Lundgren’s discourse, “Being a Half-breed”, is about how a girl who struggles with understanding what cultural group she fits into since she is a “half-breed.” Elizabeth Evasdaughter’s essay, “Leslie Marmon Silko’s “Ceremony”: Healing Ethnic Hatred by
2. Why did Coates’ grandmother make him write answers to her questions when he got in trouble at school?
Williams was independent and didn’t need no man to take control of her in this lifetime. Her parents taught her to express her opinions and to never be satisfied by what stops her in life. She thought that becoming your own person and being able to become a United States’ citizen was determined by their say in America.
Every individual has traditions passed down from their ancestors. This is important because it influences how families share their historical background to preserve certain values to teach succeeding generation. N. Scott Momaday has Native American roots inspiring him to write about his indigenous history and Maxine Hong Kingston, a first-generation Chinese American who was inspired by the struggles of her emigrant family. Kingston and Momaday manipulate language by using, metaphors, similes, and a unique style of writing to reflect on oral traditions. The purpose of Kingston’s passage is to reflect upon her ancestor’s mistake to establish her values as an American
Disregarding the past years spent at an internment camp, the years that disassembled her family into a blur of oblivion, Jeanne chose to familiarize herself with the American way. Although forbidden U.S. citizenship, she made numerous attempts to Americanize herself, opting for such standings as Girl Scout, baton leader, Homecoming Queen. However competent and capable this young woman was, she was repeatedly denied because of her race, her appearance, her Japanese heritage
E: “I did not know that I had a family, a history, a culture, a source of spirituality, a cosmology, or a traditional way of living. I had no awareness that I belonged somewhere. I grew up ashamed of my Native identity and the fact that I knew nothing about it”
An important factor in shaping Jeannette was being born in Missoula, Montana. It is important to this report to understand the community where Jeannette grew up. It was a factor in the formation of her worldviews. John and Olive settled in a beautiful area of the Missoula valley called Grant Creek. Even to today, Grant Creek is a lush, tranquil setting that has a quiet sense of Jeannette 's world 130 years ago. Again, Lewis and Clark had visited the Missoula valley only 75 years before Jeannette was born. It was a vibrant, diverse community. John Rankin was amongst its first settlers and treated the local Native Americans as he would any other neighbor.
One of the themes used in the book is of racism towards the Natives. An example used in the book is of Edward Sheriff Curtis who was a photographer of 1900s. Curtis was interested in taking pictures of Native people, but not just any Native person. “Curtis was looking for the literary Indian, the dying Indian, the imaginative construct” (King, 2003; pp. 34). He used many accessories to dress up people up “who did not look as the Indian was supposed to look” (King, 2003; pp.34). He judged people based on his own assumptions without any knowledge of the group and their practices. Curtis reduced the identity of the Native Americans to a single iconic quintessential image of what Native meant to white society. The idea related to the image of this group of people during the 1900s consisted of racism in terms of the “real looking Indian”. This is not
4. At the bottom on page 271, Isabel discusses Thomas Paine’s Common Sense, a real pamphlet published in 1776 that was widely read and helped inspire the Revolution. Discuss her statement about the pamphlet. Why would Paine saying, in Isabel’s words, “no one deserved a crown or was born to be higher than another,” encourage the Patriots, why help to stir up a revolution? How does this view give America, and (some) Americans, the ability to “make its, [or their] own freedom?”
This shines light upon her Native American roots and how it can be an inspiration for her Century Quilt, each square representing her family’s racial diversity and mixed roots. It is quite difficult to learn of all the harsh animosity they were enduring, such as Meema and her yellow sisters whose “grandfather’s white family nodding at them when they met” (24-27). The hostility is clear as the white relatives only register their presence; no “hello” or warm embrace as if they didn’t acknowledge them as true family. However, with descriptive imagery, the speaker’s sense of pride for having the best of both worlds is still present as she understands Meema’s past experiences and embraces her family’s complexity wholeheartedly; animosity and all.