Santa Maria Novella Essay

The Lady of Guadalupe is a huge part of the Mexican tradition, and how many people look up to her in a very godly way. She is important, because she reminds people of their appreciation for their own cultures, along with the other cultures that are all over the world. The Lady of Guadalupe is someone that is the exact replica of the Virgin Mary. But, the only difference is, is that the Virgin Mary is a saint that is represented in the European culture, and the Lady of Guadalupe in the Aztec and Native culture of Mexico. The lady of Guadalupe is a positive influence on different religions, especially Christianity.

     Francisco Pizarro was a conquistador born in Trujillo, Spain in about 1471. His father, Gonzalo Pizarro, was an infantry captain and he taught Francisco how to fight at an early age. Francisco Pizarro never learned to read and write but he was full of adventure.

Padre Pio has become one of the most popular saints in the world. St. Pio of Pietrelcina or Padre Pio, was born in the small Italian village of Pietrelcina on May 25, 1887. Then known as Franscesco, in honor of St. Francis of Assisi, he was born to two peasant farmers, Giuseppa and Grazio Forgione. The day after his birth, he was baptized at the Castle Church near his home. The town of Pietrelcina was very religious and saint's feast days were celebrated throughout the year, this had a strong influence on the Forgione family. From early on it was clear that Franscesco was a special child of God. As child he was very pious and decided he wanted to be a priest at a very early age. At age 16, he became a Capuchin novice and received the

Don’t Eat the Bear: A Spanish adventurer named Gaspar De Portola in 1769 passed through a region what is now Santa Barbara. In the near by sand dunes he found a lake where he crossed passed with an “oso flaco”, a skinny bear. They were dying of hunger and ate the skinny bear not knowing it was poisoned.

The Miraculous Day of Amalia Gomez by John Rechy delves into the life of Amalia Gomez; a Mexican-American woman living in a poor rural area of Hollywood. The structure of her family is falling apart due to conflict between the characters and Amalia’s lack of involvement in their lives. Her youngest son Juan is a male prostitute known as a “maricÓn”, her daughter Gloria is falling dangerously close to following in Amalia’s footsteps, and her oldest son Manny although well intentioned starts to clone his father’s criminal tendencies even though he has no recollections of his father. Amalia’s selective perspective also leads to conflict within herself since she is content not knowing the truth as long as the false reality fits her ideal

On Sundays after Mass- every single Sunday, Latinos gathered on parks to play soccer and have carne asada something that is very traditional in Mexican families my family could be an example of that. These parks were built with the money taken from the Japanese which speaking of now a day’s use these complexes too and this is where the two cultures met.

Conqueror of Mexico, b. at Medellin in Spain c. 1485; d. at Castilleja de la Cuesta near Seville, 2 December, 1547. He was married first to Catalina Xuares, from which marriage there was no issue, and, after her death, to Doña Juana de Zuñiga, niece of the Duke of Bejar. From this union there sprang four children, one son (Martín) and three daughters. His parents were Martín Cortés de Monroy and Catalina Pizarro Altamirano, both of honourable extraction, belonging to the middle class of nobility, but not wealthy. They sent their son to school at Salamanca when he was fourteen years of age, but study was irksome to him, his restless and ambitious temper chafed under restraint, and he returned home much to the displeasure of his parents. As

Spain during the 16th century has been described as a time of oppression, a time of exploitation of the subordinate class. For example, in the text of The Life of Lazarillo De Tormes a gluttonist priest offers Lazarillo scraps of an Eucharist bread, that was nibbled by mice. The priest tells Lazaro to take the bread, stating “There, eat that. The mouse is a clean animal.” This shows the how the higher class sees the lower class, it shows how they believe in offerings coming from them should be taken as a gift, even if a literal rodent has tampered with it. Most who could live during this this time usually were those who held high levels of intelligence and were also devious. Due to this, Lazarillo, being a man who holds the fore told

Cimabue’s piece shows a linear formation of the surrounding figures, with both the angels and prophets placed in straight lines. This opposes the realistically situated figures in Giotto’s. Though Cimabue’s formation is linear, the postures and gestures of the figures in his piece are much more fluid and graceful then those in Giotto’s who are much more vertical. This absence of verticality in figures shows the influence Gothic sculpture had on Cimabue’s work. The figures in both show isometric perspective, staying the same size regardless of depth into the imagery. The figures in Giotto’s also seem more grounded and have none of the floating qualities Cimabue’s embodies in his angels. This differentiates the stylistic and realistic natures of the pieces.

Bartolme De Las Casas is an interesting character. His passion for people who at the time were seen as a sub species of humans (if even human at all) is remarkable. De Las Casas came from a modest family and was well educated. He was brought into the world of the America's through his father Pedro De Las Casas who was an encomiendo himself. His travels through the New World prior to 1510 when he became an ordained priest shaped his crusade to defend the Natives.

Don Quijote de La Mancha: Idealism in Real Life Alonso Quijana is an average man whose idealist delusions transform him into a knight, Don Quijote, combating fictional danger with fictional power in a much more realist world than he realizes. There are many idealists in this world and in history. One man with idealist views in history was Woodrow Wilson, 28th President of the United States. During World War 1, his idealist views became prevalent in his attempts to regain world peace.

Sandro Botticelli painted La Primavera between 1477 and 1482 for Lorenzo di Pierfrancesco de’ Medici, a member of the powerful Florentine family. While many Renaissance works depicted scenes of Christianity, this work as well as the others in its group – The Birth of Venus, for example - are focused around tales from classical mythology. Designed to hang in a private room, the painting did not need to be made accessible to large audiences like other works of the time, such as the ceiling of the Sistine Chapel by Michelangelo. An educated family with strong Humanistic ties, the Medici would have had the necessary knowledge to interpret the painting’s subject, while the common people would not have. Now located in the Uffizi Gallery in Florence,

Religion was a huge motivator for both of these periods, and held deep emotional connections for many artists. I find this to be somewhat relatable, since I also need emotional attachment as a motivator to complete my artwork sometimes. These designs resemble those of today in the amount of effort and forethought put into planning and building them, however, the complexity of these older religious structures lies in the artistic and visual nature of the building, rather than the efficiency-related accomodations one would observe today. This demonstrates the metamorphosis of human priorities over the centuries. Both of the images to be discussed (Temple of Hera II and Palatine Chapel) speak to the

After visually assessing both sculptures of The Kiss, the Brancusi was more fascinating to me. I feel the simple square piece of limestone depicts man and women equally divided yet intertwined in a place and time. The focal point is the shared eye by both man and woman, and the texture given to the woman’s long hair contrasts yet gives balance to the statue. There is no doubt this piece was intended to stand alone on an open grassy lawn were two lovers intertwine. On the other hand, the Aguste Rodin sculpture is more of a soft touch proportional statue that is intended for indoor and to stand in the center of a room. The man’s hand resting on her hip shows intimacy yet hesitation, the book on his hand depicts a story how it ends with a kiss

A similarity between the two is the over sized scale. In Baroque and Rococo the architectural detailing was all over sized and created an illusion of the people inside the buildings being smaller than normal. This was used by having column shafts begin a little below eye level, or having large statues and monuments inside of the spaces. Another similarity is the constant use of S and