Santa Clarita Diet: The Walking Dead

My zombie is the result of a severe psychosis condition. Although many different more specific disorders may be responsible for this more broad conclusion, the psychosis condition my zombie is experiencing causes an altered state of reality, or severe hallucinations. While my zombie is in fact a zombie in her mind, she is, in reality, no more deranged than any other mortal human. Her altered perception of the world around her has caused her to believe she is a brain-eating, horrific zombie. As does any other, or most, cases of extreme hallucinations, it does eventually come to an end as Halloween and the month of October also wean away the other supernatural creatures lurking in her hallucination. This twisted experience of reality did not,

Klosterman proposes that he knows why the interest in zombies has grown so much. He attributes this to zombies being very easy to kill, come in large quantities, and have no depth of character. Klosterman’s explanation for such intrigue in zombies is their parallel to our day to day existence. He relates zombies to many real life activities, like going through a weekends worth of emails on Monday. Along with the constant saturation of news we can get from the internet, the concept of it being easy to close, or kill, and come in large quantities are very similar to zombies. Klosterman provides this as a better exploitation of the popularity of

She allows the reader to truly imagine themselves in a zombie apocalypse by using description and comparison. “If you work in the many white-collar fields that have suffered in this recession, zombies are the perfect representation of the fiscal horror show” (Bosch, 651). Any reader that works in the white-collar fields, or knows anyone that does, can relate to what Bosch is saying because she used a vivid description and a comparison in one sentence. Readers will read this line and imagine their work chaos during the recession and immediately visualize zombies taking over the world and the madness that goes along with that. “There was a recession. It was a time of unemployment – of white-collar employment…” (Warner, 197). She also uses another type of figurative language: a metaphor. When she talks about the reality of zombie television shows and movies, she used a metaphor to compare modern day zombies to unicorns. “[n]o longer are zombies the beloved genre of the lonely, virgin teenage male, the macabre flipside of the girls’ obsession with unicorns” (Bosch, 651). She uses this metaphor to enhance the reader’s reading experience with humor but also by allowing the reader to understand how modern day zombie television shows and movies are looked upon. It is no longer for guts and gore but for fondness of shows and

Rodney Clapp, writer, editor for Wipf and Stock Publishers and expert in topics such as theology and culture, in the article, “Attack of the Zombies”, argues that many things in life are beginning to resemble zombies. Clapp assumes that the audience also views zombies as lifeless creatures that go around spreading their disease. The author’s purpose is to persuade the audience to believe that many things they see today are starting to resemble zombies. The author writes in a challenging tone for people who question the similarity of zombies to every day life. Clapp supports his argument by comparing and contrasting, and exemplification.

Zombies aren’t supposed to exist. But what if they do, and we interact with them every day? Chuck Klosterman’s essay, “My Zombie, Myself”, compares everyday life to the task of killing zombies. Through elaborate metaphors, quotes from zombie experts, and a strong call to action, he successfully appeals to pathos, ethos and logos to convince his readers. Klosterman argues that even though modern life is monotonous, it is possible to escape the monotony.

During the atomic age, the zombie was born, as a new monster that resembled Cold War anxieties. One of the most known fears was the fear of the spread of communism in the United States that would "[turn] citizens into mindless hordes." Nowadays, zombies have developed and are not stupid and slow as shown in the first zombie movies, but they are smart and fast today. The perfect killing machines. Zombies can be compared to "terrorist sects and sleeper cells [...]" (66). The zombie walked represents insecurity in a culture, about "who we are, who the enemy is, and whether s/he is us." The zombie walk helps participants to express their feelings about cultural anxieties related to death and warfare. The destructive force of zombies is detectible in modern anxieties over terrorism and worldwide war. Here, zombies walks have a deep meaning. They "act as a means for working through [...] the structural conditions of a new and violence that so

There has been a resurgence of zombie films in the last decade, ranging from Danny Boyles 28 Days Later to Paul W.S. Andersons Resident Evil. This renaissance of zombie cinema has resurfaced in response to the cultural, political, and social volatility experienced in today’s society, much like its predecessors. A zombie film, unlike other monster movies, plays more with the real-world fears and anxieties, presenting the audience with inescapable realities. However, to understand why this subgenre has been brought back into the mainstream cinema, a comparison is needed across generations of film. This paper will focus on the comparison between George A. Romero’s Night of the Living Dead and Danny Boyles 28 Days Later; in an attempt to show how zombie cinema is a reaction to cultural shocks.

“Zombieland” is a film where a lot of stylistic choices were made. Especially the opening scene says a lot about the film and the characters. Mise-en-scene, cinematography, editing and sound shape the film’s effect on the viewer.

Every movie monster in the book has some sort of sociocultural commentary associated with it. Zombies are the embodiment of a fear of conformist consumer culture, vampires are the elite rich who drain the life of the poor, werewolves are your neighbor’s double life, Godzilla is nuclear terror made real. A lot of fun can be found in figuring out what these all mean. Is Zombieland about the isolation that comes as a result of being the only people special in a world of copies? Or is it a celebration of life in a post-consumer society?

The way it targets towards a more knowledgeable audience in the horror genre with the pinpoint examples allows the text to not drag on. Then the work leaves the reader thinking that with the fear of the dead coming back to life, the fear of a viral virus gone wrong, or even the fear of what we ourselves can do when chaos ensues with the underlining message and brings a sense of wonder and thrill, making this piece a must read for any zombie horror

The classic horror film, Night of the Living Dead, was directed by George Romero in the year 1968. It was created on an extremely low budget, yet it ended up becoming one of the most iconic horror films of its time. Throughout the 97 minute zombie crazed horror, Romero uses a variety of styles that have both conative and donative symbolism within the film to make the audience feel as though the events were taking place during that time period. The more connotative signs used in the film are based on occurring civil unrest events of the 1960s’. The various current events were used in the film to create an inner fear in which a zombie attack could occur or even could already be happening. Many obvious and

Reading through the whole essay, there are many appealing strategies found in order to strengthen the essay academically. Brooks attracts the audience with a pathos-style strategy, giving specific movie examples to straighten up the essay. The movie Night of the Living Dead resonates the viewers with an image of a flesh-eating and harmful zombie figure instead of a harmless voodoo-created zombie, which makes the notion of zombies transformed into a horrifying figure, provoking the sense of fear of audience with emotional appeal. The revolutionary creation of zombie film was led by George A. Romero, the father of the entirely new horror genre. In his work, zombies are characterized as a form of undead

The author showcased through his writing that survival is critical in the world and also pointed out that Americans like the zombie genre because they believe they can survive anything with the right tools and

Nowadays, cell phones are pervasive in people’s daily life. Even students who shall spend most of their time on learning and individual development are found using cell phones in the school. Pondering over such an issue, some believe it is helpful for students to use cell phones in the school, while others worry that such electronic equipment can pose threat to students in various aspects.

Zombieism in Santa Clarita Diet is represented in a way that represents being ‘undead’ as a path to freedom, emancipating people to be who they want to be- almost as an awakening. Its life changing characteristic is presented as a betterment of self without any groaning, loss of identity or shambling involved, zombieism acting as the hot new food fad taking over California. Change is characterized by behavior. It could also be attempting to metaphorically represent zombieism as the route to midlife rejuvenation with the middle-aged protagonist Sheila happier, loving life and being more energetic than ever post the change. She can no longer feel pain, she needs only two hours of sleep. Things, apart from the dietary requirements, don’t seem too bad to her. Embracing some of the world’s biggest taboos, murder, and cannibalism, Sheila interprets it as an advantageous lifestyle choice- her pre-undead