Riley Pantell
Swanson
English IV
Catcher In The Rye Journals
Left side journals are on the backs of the hard copy.
Chapter 1
Why doesn’t Holden want to apply himself?
Holden seems to have a very negative take on his surroundings, why is this?
How has DB going to Hollywood and selling himself affected the relationship Holden has with him?
Holden seems to be a very troubled soul. The point of view has brought me in very close to Holden, because it feels like we as the reader are in his mind and thought process. This of course gives us a limited and biased perception of the people and places Holden talks about and interacts with. Despite Holden being a student that doesn’t apply himself, his success in english proves that he is more intelligent than he may be perceived. Holden walking around the campus of Pencey and having some of his memories revealed to the reader shows us that Holden has many negative feeling about the school particular the other boys at the school, claiming they are phonies. There is definitely a sense that Holden isn’t widely liked and not a huge socializer, he seems like a screw up that 's just always messing it up. Holden going up to the top of the hill and going off to say his goodbyes to Mr. Spenser gives a sliver of positivity to Holden’s time there.
“What I was really hanging around for, I was trying to feel some kind of good-by. I mean I 've left schools and places I didn 't even know I was leaving them. I hate that. I don 't care if it
The tone or attitude in which Holden speaks is based on sarcasm and rudeness which shapes him as a character. He uses sarcasm throughout the book such as on page 71. He says, “I told her, ‘you’re really lucky. You know that?’ She was a real moron. But what a dancer” (71). Here, Holden is being very sarcastic and rude with this girl which forms Holden into his character. His tone towards the world and to the people in it is just careless because he doesn’t care about being nice to anyone. He continues to act this way, even to people that matter, such as on page 13, he says, “You mean about my flunking out of Pencey and all? ‘ I said. I sort of wished he’d cover up his bumpy chest. It wasn’t such a beautiful view” (13). Mr. Spencer is one of Holden’s teachers at Pencey and he doesn’t appreciate that at all. When Mr. Spencer is being sincere towards him, all Holden can think about is the fact that Mr. Spencer’s chest is “bumpy”. This truly defines Holden as a character and what kind of person he is; a sarcastic and cynical individual, all shown through his tone of voice.
In The Catcher in the Rye, by J.D. Salinger, the main character and narrator Holden Caulfeild walks many different paths of life. He jumps around different aspects of his life throughout the book, showing the reader many different sides to himself. This theme is presented through the author’s technique in crafting the characterization and symbolism. J.D. Salinger develops a puzzle of a personality for Holden throughout the book, to show the complexity and multitude of sides to Holden’s character.
Speaks to me: I seriously like Holden now. At the beginning of the book I hated him. After a few chapters, I begin to like him. But now, I truly like and respect him. At the beginning of the novel, I can only make an opinion from what I see; however,
He hides under a visage of a cool ‘bad boy’ trope, seeing the world through a heavy filter- to him, anyone who's anyone is a phony, a liar, or just plain bad, despite him judging many things he later goes on to do himself. Over the course of the book we come to see Holden has built an opinion of the world that shields him from the pains and complexities of life. The author displays Holden’s traits quite prominently, especially through his use of language; he writes as Holden speaks- vulgar, rambling, and easily derailed, jumping from idea to idea infinitely
J. D. Salinger’s Catcher in the Rye features a complex narrative surrounding a troubled young student, Holden Caulfield. Difficulties he faces throughout the story force Holden to confront his fears of adulthood and maturation and the responsibilities therein through the difficulties he faces throughout the story. Academic controversy surrounds whether Holden learns from these confrontations and adjust accordingly, maturing throughout the story. While initially this seems rather subjective, a thorough analysis of Holden’s actions throughout the story as well as of the symbolism injected by Salinger makes it quite clear that Holden does undergo a significant maturity arc as the story progresses. Holden’s social development and maturation
He does not have many friends because he chooses not to make any. He also has a total lack of interest for his studies and for his school. Holden feels that school work is unnecessary and he doesn’t even try to succeed. In the beginning of our session, Holden mentions his old teacher Mr. Spencer. He then talks about a letter he wrote to Mr. Spencer and it said, “It is alright with me if you flunk me though as I am flunking everything else except English anyway. Respectfully yours, Holden Caulfield (The Catcher in the Rye).” From that point, I can already observe that he doesn’t care about any of his studies. In addition to this, Holden doesn’t seem to want to grow up. The fact that he’s failing every school he attends, drinks underage, and rebelling against every grown up, shows this detachment. Everyone just wants Holden to grow up and live a decent adult
Holden as a character displays the alienation of himself through his behaviour. Holden is not the same as many people and believes that everyone is a ‘phony’. Throughout the novel Holden realises more and more that he is different and sees the world differently to others around him. Holden has created an identity for himself and doesn’t want that to be diminished therefore he alienates himself from the rest of society to decrease the chances of that happening. Holden’s old school, Pency Prep, has the motto “since 1888 we have been shaping young boys into splendid, clear-thinking men.” (pg. 2) This increases Holden’s motivation to leave the school as it will be shaping his identity into something he doesn’t want to be; a man. Holden is all about protecting those younger than him from the dangerous world of adult hood and by alienating himself he feels he has a better chance of
Holden is deathly afraid of conforming, growing up, and having to assimilate into the phony adult world. As a result he comes off as hypocritical as he is the most prominent phony in the novel. He constantly lies, refuses to connect with others and overlooks his own pain, letting it deeply impact his life. Holden is a compulsive liar; he does not have one honest conversation with anyone except his sister and Jane for the duration of the novel. When he is on the train with Mrs. Morrow, for instance, he claims his name is Rudolf Schmidt and preaches about what an amazing guy her son is, even though he is “the biggest bastard that ever went to Pencey, in the whole crumby history of the school.” (61) This shows that Holden falls victim to the same social conventions as everyone else. He says exactly what Mrs. Morrow wants to hear, despite the fact that he
Throughout the novel Holden is rejected and exploited by the society around him. As he is conflicted with himself to find a purpose in life he constantly tries to connect with a superficial society. The ongoing failure and fake personas he meets adds to his depression and cynicism. But instead of facing the problems by growing up and to move on Holden uses this negativity and isolation to protect him. Holden tries show that he is better than everybody else as this is the little stability he has left. When in reality Holden is just scared of the interaction of people because they just submerge him with complications he doesn 't know not yet how to deal with. Holden not being be able to cope with the idea of growing up adds to his loneliness which is the core of his pain. When his encounters first interaction in the novel, Holden Caulfield is an uncaring outcast who sees no motivation in life. As he says to Mr. Spencer, he feels trapped on “the other side of life” (Salinger). Holden constant attempt to fit into society is hidden because of his detachment to people. His only stability right now is to search for his own individuality and to face adulthood himself. That is why
“I don’t like any shows very much, if you want to know the truth. They’re not as bad as movies, but they’re certainly nothing to rave about. In the first place, I hate actors. They never act like people. They just think they do. Some of the good ones do, in a very slight way, but not in a way that’s fun to watch. And if any actor’s good, you can always tell he knows he’s good, and that spoils it…If an actor acts it out, I hardly listen. I keep worrying about whether he’s going to do something phony every minute.” He finds the theater phony because instead of demonstrating reality as it is, the emphasis is placed on polishing it theatrically. Holden feels anger towards his brother because “he’s out in Hollywood, D.B., being a prostitute.” He considered that D.B. was selling himself to Hollywood, which is why he called D.B. a prostitute. He considers the movies phony and hates them so much that “… I don’t think I could ever do it with somebody that sits in a stupid movie all day long” when Sunny the prostitute was in his room. When he dances with Bernice Crabs/Krebs, he considers her a moron partially because she was on the lookout for actors at the bar because she had seen an actor the previous night. Also, it depressed him that they were planning on waking up early the next day to see the first show at Radio City Music Hall. Holden’s criticism towards the phony things in society is the most important part of his personality because it shows that
This indicates that Holden did not manage to live up to society’s expectations, nor did his escape from his station result in a positive outcome in terms of finding an identity. The final lines of the chapter, “[d]on’t ever tell anybody anything. If you do, you start missing everybody” (192), which according to Graham “implies that there are no easy cures for Holden, or simple answers to the questions raised by the process of growing up in post-war America” (77). (Graham, 2007) Simply put, Holden is a loser in
This character is going to tell it like it is, and he does. The most powerful emotional standpoint in the story is when Holden goes to his sister’s elementary school to deliver her a note. While he is there, he discovers two words scribbled on the wall. “Fuck you.” Most people would look at that and think nothing of it. Some would bow their heads in shame at the person who thought it was funny. Others might laugh. Not Holden. He did not think about the normal persons response to the note. He thought about the child’s response. About how a little kid is going to see that seemingly meaningless phrase and wonder what it means; about how some dirty kid would explain what it meant; and about the person who wrote it and how they are destroying the childhood of everyone who reads the ‘harmless’ graffiti. This section takes the reader to the door of Holden’s mind. It is at this point that one truly understands his emotions.
Throughout the novel, Holden attempts to find the true from of himself as he struggles with the social interactions around him. Due to the struggle and confusion that arouses from it,
Through Holden’s point of view the reader is able to see his judgement and choices and why his actions were important in the outcome of his life even if he believes he has a predetermined fate. Irony, a humorous and prominent element in Catcher in the Rye, Holden’s entire character and life are just one big ironic tragedy. He says he hates phonies or fake people yet his entire life he refuses to be himself, because if he does not act like himself most of the time, then that means
The Catcher in the Rye is narrated by Holden Caulfield, a 16-year-old boy who has just flunked out of his third private boarding school. Unwilling to remain at school until the end of the term, Holden runs away to New York City. He does not contact his parents, who live there, but instead drifts around the city for two days. The bulk of the novel is an account, at once hilariously funny and tragically moving, of Holden's adventures in Manhattan. These include disillusioning encounters with two nuns, a suave ex-schoolmate, a prostitute named Sunny, and a sympathetic former teacher who may be homosexual. Finally, drawn by his affection for his ten-year-old sister, Phoebe, Holden abandons his spree and returns home.