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Romantic Impact On Napoleon

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Napoleon Bonaparte and the wars he fought against Great Britain, the conveniently named Napoleonic Wars had a lasting and profound impact on British citizens and society. Napoleon for a brief period had transformed a nation of anarchy and instability into the most powerful empire in Europe and posed a serious threat to Britain’s perceived dominance and invulnerability. The fear of a Napoleonic invasion spread across Britain, an event that had it been realised may have been welcomed by many within the nation. The French general turned emperor was unquestionably the British governments most imposing enemy but there were many individual Britons who held Napoleon in much higher esteem than their own monarch/Regent. The British nation was divided …show more content…

He notes that the Lake poets originally revered Napoleon but as the wars continued they became increasingly conservative and critical of him. He recalls that William Wordsworth’s primary reason for his disillusionment with Napoleon was his 1804 coronation, other Romantics such as Samuel Taylor Coleridge however, were not so clear about their reasons for resenting Napoleon and Stock states that this inability to decide upon a definitive opinion ‘‘characterizes the Romantic understanding of Bonaparte’’ because the transition from reverence to hatred was so extreme and unexpected. Like radicals and loyalists, the Romantics also offered different interpretations of Napoleon in their works especially on the concept of his ‘humanity’. Coleridge, Walter Scott and Robert Southey believed Napoleon to be an innovative politician and therefore, very human, while Percy Bysshe Shelley too regarded Napoleon as human but believed his political genius was a fallacy as he merely reverted France back to monarchy; whereas Lord Byron considered Napoleon to be a metaphysical being. Stock states that the Romantics also make quite extensive use of Satan when interpreting Napoleon and Coleridge and Scott classify him as ‘evil-incarnate’ to the point where they desire his death. Stock argues that some Roamntics such as William Hazlitt used the Satanic image of Napoleon to personify him as a revolutionary figure inverting political norms. Despite previously denigrating him as a mere politician, Coleridge too personifies Napoleon as a presence rather than a human being and Stock states ‘‘Hazlitt celebrates Napoleon as an ‘Idea’ not an

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