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Rock And Roll Ambiguity

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The idea of musical genres seems to play an important role in the realm of popular music. People tend to categorise different kinds of popular music through the various names and labelling which are presumably formed based on the different styles and characteristics that could be found in popular music. For instance, if someone is being asked about their favourite music, usually they will most likely to mention several musical genres instead of describing the stylistic features of the kind of music that they are fond of. Moreover, people often grouped themselves in terms of their musical preferences based on the existing musical genres. Nevertheless, apparently musical genres do not always represent the distinction of musical features and styles. …show more content…

During the 1930s, American music industry was still strongly racially segregated. For instance, in order to classify and advertise southern (recorded) music, two terms were being used: race records and hillbilly. Race records were recordings of African American performances which were mainly targeted for black audience, while hillbilly referred to white music intended for white audiences (Starr and Waterman 2003). This segregation has caused some ambiguity in the classification of musical genres, like in the case of Rock and Roll and its initial derivation from Rhythm and Blues, for instance. The term ‘rock and roll’ was first coined by Alan Freed, a white radio DJ who played rhythm and blues music records on his programs in Cleveland. When he went to New York in 1954 he renamed his show and called it ‘Rock and Roll Show’ although he still played the same music. Freed himself uses the term interchangeably, showing that he indeed referred to the same type of music (Redd 1985). Not all people in the industry, however, wanted to perceive it that way. The influential people of the industry, which were dominated by the whites, tended to prevent black musicians to cross-over to the white …show more content…

That could be seen, for instance, in the emergence of both ‘folk music’ and ‘rock and roll’ as musical genres. The folk music was mainly shaped by the personal values and purposes of the folklorists which in a broad sense, they could be either aiming to preserve the authenticity of the folk or gaining commercial profits out of it. Similarly, the rock and roll emerged as a genre through the promotion of radio DJs, talent scouts, producers, and record labels which actually referred to the same kind of music which is rhythm and blues. In both cases, the genres were then became racialised and they were no longer categorised based on the differences in their musical features but rather as a product of a racially segregated society, in which the whites were dominating the

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