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Robert Manne's Stolen Children

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The elective Australian voices examine the ideas, values and perspectives that are intrinsic to Australian society. The voice in a text is a representation of experiences which reflect identity and context and in Stolen Children: their stories, Carmel Bird explore the voices of the stolen generation and that impact on both Aboriginal people and the broader Australian community and use different language features to convey a distinctly Australian voice. Central to Bird’s argument for the importance of reconciliation is the structural organization of the book. It is this that allows her to compare and contrast convergent and divergent views on the stolen generation and, convey the diversity of Australian voices from the personal to the official. …show more content…

He question the morality of the practice, “it is obviously not the legality but the morality of these acts which is the question”. By employing an analogy of the Nazi’s final solution Manne raises an extreme and provocative example to assert his doubt regarding the tenet of the euphemistic “good intentions defense”. Manne reinforces his skepticism with the high modality “absolutely false” regarding white motives of social welfare for disadvantaged indigenous people which reflect his voice of indignation. His forcefulness is further emphasized in his later listing if racist terms such as “cross breeds, quadroons, octoroons” to contend that the real reason behind this policy is “long ingrained racial contempt”, that is rooted in the certainty of white racial superiority intent on annihilating its “half caste problem, a pathetic sinister third race”. In response to John Howard’s refusal to apologize, Manne’s accusatory voice is established through the rhetorical question “what did he mean?” as he ironically exposes the flaw-ridden logic of Howard’s argument over personal responsibility for the past and highlights the intensive voice of government “blind to the moral meaning of its …show more content…

This is seen in the juxtaposition of the first two verses which contrast the common Monday morning ritual of getting ready for work with the protest movements of the anti-uranium demonstrations and the Vietnam moratorium. The dreariness of going to work is symbolized by the wintry weather, “cold grey dawn” and the weather prediction of “is going to rain…blow” so the repetition of “it’ll be alright, it’ll be alright…long run” seems a harmless enough acceptance of an experience we have all shared. It is in the second verse where Schumann highlights how sinister this complacent attitude can be when one of his “mates got dragged away” at the demonstration and she repeats “it’ll be alright, it’ll be alright…long run”, whilst being arrested for expressing a democratic right to

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