In this first part of this individual assignment, we will analyze the rhetorical tools and techniques used by advertisers in the Volkswagen advertising – Think small. This ad was created by Doyle Dane Bernbach agency in 1959.
First of all, regarding the creativity of this ad, we can say that it was an original one as the ad “contains elements that are rare or surprising, or move away from the obvious and commonplace” . Indeed, this ad completely changed the way to advertise and was unique at that time. By creating an original advertising, the advertiser wanted to catch the attention of people through its difference. More an ad contains originality and relevance, the greater is the attention it attracts .
Actually, advertisers are paying for space in newspaper. More the space is big, more it is expensive. Whats is surprising in this ad is that whereas this ad is big, there is a large blank space. What was the point? Catching the attention by being different. Indeed their car was different from other american cars at this period , so an ad similar to other brand would have been insignificant. Regarding the fact that this car was different, the advertiser wanted the ad being also different.
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Furthermore, the blank space drives the attention of people on the car directly and insists on its small size.
They have chosen to place the car on top left corner of the advertising. In the occidental sense of reading, the reader always starts by the top left corner. We can suggest that Doyle Dane Bernbach agency wanted people to start with the image of the car before continuing readind the
Refer to this draft to see how I’m using the terminology in sentences. Note my structure, too: I describe the ad before analyzing/evaluating; when I do move on to that, I’m thinking in terms of paragraphs (one idea per) and how I can put info together. THAT is a work in progress, so don’t judge me! Oh, also notice my attempt at including sources.
The insurance company Geico, which stands for Government Employees Insurance Company, uses many rhetorical strategies in their film advertisements to successfully attract viewers and convey positive messages about their company. By developing senses of ethos, pathos and logos, creating symbolism, and using effective cinematography in their ad campaign, Geico attempts to attract young businesspeople to the company. Their use of rhetorical devices in the commercials helps to send the message that Geico relieves stress in tense situations and is the logical choice of insurance.
The advertisement’s stylistic choice is effective due to how they tell a story and use supportive rhetorical techniques. First, Volkswagen does this by pulling people in with the rhetorical technique of pathos. By creating a scenario within the advertisement which consumers can relate to, the viewer tends to feel a sense of familiarity and emotional attachment. The scene in the commercial that acts as the strong emotional trigger is the final scene where the young boy uses the force on the car. Whether it’s a parent watching the commercial or someone thinking back to their own childhood, there’s a way they can relate to it. For parent’s watching the commercial, they might imagine a
Incorporating inner beauty is emotionally effective because it’s something most people can relate to. “It’s not about what’s on the outside; it’s the inside that counts” is a common quote we use in life, and most people try to apply that quote to different circumstances. People try to see inner beauty in objects, but most importantly, people try to see inner beauty in other people. Making a commercial about a car that deals with inner beauty automatically makes people compare the car with a person, and how they would see inner beauty in a person. The main objective of the ad is to get the audience to give humanity to their product which causes them to have an emotional connection to a car.
Our logo is an armor shield frame depicts a stylish letter T which stands for the name Tesla. On top of it is the curve line symbolizes high level of reliability and safety driving. For the car logo, Tesla took off the army shield, but keep the letter T and top curve to make it simple, modern and attractive. This design implies Tesla’s unique approach based on electric vehicles’ breakthrough which is also its competitive advantages in the auto market.
Your main points are: 1) That resistance is the refusal to accept or comply with something, and taking the action against undesirable scenarios, and 2) The man resisting losing hope or being afraid in order to save the boy is analogous to you not hesitating to save your brother from the steep embankment he fell into. You effectively support and develop your thesis by providing several examples of the man’s resistance as is true to the definition, and make a logical link between the man’s refusal to avoid suffering in order to save the boy, and you rescuing your brother. Your evidence of the man swimming in the frigid water for supplies (despite being sick) so that the boy can live effectively shows resistance against the fear of the unknown, and
The GEICO, Pinocchio as a Motivational Speaker commercial advertisement, is possibly of one of the most memorable advertisements that GEICO made for their current ad campaign. The main aim of the ad is convincing the public that moving from their original car insurance company to GEICO will save them 15% on the insurance and as well as to saturate the airwaves with their funny and catchy advertisements (Wikipedia, 2014). Despite the fact that the ad is eye catching, it has very many flaws. Firstly, GEICO does not put any effort to assure the viewers that they will save the 15% or more money by migrating (Creativity, 2014). Rhetorically, the advertisement just tries to convince the viewers without providing them with any tangible evidence. The ad begins by a middle aged man and his pre adolescent child having a
In conclusion, the commercials by Lexus and Volkswagen both make the viewer consider their product. To do this, they use different methods of advertising. Also, both companies target different audiences. When all is said and done, they have varying degrees of success in doing so. Advertising is a fundamental force in today’s society, and because of this, companies must provide the most effective commercials with presentation of as many logical appeals as possible.
In the music video of “Drive By”, performed by music group Train, produced by Columbia Records, on January 10, 2012, the lead singer Pat Monahan is the implied author of the story while he is singing to an implied audience of women, by tell a story of a woman he met. “Drive By” is a story of a bad boy meets good girl love story and he is expressing his love for her. Through the use of the rhetorical strategies the author is able to successfully convince the listening audience of the sincerity of the love story.
It’s crazy to me that this is this week’s discussion! Literally just on Monday, I was scrolling down my Twitter timeline and I saw Sportscenter send out a tweet with a link to an article, that read “The tire company, founded & headquartered in Akron, Ohio, signed a multi-year deal to be on the Cavaliers’ jerseys.” Beginning with the 2017-2018 season, the Cavaliers will sport the Goodyear logo.
Suzuki did not demonstrate very well the use of the mode logos, logical argument, throughout her speech. Aristotle describes logos as the techniques that have the power to persuade. The speaker used a diagram of the brain to show where specific areas on the brain are located so that the audience could understand the terms better. She also explained that exercising about three or four times a week for at least half an hour will help get the heart rate up especially if aerobic exercise is included. Although she used these nonverbal and verbal tools, she lacked conclusive evidence to support her claim.
Next, Suzuki includes a few rhetorical questions. Around the halfway point through her speech, Suzuki brings up a very important people that some countries are so afraid of letting go some of their wealth that they won’t even share goods with the needy, they would rather let them starve and plead. Shortly after stating this in her speech she says, “If a child on the streets who has nothing is willing to share then why are we who have everything still so greedy?” (Suzuki). She already answered that question and she even makes readers think about current situations going around in the world. For example, today, Americans are eating all they want and getting fat whereas people in Africa are starving and dying. The Americans try to help a little
The lack of symbolism or an actual product displays the advertisers true motives in how they are using our brain's tendency to only process what we have the motivation or the ability to process; two functions that are integral to central route processing. By limiting the amount of information about the actual product, they limit our ability to centrally process and criticize the actual vehicle, while leaving ample amount of space in our brain to process the message they want us to process. Something to also note is that the viewer doesn’t see a car until twenty-two seconds into the commercial, and it's not until the forty-fifth second until the Chevy logo is seen on the steering wheel of the
When analysing all of the advertising around us, sometimes we don’t look at what the true message of a commercial really is. We live in a world that is controlled by mass media and because of this advertisers are trying harder each year to outdo themselves and their competitors. Rhetors use techniques in their advertisements such as fantasies or surrealism to catch the attention of their audience. Companies like Audi pour millions of dollars into their marketing teams to make sure their cars look the best and attract consumers. Commercials that are shown on television today are great examples of rhetorical artifacts because of the many techniques being exercised by the rhetor. Analyzing this through the lens of rhetorical
This ad violates social and cultural norms by replacing beautiful women who normally would advertise cars with sumo wrestlers, a reference to the origin of the cars manufacturer. In an article published in Motor Authority it was quoted that "Unlike the bikini-wearing models in other ads, you're not left wondering where the car is…If anything your eyes seek out the [car], if only for aesthetic relief." (Lienert 2011)