The Pie Rhetorical Analysis In the autobiographical narrative “The Pie” by Gary Soto, the author recreates the experience of his guilty six-year-old self as he describes his first experience with stealing. He effectively portrays his worst sin through his use of contrast, repetition, and imagery. While contrast describes the existence of both the Holy ways and temptation of human desires that Soto faces, repetition emphasizes the guilt that he is feeling, and imagery aids the reader in imagining the guilt and satisfaction that Soto is feeling through the eyes of a six-year-old. Soto’s use of contrast shows the drastic differences between his devout Christian side and his human side that calls him to temptation. …show more content…
“[I] walked to the door, grinning to the bald grocer whose forehead shone with a window of light...Tears blurred my eyes as I remembered the grocer’s forehead” (Soto 1-2). This repetition expresses that Soto is having trouble forgetting the person he affected with the crime, implying that he is generally an innocent boy that is suffering from a deeply guilty conscience. Repetition can again be seen as Soto continually glances at the pie tin after he had scarfed it down. “The pie tin glared at me and rolled away...I looked and saw the glare of the pie tin” (Soto 2). The pie tin, now serving as a physical symbol of his sin, constantly reminds the author that he did something morally wrong and permanent; the fact that Soto mentions seeing the empty pie tin more than once emphasizes just how much guilt the young boy is now feeling. These moments of repetition ultimately reveal Soto’s extremely paranoid mind that is filled with regret from stealing. Soto’s use of imagery serves as an aid to the reader to better understand the author’s perspective, which is that of a six-year-old boy. Prior to stealing the pie, the author uses imagery to describe his temptation to steal. “My sweet tooth gleaming and the juice of guilt wetting my underarms” (Soto 1). The imagery here illustrates both the irresistibility of the temptation to steal and the immaturity of the young boy as he can’t take his mind off of anything but what is in front of him. After stealing the pie, Soto
In the short story Mr. Soto exclaims when he was younger he pushed a lawn mower, door to door trying to find someone who would pay him to cut their grass. At the time he did not know that his area was in the lower-class bracket, “It struck me like a ball. They were poor, but I didn’t even recognize them. I left the projects and tried houses with a little luck, and began to wonder if they too housed the poor” (101). This is significant because later he speaks about how he was so oblivious to how he grew up. Later in this childhood story he stated that he wanted to become a hobo since he thought there was no jobs for him in the world since he did not want to work like his father. He exclaimed that his dad would come home with blistery hands, sit down their living room chair and stare at the television for the rest of the night. At the end of this story he starts talking about how he became who he is now, and why he fell into his career. “It’s been twenty years since I went door to door. Now I am living this other life that seems a dream. How did I get here? What line on my palm arched in a small fortune? I sit before students, before grade books, before other professors talking about books they’ve yet to write, so surprised that I’m far from that man on the sidewalk” (101). This quote from “To Be A Man,” is a very smart and somewhat humorous line, because Mr. Soto realizes that he could have easily been a hobo on that
In the poem “Behind Grandma’s House”, Gary Soto writes about an experience he had as a young boy. He speaks of himself as being a nerdy Spanish boy who wants attention. He screams out for attention by acting out in negative ways. Most know, to bring attention to one’s self, one can acquire it by acting negatively or positively, but negative attention brings punishment. Soto obtains his grandmothers attention at the end of the poem, but he may have regretted it. Gary Soto’s “Behind Grandma’s House” is a 1952 free verse poem that uses imagery to suggest the speaker’s perspective of the story.
Soto’s writings in this passage construct a tone which gives a feeling of concern, due to his family and also his friend Scott to disapprove of a relationship only because of social class and race. The tone portrayed can be perceived when he has discussions with his family about who is the right woman to marry
Soto talks about sacrifice, and we all go through that. What we do to please other people. The boy had to give up his orange because he didn't have enough money. He told his girlfriend that she can chose any kind of candy found in the isle, and she chose a chocolate bar that cost a dime, now the boy only had a nickel and a pair of oranges in his pocket. Instead of feeling embarrassed and cheep in front of his new girl, the boy decided to put up the nickel and an orange on the counter for the saleslady.
In the short play A Raisin in the sun conflict’s both internal and external occure for in three of the main characters regarding their dreams. When the opportunity came for them to accomplish their dreams through using the insurance money they’ve come across from the loss of a family member, one of the main characters, Walter, wishes to be successful in life; but he needs the insurance money to do so. He wants to use the insurance money to open up a liquor store because he believes this would change his life. A exceptional quote that shows his determination to be successful in life is when he speaks to Ruth “You tired, ain’t you? Tired of everything. Me, the boy. The way we live-this beat up hole-everything”(
Cesar Chavez, a civil rights leader fighting for improving pay and working conditions of farmers, employs the use of nonviolence resistance in his role as a leader of the United Farm Workers. As a child, Chavez and his family worked as farmers on a field as migrant workers who were most likely treated in an unjust manner and thus, he dedicated his life to improving the conditions for all farmers. To honor Martin Luther King Jr. on the 10th anniversary of his death, Chavez wrote to a religious magazine that helps people in need about the benefits of nonviolent resistance. Throughout his letter, Chavez applies rhetorical devices such as pathos, diction, and juxtaposition to persuade and inform people about how powerful and effective nonviolence techniques can be for civil rights.
Gary Soto, who among many things was a Mexican-American poet, many times wrote about what he knew best: his life. Growing up as a Chicano in America in the 50s and 60s, Soto worked in fields as a laborer from a young age. It is evident that coming from a Hispanic working class family greatly influenced his poem “Ambition”. As he is known for, Soto's poem is filled with imagery of everyday life, while harping on important details and themes of things that he may have seen around him., but in this instance, there was a bit of confusion. To begin with, the poem “Ambition” starts off with the line "For years our ambition was to eat/Chicken"(1-2). Without further analysis, at this point the reader is most likely confused, much like I was. Chicken? How could eating be one's goal, one's aspiration in life? The word ambition is usually associated with lofty goals. It would not seem out of place to say that one's ambition was to become a doctor or to make a better life for oneself. So the speaker in the poem could not truly believe that all that he wanted in life was to eat chicken. The outlandishness of this statement seems to be the speaker pointing huge arrows towards places in the poem that invoke deeper meaning to
From 1954 to 1968, African Americans fought to end segregation in the southern United States through nonviolent protests. As a major leader of the movement, Martin Luther King Jr. encouraged this approach. Ten years after MLK’s assassination, American civil rights activist Cesar Chavez published an article to commemorate the great leader and what he stood for. In his magazine article, Cesar Chavez utilizes logos, pathos, and ethos to convey the importance of nonviolence.
“The Book Thief” presented a story filled with various themes that comprised a powerful plot line. Although there were many themes in the story, there was one that stood out to me more than others. In the process of reading the book, the theme of suffering affected me the most. The definition of the word suffer is to experience or be subjected to something bad or unpleasant. Different characters within the story are subjected to dreadful feelings and are therefore suffering. Through my analyzation, I observed the three different types of suffering that the characters experienced: guilt, feelings of emptiness, and anxiety. The characters of “The Book Thief” experience these three types of suffering in different ways.
The speaker addresses the dilemma of being neither Mexican nor American, of traveling the trajectory between both nationalities. Because he its color of the skin and lived in a border culture, it was often assumed that he was not an American. The speaker is a men looking for freedom and a better future, an element so well-known that he is willing to risk everything to achieve his goal. There is no need for Soto to run because he is an American. Soto’s poem is emotionally and a practical clever story that many Mexicans Americans relate too.
Gary Soto’s body language sets the stage for symbolism on his aim on stealing pie from the grocer’s store. “...the juice of guilt wetting my underarms” (Soto 13). The juice of guilt symbolizes his religious knowledge, since he is acknowledged
First of all, imagery is used quite often in this essay, which gives the reader more of a visual when reading. One of the many examples would be “She found the spoon in a clump of coffee grounds mixed with scrambled egg remains and
He “knew enough about hell to stop [him] from stealing” and was “holy in almost every bone”. Soto’s diction makes it clear that his younger self was well behaved because he was scared of the consequences of sin, but not necessarily because he wanted to be good. It also implies that even fear could not stop the most mischievous parts of him. Regardless of his willingness to behave, the young Soto truly believed in a God, and often saw “shadows of angels” and heard “faraway messages in the plumbing”. These symbols appear throughout the passage in order to show how sin changed Soto’s interpretation of them. The narrative continues, and the young boy stands in a German Market, staring at pies. As he ponders which type to steal, the “juice of guilt” wets his armpits and he “nearly [weeps] trying to decide”. This imagery of wetness is associated with his sin, and strongly contrasts the dryness of “the flowery dust priests give off”. The opposing wet and dry imagery show that the boy is sometimes bored with the dryness of religion, but the possibility of stealing a pie both terrifies and excites him. Once again, he is reminded of “the proximity of God howling in the plumbing”
In "The Jacket" Gary Soto uses symbolism to reflect on the characterization and development of the narrator. Soto seems to focus mainly on a jacket, which has several meanings throughout the story. The jacket is used as a symbol to portray poverty, the narrator's insecurity, and the narrator's form of self-destruction.
When Soto refers back to Adam and Eve tells the reader that Soto is aware of his wrong doing but ends up disregarding his prior knowledge and feels paranoid.