Track 1 (“Speak To Me”): At first, I thought YouTube wasn’t working at all because I couldn’t hear anything. The song starts with a heartbeat at 0:09. That part was interesting because the beat was soft then it did a little louder. After that the clock came and a person talking. I could hear the type writer, and the song went to the next track. I like the track because it was interesting to kick-off the title.
Track 2 (“On The Run”): When I listen to the song, I feel like I’m in a scary hunted house and I’m trying to escape from a monster. At 4:43 I can hear someone running and a scary laugh at 5:56. I have no idea what instruments as playing the strange sounds. I believe I can hear the snare drum in the beginning of the song. I like this song because it really makes me really think what is the song is about.
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The guitar solo was pure-class at 11:03. That was the best part of the song. The song to me is about life and time. The tempo of the song was a moderato tempo.
Track 4(“The Great Gig in the Sky”): The tempo of the song starts with the largo tempo. Then, at 15:43 the drum and the women voice change the tempo a little bit. This might the first time I hear a piano playing in the album so far. The women just said the “oh”, but it was nice because she was singing playing with the piano. She has a high pitch
This song had a nice ballad sound to it. Casey Blackwelder played a wonderfully smooth trumpet solo. There were a few moments where the background music seemed to overpower the solo, but that did not affect the quality of the solo. The next solo was Bryce Harris on the saxophone. The solo was simple, but yet complemented the song extremely well. This song was played second and really caught and kept my
The song “You and Me” by Disclosure, remixed by Flume illustrates a mix of pop and electronic styles. A sad sounding, synthesized violin creates the harmony gives away that the song is in a minor key. As the violin’s texture filters in, it creates a dramatic atmosphere that builds tension right from the start. Alto vocals are quickly introduced to form a melody. A delay is added to the vocals giving them an echoic texture also adding to the dramatic atmosphere of the piece. During this main theme the tempo seems moderato, not too fast but not very slow. Then, the song builds tension as a lower pitched bass is used and the original violin starts a crescendo, while beginning to sound instable. The bass is taken out and at 1:04 a motive created
Numerous effective criminal arraignments in the United States end not with jury trials, however with supplication deals. Request deals are assertions in the middle of litigants and prosecutors where respondents consent to concede to some or the majority of the charges against them in return for concessions from the prosecutors. These assertions permit prosecutors to center their time and assets on different cases, and diminish the quantity of trials that judges need to regulate.
Scene 2: The mood of the music is very mysterious. The characters do not know what they are getting themselves into by sailing to Skull Island. They are somewhat nervous about what they are going to encounter, but seem to be kind of optimistic. The music gives the island an intriguing atmosphere.
The music throughout the trailer emphasizes conflict. In the opening 25 seconds, there is no music or background sounds, only the use of light and dialogue. A deep synthesizer beat occurs after Edison is introduced as “The Inventor.” This goes on for 30 seconds as the trailer gets setup, characters are introduced but no conflict has yet been given. This beat captures the viewer's interest, building suspense having the viewers wonder what conflict is coming and what is the main story for the film. The beat picks up as the conflict between Edison and Westinghouse for the next 20 seconds until Westinghouse is asked by a child if he is rich, in which he responds “At the moment” and the beat disappears suddenly, into a fast paced war snare drum beat with an orchestral string instrumental behind it. This adds to the tension and risk that both the inventor and businessman are taking to beat the other. The viewer is grabbed by the sound of the snare as the tension rises and the
This is very reminiscent of Marsalis’ style. It is snappy, punchy and give listeners a lift as each note carries itself to the irregular tempo. Marsalis is a master trumpeter whose sound is instantly recognizable with the iconic way he brings to life the music with each note. This song exudes this same recognizable feel that gives listeners the impression this is without a doubt Marsalis. If it is not Marsalis, then there is another artist who has come along and adopted his jazz stylings.
The texture of the song starts with a monophonic then it change to homophonic. A nice way to start the album. Track 2(unfunky UFO): This is one of the coolest Track title I read in ages. This song starts really soft then it change to loud when he starting to sing at 14:15.
The beginning of the song goes with few drum beats and then followed by electrical guitar. The new lead vocalist Brian Johnson, maintains a low pitch voice for most part of the song, however high pitch at times. The instruments used are basically bass guitar, guitar and of course the drums. The texture of this song is thick and the notes are in low pitched.
The soundtrack acts as a memory race and creates a ritualistic chant to events in future shaped by the current situations under the caste (Adamscovell
01 Our days were showing opening up with a very short 1.37 track that has some eerie whispers in the background and the soft chimes of guitar creeping up on you, Seems to set the tone that you are in some kind of horror film with the sounds of saw in the background.
The use of harmonies is also present in both albums often when the backing vocals would follow the chord progression whilst the lead vocals follows the main melody. The harmonies are very similar because they harmonize at a higher register. The instrumentation heard in both of these albums is also very unique. The unusual instrumutation used is heard mostly in the latin style of the song “pet sounds”.
With synths so invitingly encompassing, a bass line this fat and charming acapella-esque vocal arrangements via Alexander Giannascoli ((Sandy) Alex G) and Maine, The House strikes the precise, tone-setting chord for what is phenomenal listen through and
There also seems to be a piano that joins the active melody and harmony part way through the song. As aforementioned the bassline only appears
The name of the book is “Dr. Jekyll and Mr. Hyde” by Robert Lewis Stevenson. This story was about the dual nature of man and good vs evil. Dr. Jekyll and Mr. Hyde is one physical person with two different personalities, one good and one evil. This condition was caused by an experiment that Dr. Jekyll had performed on himself.
The orchestra is punctuated by occasional quick, loud harp glissandi which become more prominent and varied as the orchestra falls to mezzo piano. As the piece comes to a close it grows to fortissimo and finishes with a literal bang, or rather several, from the percussion section. I believe one of the intended purposes of this song is to set an unsettling atmosphere that adds to the movie's awe-factor, however I found it chilling in an unpleasant way.