Renaissance And Artemisia Gentileschi ( Baroque )

Artemisia Gentileschi is believed to have been born around 1593 and died around 1652.  Both dates are disputed to the current day.  She was one of five children and was born into the life of an artist.  Her father, who was an artist as well, loved her greatly.  Her mother died when she was twelve.  Artemisia was always a skilled painter, but her father wanted even more for her daughter.  While her works were already amazing for her age, she needed artistic guidance in order to further her skills.  One man who was hired as a tutor was named Agostino Tossi.  Tossi almost immediately was an annoying presence in the house frustrating Artemisia.  However, in 1610,

The 17th century was a time of great change in the art world; characterized by the introduction of the Baroque style and the Counter-Reformation, the influential and talented artist Artemisia Gentileschi was born into this period. Gentileschi was one of the few female artists during the renaissance period due to a misunderstanding among the male artists of that period that women are automatically inferior in intelligence due to their very nature. Gentileschi was decided to be an anomaly among artists due to her brilliant painting skills and considered rare. Despite having many detrimental setbacks to Gentileschi’s career and mental wellbeing, she went on to become a very successful

Artemisia Gentileschi is one of the first women, Roman artists to achieve recognition in the art world after the Renaissance art era. Gentileschi was born on July 8 1593 in Rome, Italy to Orazio Gentileschi in the Baroque period. She is most famous for her work on “Madonna and Child”,and “Judith Slaying Holofernes”. Gentileschi developed her artistic skills at a very young age with the help of her father, Orazio, who was a very well known and accomplished painter. Gentileschi had a very hard child hood as she ended up losing her mother at the young age of 12 and, was raped by one of her fathers colleagues just 5 years later. It is said that Gentileschi had gifts that brought her far ahead of her time and that she was able to depict very real

Italian Baroque painter, Artemisia Gentileschi was born in Rome on July 8th, 1593. Her father Orazio Gentileschi, who was a painter himself, introduced Artemisia to the art of painting by giving her lessons in his studio. At an early age, Artemisia displayed her interest in art and it wasn’t long until her father noticed potential in his daughter enough that she would be able to make a name for herself in the male-dominated career. Artemisia had the desire to follow in her father’s footsteps, it was then that Orazio encouraged her to follow her dreams and decided to begin training her as an artist.

Nanette Salomon, a very well known feminist writer, wrote the article, “Judging Artemisia: A Baroque Woman in Modern Art History.” The article opens up with a discussion about the 2001-2 exhibition of Orazio and Artemisia Gentileschi: Father and Daughter Painters in Baroque Italy. The author explains that three things are unusual here: the fact that two famous artists were presented at the same time, that they were related as father and daughter, and the fact that the woman was better known than the man. Her intent in this article is to look at the effects of this trope (figure of speech) in the past and in the present.

Artemisia Gentileschi was born Artemisia Gentileschi-Lomi in Rome on 8 July 1593, although her birth certificate from the Archivio di Stato indicated she was born in 1590, the eldest child of the Tuscan painter Orazio Gentileschi and Prudentia Montone.[3] Artemisia was introduced to painting in her father's workshop, showing much more talent than her brothers, who worked alongside her. She learned drawing, how to mix color, and how to paint. Since her father's style took inspiration from Caravaggio during that period, her style was just as heavily influenced in turn. Her approach to subject matter was different from her father's, however, as her paintings are highly naturalistic, where Orazio's are idealized. At the same time, Artemisia had

Artemisia Gentileschi grew up during the male- dominated post- Renaissance and was able to achieve recognition for her pieces. She is still known today as one of the greatest female painters of the Baroque period. Her father, Orazio Gentileschi, was also a well-known Roman artist and trained her at an early age where she eventually applied to an art academy. The academy however, rejected her enrollment and she went to study under Agostino Tassi who was a family friend. Her father took Tassi to court after he raped Artemisia which caused her immense emotional trauma. Tassi refused to marry her after the incident which is why her father took him to court. The trial went on for over seven months and changed the style and mood of her art. Her paintings

After looking at the Italian and Northern Europe Renaissances, one can see the many similarities between the arts and cultures, but the differences of these cultures are not

In “A Woman Like That” the outline of Artemisia Gentileschi story is very compelling. It seems to be similar to Kahlo in that Artemisia's father was also an artist and taught his only daughter to paint. Artemisia was introduced to painting in her father's workshop, where she showed much more talent than her brothers, who worked alongside her. She learned drawing, how to mix color, and how to paint. Her approach to subject matter was different from her father's, because her paintings are highly naturalistic, while his are idealized.Her own dreams seemed well recorded in letters she wrote conveying the fact that she understood that her status as a female painter was unusual. Also she knew that she posed a threat to the male establishment and

Everyone knows Leonardo da Vinci, but do you know Artemisia Gentileschi? Women in the renaissance, no matter how talented, were always degraded by men. These two admirable artists both helped society by creating new painting techniques and many more new artistic skills. However they both came from very different backgrounds and both were treated in different ways. Artemisia Gentileschi, was the daughter of a major follower of revolutionary paintings.

Much of her work is inspired by depictions of biblical stories in which she applies a feminine perspective to the female characters in the artwork. Her father was a roman artist by the name of Orazio Gentileschi and specialised in fresco paintings. She was significant in the art world as she was female artist recognised for her talent in a very male dominated period of time and area of expertise. Unjustly she was excluded from any art academies and was forced to be tutored by her Orazio’s friend and business partner, Agostino Tassi. Sadly this led to her traumatic rape by him and this heavily influenced her art and was used as a cathartic healing technique. Orazio took Agostino to trial for ‘damaging his property’ (rape trials were unheard of at this time provided it could be argued that father of the woman believed his property had been damaged), Artemisia was subject to invasive gynaecological examinations, and was tortured with thumbscrews to maintain that her story was honest. The trial was conducted in 1612 sometime after the original rape Gentileschi was 19 at this time which meant at the time of her rape she was just 17 years old. The trials verdict had been lost in history but afterwards Artemisia was married off quickly and sent away to Florence where she was accepted into the Florence Academy. After her death in 1653 a lot of Artemisia’s work was credited to either her father or other artists which neglectfully disregarded the immense talent she possessed. Today Art historians acknowledge her aptitude in art and the role she played in influencing many other

Considered one of the most important artists of the Baroque movement in Early Modern Europe, Artemisia Gentileschi, had to prove herself and break down the boundaries for a woman in a male dominated field. Artemisia was born in Rome on July 8, 1953 to Orazio and Prudentia Monotone Gentileschi, who died when the artist was only twelve years of age. Her upbringing was left to her father, who was also a well-known painter. He trained her since she was not permitted to learn in the studios of successful artists of the moment. Orazio introduced his daughter to the working artists of Rome including Caravaggio, whose tenebrism technique and chiaroscuro style had a great influence on her paintings.

Giovanni Gabrieli was an Italian composer born in 1554 and wrote many works in the ‘in between’ stage of Renaissance and Baroque. He was a composer and

"The 17th Century: Baroque and Rococo - Artemisia Gentileschi." History of Art. http://www.all-art.org/baroque/gentileschi2.html (accessed March 22, 2011)

Therefore one of his grammar school friends Domenico Ghirlandaio realized this and introduced him to the painter Domenico Ghirlandaio, his father soon realized he had no interest in becoming a banker, therefore agreed to apprentice him to the fashionable Florentine painter's workshop. Only after a year Michelangelo was offered an extraordinary opportunity to study classical sculpture in the Medici gardens.Michelangelo fled to Bologna after the death of Lorenzo the Magnificent’s death, where he continued his study.In 1495 he moved back to Florence in 1495 to begin work as a sculptor, modeling his style after masterpieces of classical antiquity. In 1498 he moved to rome where he got commissioned by Jean Bilhères de La Graulas, a representative of the French King Charles VIII to the pope, where he did the statue pieta. Upon completion he moved back to Florence where he was now seen as a prominent figure in the art industry, soon after he moved back he started work on the statue of david.After this he really blew up getting asked to do works such as decorating the ceiling of the Sistine Chapel and the creation of adam. After a brief illness, Michelangelo in 1564, coincidentally he is one of the only artists during this time to see the popularity of his art during his lifetime. Even though these two have different ways of achieving the point they are today, there's