The old man sits. His hands are folded nicely in his lap and his facial features stay composed. He wears an overcoat that seems to be a soft velvet, shaded in a reddish-violet hue. Curls peep through the cap on his head, which is pushed slightly back and to the side. His eyes gaze unto those of the observer, telling of his life; the lack of fulfillment, the need for restoration. The color of his face and the cap’s white brim are lit up against a background that nearly engulfs the outline of his body, giving an impression of incompleteness.
Although the man’s garment can be seen, it is somewhat hidden amongst the dark colors surrounding. The lines and colors that are so considerably apparent in the creation of the stark whiskers,
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Rembrandt is named as one of the greatest painters in the history of
Western art. Just as he had an enormous impact on his contemporaries, he also influenced those styles of the much later artists. His ability to combine detailed characteristics with mood and spiritual qualities made his understanding of human nature known. He showed these brilliant techniques in painting as well as drawing and etching. As he went through life, his work developed and grew, adding more colors to his palette and increasing the boldness of the brushwork. This artist’s artwork has influenced many, bringing appreciation to him and his life.
Rembrandt was born on July 15, 1606, in Leiden, the Netherlands. His family had owned a mill on the Rhine, (the river that surrounded Leiden), for at least four generations. Although his father wanted him to follow a learned profession, at the age of fifteen, Rembrandt’s amazing talent for drawing emerged. Agreeing that giving up his academic studies might be a wise thing to do, his father began supporting him in the study of art. At fist, he was apprenticed to a local master, Jacob van Swanenburgh. As he became more mature in his abilities, he then moved to Amsterdam to study with the historical painter, Pieter Lastman. Rembrandt spent six months there, mastering everything he was taught, then returned to Leiden. Here he set up a studio in his father’s house and began painting independently.
By the age of
His preferred style of painting was Romanticism. The first studio of his was set up in Boston, Massachusetts. He went to England during the War of 1812 to study art with Washington Allston, and preserved in museums both in America and in England when he became a trained painter. He became associated with Marquis de Lafayette and James Fennimore Cooper. Some of his famous paintings were Dying Hercules, Jonas Platt, The Gallery of the Louvre, and The Chapel of the Virgin at Subiaco.
some of the mediums he used to create his famous art pieces. His talent got him very far, yale.edu
Evolution is not about orthogenesis, the belief that evolution is moving in a straight direction due to a driving force.
In 1880 at the age of 27, Van Gogh moved to Brussels began taking lessons on his own. He took some lessons from his cousin by marriage. He studied some books like Travaux des champs by Jean-Francois Millet and Cours de dessin by Charles Bargue. After completing his
Even though all his work was lost, he left behind a technique which is known as skiagraphos. It was the technique to produce shadows. The topic of his paintings was common during the time period. He was mostly known for his technique. His technique was used to show the difference between lights and darks. He was also the known as the first
Johannes Vermeer was a Dutch painter born in the Netherlands on October 31, 1632. Not much is known about his personal life except for his parents were tavern keepers, and his father was an art dealer. Before long, Vermeer inherited his father’s business and ran it to help support his own family. He had eleven children. Vermeer didn’t date all of his paintings. Only three of his paintings were actually dated.
His previous interest and work in mathematics and geometry obviously helped in his study of perspective and his contemplative approach to his paintings is apparent in all his works.
His early paintings had an unconventional, unique, and unfinished look about them. The images were known to everyone in everyday life.
Each artist is an individual with a unique style, and although these styles can be similar in practice – the individuality of the artist often proves the discriminating factor for a successful artwork. Self-portraits are beneficial when looking at the individuality of the artist as there are two aspects to look at – the artist’s style, and the artist’s view of him/herself. The latter can provide a brief insight into the mental situation of the artist as well as any apparent influencing factors of the artwork. This view can often also include fragmental insights into the society and culture of the time. Rembrandt van Rijn and Vincent van Gogh are 2 artists of whom are well represented by this statement.
On July 15, 1606, Rembrandt van Rijn was born in Leiden, Holland to father Harmen Gerritszoon van Rijn and mother Cornelia Willemsdochter van Suyttbroeck. Rembrandt’s father was a mill owner, deriving his last name from the wind mill that he owned in the town of Weddesteeg, and his mother a baker’s daughter, derived from her last name “Neeltjen”. Leiden, his birthplace, was built near the river on a network on canals. In the beginning of the 1500’s, the town’s population numbered 40,000; however, after the Spanish siege of 1574, it grew to be prosperous with its industries and a university that ranked at the top of Europe’s education system.
to live for a year then returned home to become a teacher. His early poetry made his
He did have anyone to look up to, so he quit school and pursued his artistic career by signing up for an apprenticeship as a painter.
The Jesus Paper. Question 1. John’s purpose in writing the gospel is so that people might believe “that Jesus is the Christ, the Son of God, and that by believing, [one] may have life in his name” (Jn. 20:31). So, the essential identity of Jesus is “the Christ” which is a Greek word for “chosen one” or “anointed one.”
reached the age of 14. At 18 he became more serious about his art and
After college, he studied law while employed as secretary at the French embassy in The Hague. He then decided he wanted to devote his life to literature. He began